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Wrestling with the Devil: A Prison Memoir

di Ngũgĩ wa Thiong'o

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiConversazioni
653408,603 (3.88)Nessuno
"[This book] ... begins literally half an hour before [the author's release from prison] on December 12, 1978. In one extended flashback he recalls the night, a year earlier, when armed police pulled him from his home and jailed him in Kenya's ... [maximum security prisons]. There, he lives in a prison block with eighteen other political prisoners, quarantined from the general prison population. In a conscious effort to fight back the humiliation and the intended degradation of the spirit, [the author] ... decides to write a novel on toilet paper, the only paper to which he has access, a book that will become his classic, Devil on the cross. Written in the early 1980s and never before published in America, [this book is an account of the author's] drama and the challenges of writing the novel under twenty-four-hour surveillance. He captures not only the excruciating pain that comes from being cut off from his wife and children, but also the spirit of defiance that defines hope. Ultimately, [this book] is a testimony to the power of imagination to help humans break free of confinement, which is truly the story of all art."--… (altro)
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Mostra 3 di 3
Ngugi wa Thiong’o recounts the year he spent imprisoned at Kenya’s Kamiti Maximum Security Prison, all for writing a play that empowered the community but challenged the regime. Powerful, insightful, humorous at times, and a good history lesson on White colonialism in Black communities. ( )
  kristilabrie | Dec 1, 2021 |
This republished edition is really divided into two distinct parts: the first half is about Kenyan political history as a British colony, with the second half on the day-to-day injustices of being a political prisoner. Further confusing matters is the reality that the book is not structured in a linear fashion, jumping around in time from the author's arrest to the colonial times in the late 1800s/early 1900s to the country's liberation, with too many names to remember. To summarize the first half, quoting wa Thiong'o: "Pillage, plunder and murder. That was the colonial way." The only thing he forgot was imprisonment. He compares the capitulation of Kenyatta and Thuku with the long list of those for whom "detention and imprisonment couldn't break their spirits; it could at most break their bodies." He also recognizes the unity with indigenous Indians in their anti-imperialist struggle. The second half was lost on me, except for the funny story about how his drafts on toilet paper were seized (along with the final versions, which had been re-rolled), casting him into depression, until the drafts were returned ironically because of the writing. N.B.: the other rolls were eventually recovered as well.
( )
  skipstern | Jul 11, 2021 |
For fans of A Long Walk to Remember (Nelson Mandela), Wrestling with the Devil is a prison memoir that is raw and real and exposes so much of what happened in Kenya. Highly recommend. ( )
  Kristymk18 | Nov 21, 2018 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Ngũgĩ wa Thiong'oautore primariotutte le edizionicalcolato
Caball i Guerrero, JosefinaTraduttoreautore secondarioalcune edizioniconfermato
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"[This book] ... begins literally half an hour before [the author's release from prison] on December 12, 1978. In one extended flashback he recalls the night, a year earlier, when armed police pulled him from his home and jailed him in Kenya's ... [maximum security prisons]. There, he lives in a prison block with eighteen other political prisoners, quarantined from the general prison population. In a conscious effort to fight back the humiliation and the intended degradation of the spirit, [the author] ... decides to write a novel on toilet paper, the only paper to which he has access, a book that will become his classic, Devil on the cross. Written in the early 1980s and never before published in America, [this book is an account of the author's] drama and the challenges of writing the novel under twenty-four-hour surveillance. He captures not only the excruciating pain that comes from being cut off from his wife and children, but also the spirit of defiance that defines hope. Ultimately, [this book] is a testimony to the power of imagination to help humans break free of confinement, which is truly the story of all art."--

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