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"Showcasing the finest weird fiction published 2016, volume 4 of the Year’s Best Weird Fiction is our biggest and most ambitious volume to date. Acclaimed editors Helen Marshall and Michael Kelly bring their editorial acumen to the fourth volume of the Year’s Best Weird Fiction. The best weird stories of 2016 features work from Dale Bailey, Gary Budden, Octavia Cade, Indrapramit Das, Malcolm Devlin, Jeffrey Ford, Camilla Grudova, Daisy Johnson, Katie Knoll, Usman T. Malik, Sam J. Miller, Irenosen Okojie, Aki Schilz, Johanna Sinisalo, and Sarah Tolmie. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres." -- Publisher's description.… (altro)
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This was a sort of uneven collection; there were some strong pieces (my favorite was "Red") but there were also some...less strong pieces. The last story dragged on far too long and seemed to pull the book down with it. But overall this collection introduced me to some new authors I definitely want to check out in the future ( )
"Showcasing the finest weird fiction published 2016, volume 4 of the Year’s Best Weird Fiction is our biggest and most ambitious volume to date. Acclaimed editors Helen Marshall and Michael Kelly bring their editorial acumen to the fourth volume of the Year’s Best Weird Fiction. The best weird stories of 2016 features work from Dale Bailey, Gary Budden, Octavia Cade, Indrapramit Das, Malcolm Devlin, Jeffrey Ford, Camilla Grudova, Daisy Johnson, Katie Knoll, Usman T. Malik, Sam J. Miller, Irenosen Okojie, Aki Schilz, Johanna Sinisalo, and Sarah Tolmie. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres." -- Publisher's description.
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