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The Shade of Blossoms (1958)

di Shōhei Ōoka

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Ooka Shohei (1909-88) was a distinguished member of the Japanese literary establishment for more than four decades following the end of the Pacific War. He was a prolific writer & active translator of French literature, most notably the novels of Stendahl. A protege of the influential critic Kobayashi Hideo (1902-83), Ooka secured his reputation with such works as the novel Fires on the Plain & the memoir Taken Captive: A Japanese POW's Story that recount his experiences as a soldier in the Philippines during World War II. While the war was the defining experience for Ooka, his work exhibits enormous range & depth. The Shade of Blossoms, for which he was honored in 1961 with both the Mainichi & the Shincho literary prizes, is a novel of manners, & certainly the setting of the novel, the demimonde of the Ginza bar scene in the 1950s, & its subject, the aging bar hostess Yoko, seems far removed from the universe of battle. Nonetheless, The Shade of Blossoms not only shares key elements of style but also extends in important ways the moral concerns of his earlier works. The Shade of Blossoms provides a disturbing view of lives at the margins of Japanese society. Ooka's is a powerfully ethical literature that describes the inner search for meaning & identity in a world where received values have been disrupted by war on social upheavals.… (altro)
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Histoire d'une femme, entraîneuse de bar au Japon, qui se consomme et se consume. A l'approche de la quarantaine, sa beauté commence à se faner et ne suffira plus un jour à tourner la tête des hommes encore prêts à lui offrir les conditions matérielle d'une vie à l'abri du besoin. Illusion décousue et désespérée d'une femme qui ne croit finalement plus en les hommes ni en elle-même et qui n'a jamais vraiment su aimer ni se faire aimer. L'étourdissement jusqu'à l'abrutissement quotidien dans l'alcool ne remplira plus lui non plus la fonction qui lui permettait de s'oublier. Il ne lui restera pas d'autre choix que de disparaître, de se soustraire à une vie où elle n'est attendue nulle part. La scène finale du suicide où elle met soigneusement tout en œuvre pour ne pas se rater reflète une infinie tristesse.
Il est dommage que la traduction soit parfois laborieuse. Les dialogues pâtissent particulièrement de cette faiblesse en sonnant souvent assez faux. ( )
  biche1968 | May 22, 2018 |
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Ooka Shohei (1909-88) was a distinguished member of the Japanese literary establishment for more than four decades following the end of the Pacific War. He was a prolific writer & active translator of French literature, most notably the novels of Stendahl. A protege of the influential critic Kobayashi Hideo (1902-83), Ooka secured his reputation with such works as the novel Fires on the Plain & the memoir Taken Captive: A Japanese POW's Story that recount his experiences as a soldier in the Philippines during World War II. While the war was the defining experience for Ooka, his work exhibits enormous range & depth. The Shade of Blossoms, for which he was honored in 1961 with both the Mainichi & the Shincho literary prizes, is a novel of manners, & certainly the setting of the novel, the demimonde of the Ginza bar scene in the 1950s, & its subject, the aging bar hostess Yoko, seems far removed from the universe of battle. Nonetheless, The Shade of Blossoms not only shares key elements of style but also extends in important ways the moral concerns of his earlier works. The Shade of Blossoms provides a disturbing view of lives at the margins of Japanese society. Ooka's is a powerfully ethical literature that describes the inner search for meaning & identity in a world where received values have been disrupted by war on social upheavals.

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