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Women of the Dunes (2018)

di Sarah Maine

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17213159,922 (3.74)Nessuno
Libby Snow has always felt the pull of Ullaness, a spur of land on the sea-lashed coast of Western Scotland. Enshrouded in myths and legends, Ullaness was named for Ulla, a Viking maiden whose star-crossed romances and uncertain fate captured the imaginations of locals for generations, including Libby's great-great grandmother, Ellen. A maid growing up in the home of the Sturrocks, the baronetcy that now owns the fabled lands, Ellen became obsessed with the legendary Norsewoman--and even believed that she was Ulla. Now Libby, an archaeologist, has a chance to excavate the Sturrock lands for physical artifacts that will fill in the gaps of oral tradition. It's a career-making opportunity for the young academic, and a chance to separate fact from fiction in Ellen's stories. Yet, before the dig can even begin, a different kind of artifact is unearthed: the bones of a man, murdered over a hundred years ago, wearing the twin of a golden cross that Ellen passed on to Libby--important relics that might've belonged to Ulla herself. As public and private myths unfurl across centuries, a pattern of romance, violence, and tragedy emerges, revealing the invisible threads that tie Libby, Ellen, and Ulla together--and rewriting the history of Ullaness itself.… (altro)
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DNF about 60%

I enjoyed the historical mystery aspect of this book, but I didn't realize how prominent the modern-day romance plot (I'm not sure I can even call it a subplot) was going to be. This would probably have annoyed me a bit but not stopped me from finishing it, except that I really disliked the love interest, Rodri. At this point in my life, when I see a male character who's an asshole (and a little bit sexist), I just cannot care about his hidden soft side, his dead wife, or the reasons why he's secretly sad and it's actually completely understandable that he's kind of an asshole (and sexist). ( )
  xenoglossy | Aug 17, 2022 |
The first book I read by Sarah Maine was THE HOUSE BETWEEN TIDES and I was blown away by the wonderful story and the atmospheric setting. I was eager to find out if WOMEN OF THE DUNES would be as good. And it was!

To be able to effortlessly write a book with three different storylines without confusing or making any of the storylines less interesting than the others is a gift and I think that Sarah Maine has this gift. I'm so used to dual storylines that getting one with three storylines feels like an oddity, in a good way.

READ THE REST OF THE REVIEW OVER AT FRESH FICTION! ( )
  MaraBlaise | Jul 23, 2022 |
Engaging mystery/romance involving archeology, Viking legend, family dysfunction, three interconnected time periods, transpiring in Scotland. I enjoyed it. ( )
  jdukuray | Jun 23, 2021 |
A beautifully told and intriguing mystery about two generations of Scottish women united by blood, an obsession with the past, and a long-hidden body, from the author of The House Between Tides.
This is truly one of the best books I have read this year.
It has everything you need for a great story; suspense, great location, fabulous characters and a mystery that kept me guessing right up to the end of the book. If you enjoy the books of Susanna Kearsley or Kate Morton, you will enjoy this one
A definite "could not put this one down" read. 5 stars all the way. ( )
  SharleneMartinMoore | Apr 24, 2021 |
I rather enjoyed this story. I followed along with the audio, but wasn’t as pleased with the voice acting. The story takes you on a journey through the past and present weaving it together and the end result is a legend of love, betrayal and loss and ultimately understanding. ( )
  jenvwebster | Jan 25, 2021 |
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Libby Snow has always felt the pull of Ullaness, a spur of land on the sea-lashed coast of Western Scotland. Enshrouded in myths and legends, Ullaness was named for Ulla, a Viking maiden whose star-crossed romances and uncertain fate captured the imaginations of locals for generations, including Libby's great-great grandmother, Ellen. A maid growing up in the home of the Sturrocks, the baronetcy that now owns the fabled lands, Ellen became obsessed with the legendary Norsewoman--and even believed that she was Ulla. Now Libby, an archaeologist, has a chance to excavate the Sturrock lands for physical artifacts that will fill in the gaps of oral tradition. It's a career-making opportunity for the young academic, and a chance to separate fact from fiction in Ellen's stories. Yet, before the dig can even begin, a different kind of artifact is unearthed: the bones of a man, murdered over a hundred years ago, wearing the twin of a golden cross that Ellen passed on to Libby--important relics that might've belonged to Ulla herself. As public and private myths unfurl across centuries, a pattern of romance, violence, and tragedy emerges, revealing the invisible threads that tie Libby, Ellen, and Ulla together--and rewriting the history of Ullaness itself.

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