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From legendary writer Paul Levitz (THE GREAT DARKNESS SAGA) and artists Mike Grell (GREEN ARROW, Warlord), James Sherman and more comes SUPERBOY AND THE LEGION OF SUPER-HEROES. It's the long-awaited wedding of Saturn Girl and Lightning Lad, with a ceremony bringing together Legionnaires and friends from across galaxies! But amid the celebration, one guest's joy for the happy couple is mixed with apprehension: something is wrong with the 30th century, and only Superboy can see it. To figure out what happened to the Legion's future, Superboy and his friends must venture a thousand years into the past-to 1978! Plus, the Legion face off against the Worldsmith, rescue their billionaire benefactor, take over Superboy's brain and more! Continuing directly from the LEGION OF SUPER-HEROES ARCHIVES, this volume also includes stories from the ALL-NEW COLLECTORS' EDITION C-55 and DC SUPER-STARS #17.… (altro)
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Access a version of the below that includes illustrations on my blog.
The Legion of Super-Heroes Archives series stalled out at volume 13 in 2012, collecting up through Superboy and the Legion of Super-Heroes #233. The Great Darkness Saga: The Deluxe Edition picks up with issue #284, leaving a fifty-some-issue gap. Thankfully, in 2017 DC published this volume to begin to plug the gap, collecting #234-40, plus assorted other appearances from the late 1970s.
Thankfully also, it's good. The Legion Archives were wildly inconsistent. Superboy and the Legion is still somewhat inconsistent, especially since the book has no regular team, but Paul Levitz's developing writing style are beginning to make this the Legion I like best, one with character and history. Levitz is good at bringing out the characters' diverse personalities, aided by James Sherman, whose art is more interested in using different "character angles" and uses close-ups on faces to good effect. Nothing here is as serialized or as dramatic as what Levitz would later do in Great Darkness Saga, but I found it a consistently enjoyable volume, with a lot of neat standalone, character-driven adventures.
Highlights included Mon-El singlehandledly saving a science platform from a Khund assault; I particularly liked how Mike Nasser drew the space stuff in the more gritty style of DC's Time Warp, instead of the usual Legion style of cheesy early sf. I liked the exploration of Wildfire as team leader. The story where Ultra Boy is a murder suspect was a little contrived, but gave some great moments as Ultra Boy and Chameleon Boy face off against each other. It was nice to discover a little more about Dawnstar.
That's not to say it's not without its doofy low points. The Composite Legionnaire story was dumb, and the story about how Saturn Girl and Lightning Lad got married packed too much into its length: the idea of how the Time Trapper changed time seemed like it could have had more exploration.
I thought it was interesting that Levitz explained how the series could have been running so long but everyone is still a "Lad" or "Lass": the 30th century has life extension knowledge, so people in their twenties are still kids. But Superboy's mind is always wiped of that information, so that he won't be tempted to take it back to the 20th century and save the Kents! (Back in the 1970s, the Kents died before Clark became Superman.) I'm not sure it really needed attention called to it, but the idea that the future represents a temptation to Superboy is an interesting one.
From legendary writer Paul Levitz (THE GREAT DARKNESS SAGA) and artists Mike Grell (GREEN ARROW, Warlord), James Sherman and more comes SUPERBOY AND THE LEGION OF SUPER-HEROES. It's the long-awaited wedding of Saturn Girl and Lightning Lad, with a ceremony bringing together Legionnaires and friends from across galaxies! But amid the celebration, one guest's joy for the happy couple is mixed with apprehension: something is wrong with the 30th century, and only Superboy can see it. To figure out what happened to the Legion's future, Superboy and his friends must venture a thousand years into the past-to 1978! Plus, the Legion face off against the Worldsmith, rescue their billionaire benefactor, take over Superboy's brain and more! Continuing directly from the LEGION OF SUPER-HEROES ARCHIVES, this volume also includes stories from the ALL-NEW COLLECTORS' EDITION C-55 and DC SUPER-STARS #17.
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(2.5)
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The Legion of Super-Heroes Archives series stalled out at volume 13 in 2012, collecting up through Superboy and the Legion of Super-Heroes #233. The Great Darkness Saga: The Deluxe Edition picks up with issue #284, leaving a fifty-some-issue gap. Thankfully, in 2017 DC published this volume to begin to plug the gap, collecting #234-40, plus assorted other appearances from the late 1970s.
Thankfully also, it's good. The Legion Archives were wildly inconsistent. Superboy and the Legion is still somewhat inconsistent, especially since the book has no regular team, but Paul Levitz's developing writing style are beginning to make this the Legion I like best, one with character and history. Levitz is good at bringing out the characters' diverse personalities, aided by James Sherman, whose art is more interested in using different "character angles" and uses close-ups on faces to good effect. Nothing here is as serialized or as dramatic as what Levitz would later do in Great Darkness Saga, but I found it a consistently enjoyable volume, with a lot of neat standalone, character-driven adventures.
Highlights included Mon-El singlehandledly saving a science platform from a Khund assault; I particularly liked how Mike Nasser drew the space stuff in the more gritty style of DC's Time Warp, instead of the usual Legion style of cheesy early sf. I liked the exploration of Wildfire as team leader. The story where Ultra Boy is a murder suspect was a little contrived, but gave some great moments as Ultra Boy and Chameleon Boy face off against each other. It was nice to discover a little more about Dawnstar.
That's not to say it's not without its doofy low points. The Composite Legionnaire story was dumb, and the story about how Saturn Girl and Lightning Lad got married packed too much into its length: the idea of how the Time Trapper changed time seemed like it could have had more exploration.
I thought it was interesting that Levitz explained how the series could have been running so long but everyone is still a "Lad" or "Lass": the 30th century has life extension knowledge, so people in their twenties are still kids. But Superboy's mind is always wiped of that information, so that he won't be tempted to take it back to the 20th century and save the Kents! (Back in the 1970s, the Kents died before Clark became Superman.) I'm not sure it really needed attention called to it, but the idea that the future represents a temptation to Superboy is an interesting one.