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A Hundred Small Lessons: A Novel

di Ashley Hay

UtentiRecensioniPopolaritàMedia votiCitazioni
12317224,363 (3.77)4
"From the author of the highly acclaimed The Railwayman's Wife, called a "literary and literate gem" by Psychology Today, comes an emotionally resonant and profound new novel of two families, interconnected through the house that bears witness to their lives. When Elsie Gormley leaves the Brisbane house in which she has lived for more than sixty years, Lucy Kiss and her family move in, eager to establish their new life. As they settle in, Lucy and her husband Ben struggle to navigate their transformation from adventurous lovers to new parents, taking comfort in memories of their vibrant past as they begin to unearth who their future selves might be. But the house has secrets of its own, and the rooms seem to share recollections of Elsie's life with Lucy. In her nearby nursing home, Elsie traces the span of her life--the moments she can't bear to let go and the places to which she dreams of returning. Her beloved former house is at the heart of her memories of marriage, motherhood, love, and death, and the boundary between present and past becomes increasingly porous for both her and Lucy. Over the course of one hot Brisbane summer, two families' stories intersect in sudden and unexpected ways. Through the richly intertwined narratives of two ordinary, extraordinary women, Ashley Hay uses her "lyrical prose, poetic dialogue, and stunning imagery" (RT magazine) to weave an intricate, bighearted story of what it is to be human"--… (altro)
  1. 00
    Nora Webster di Colm Tóibín (Micheller7)
    Micheller7: Character study more than plot driven.
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A very emotional roller coaster of a read, it shows the pressures and realities experienced having a baby and how small decisions can have huge consequences ( )
  DebTat2 | Oct 13, 2023 |
A very mystical style of writing with a mounting suspense that is very nuanced and carved into everyday actions. ( )
  JeanneBlasberg | Apr 30, 2019 |
Lucy and Ben’s marriage seems like a typical modern marriage, both of them adjusting to the tests of new parenthood. But Lucy, marooned in a new city where she has no support network – and without the necessary initiative to form one – soon becomes quite neurotic about safety and security. She is a catastrophist who can’t enjoy a bit of peace while her husband takes the kid for a walk in the pram:
Another thing she hadn’t understood all the years before Tom came along: motherhood’s terror—extremity, catastrophe, terror. The crazy swing from love to dread that could disrupt the most nondescript day. No mother she’d known had talked of it: not her sisters, nor her mother, not the friends she’d left behind in every place they’d lived.

[Which might be because some of us never fell captive to it! My mother was a catastrophist, so I know how exasperating it is for the child.]
There were so many things to worry about—Tom himself, and the spiders in the garden; the planet; and everything in between. She couldn’t bear to watch the news. Some twins, she’d heard the edge of a report just this morning, had been starved to death by their own mother in this very city. She’d broken a plate in her hurry to switch off the radio.
Now, she scooped her phone off the counter. Ben was ringing to tell her something dreadful. Something had happened. By the river. Something had happened to Tom. (pp. 34-35)

So when odd things happen, like the disappearance of Lucy’s phone from her kitchen, overnight footmarks in the wet lawn and unexplained noises at night, the reader (like the bemused husband) is never quite sure whether Lucy is just being melodramatic or these oddities have really happened.

To read the rest of my review please visit https://anzlitlovers.com/2018/10/24/a-hundred-small-lessons-by-ashley-hay-bookre... ( )
  anzlitlovers | Oct 24, 2018 |
(7.5) My last three books have been on racism, rape and child abuse. Not my usual fare, so I opted for something light from the library. This definitely fits the bill.
A pleasant read with some nice moments of recognition on the difficult experience of elderly leaving their homes for good but too many neatly planned coincidences between the new owners and the past. An escapist read. ( )
  HelenBaker | Jun 23, 2018 |
I have very mixed feelings about this book. I am drawn to the characters and their situations: being a newish parent, having/being a parent dying, sibling relationships, parent-child relationships, late 20th century Australian life and culture - all these themes are significant to me. Reflecting on your life as you approach death brings out lots of regrets and memories of failures, and in many ways Hay deals with these in a way which encourages thoughtfulness and introspection. On the other hand I really found the contrived plot to be too distracting and detracting from the value of the book. I didn't think much of Hay's very unrealistic use of the child's words to carry the plot along...sure, I haven't lived with a toddler for a long time, but they didn't behave like Hay's does when I was younger. Maybe Ashley Hay and I just come from different parts of Australian society, but to my mind she over-romanticises the things that Australians really just take for granted. I wanted to like this book very much, but I was struggling to find enough positive response in me to give it any more than 3 stars. ( )
  oldblack | May 12, 2018 |
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. . . the people we were
who said
or omitted to say
the appropriate words . . .
The shapes we mistake
for love . . .
the shapes we mistake
for ourselves
at the edge of the water.
---JOHN BURNSIDE
"III. DE LIBERO ARBITRIO
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For Nigel Beebe, and for Hux
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It was early on a winter's morning when she fell---the shortest day if 2010, the woman on the radio said.
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There was something sweet about a story you kept to yourself.
For his first forty days a child 
is given dreams of previous lives.
Journeys, winding paths,
a hundred small lessons
and then the path is erased.
Perhaps they're both hard things, coming into new lives, or going out of old ones.
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(Click per vedere. Attenzione: può contenere anticipazioni.)
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"From the author of the highly acclaimed The Railwayman's Wife, called a "literary and literate gem" by Psychology Today, comes an emotionally resonant and profound new novel of two families, interconnected through the house that bears witness to their lives. When Elsie Gormley leaves the Brisbane house in which she has lived for more than sixty years, Lucy Kiss and her family move in, eager to establish their new life. As they settle in, Lucy and her husband Ben struggle to navigate their transformation from adventurous lovers to new parents, taking comfort in memories of their vibrant past as they begin to unearth who their future selves might be. But the house has secrets of its own, and the rooms seem to share recollections of Elsie's life with Lucy. In her nearby nursing home, Elsie traces the span of her life--the moments she can't bear to let go and the places to which she dreams of returning. Her beloved former house is at the heart of her memories of marriage, motherhood, love, and death, and the boundary between present and past becomes increasingly porous for both her and Lucy. Over the course of one hot Brisbane summer, two families' stories intersect in sudden and unexpected ways. Through the richly intertwined narratives of two ordinary, extraordinary women, Ashley Hay uses her "lyrical prose, poetic dialogue, and stunning imagery" (RT magazine) to weave an intricate, bighearted story of what it is to be human"--

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