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Holidays offer us the luxury of getting away from it all. So, in a different way, do detective stories. This collection of vintage mysteries combines both those pleasures. From a golf course at the English seaside to a pension in Paris, and from a Swiss mountain resort to the cliffs of Normandy, this new selection shows the enjoyable and unexpected ways in which crime writers have used summer holidays as a theme. These fourteen stories range widely across the golden age of British crime fiction. Stellar names from the past are well represented--Arthur Conan Doyle and G. K. Chesterton, for instance--with classic stories that have won acclaim over the decades. The collection also uncovers a wide range of hidden gems: Anthony Berkeley--whose brilliance with plot had even Agatha Christie in raptures--is represented by a story so (undeservedly) obscure that even the British Library seems not to own a copy. The stories by Phyllis Bentley and Helen Simpson are almost equally rare, despite the success which both writers achieved, while those by H. C. Bailey, Leo Bruce and the little-known Gerald Findler have seldom been reprinted.… (altro)
I didn't like this as much as [b:Capital Crimes: London Mysteries: A British Library Crime Classic|25238476|Capital Crimes London Mysteries A British Library Crime Classic|Martin Edwards|https://d.gr-assets.com/books/1427583888s/25238476.jpg|44957318] in the same series because I didn't really find any of the stories exceptional (except for the Sherlock Holmes story The Devil's Foot which opens the collection, but that feels kind of cheating) and some dragged quite a bit but I still enjoyed this trawl through the short stories of the Golden Age. Again the very short intros to each story are interesting and appreciated.
For ones I'll mention for having some particularly interesting feature:- Murder! by Arnold Bennett: The story is told from the murderer's perspective and it's not amazing but the ending has a really nice twist The police believe it's a murder but the amateur detective comes in and "proves" it was actually a suicide, remarking on the police's stupidity, allowing the murderer to get away with it
"Dr Austin Bond, having for the nth time satisfactorily demonstrated in his own unique, rapid way that police officer were a set of numskulls, bade the superintendent a most courteous good-evening, nodded amicably to the detective-sergeant, and left in triumph" A Posteriori by Helen Simpson: A part humorous take on the sensibilities of middle class women of the period travelling abroad and unravelled by their own self-importance. Also the title is a ridiculous pun Not really a mystery but I liked it. Cousin Once Removed by Michael Gilbert: A very short one but well written and the ending is a very satisfying take on "crime doesn't pay" The Vanishing of Mrs Fraser by Basil Thomson: Not especially stand out but notable because it follows the storyline of what's now an urban legend the vanishing from a hotel room where the staff say she was never there one. Contains some fun playing around with the amateur detective/police relationship stuff.
Of the ones I didn't like much I'll note that the Chesterton tale is very typical of him - a heavy handed "atheists are bad!! science means nothing without faith" type thing. It's about as well executed as such a thing can be but it made me roll my eyes a bit. A Mystery of the Sand Hills wasn't bad but very strong on the "long explicit descriptions of deductions" type thing. It was hard to follow and drew me out of the story a lot. The rest were generally enjoyable although not particularly exciting. You'll probably like it if you're into golden age mystery stuff. ( )
The juxtapositions of holiday towns and trips with murders and disappearances was unique and the book kicks off with a Sherlock Holmes mystery so, really, how could it go wrong?! Edwards did a great job digging up some rare finds to pair with the better known authors. Out of 14 stories, I really enjoyed 11 of them and plan to search out some other works from a few of the lesser-knowns.
These mysteries are set in popular European vacation spots in the early 1900s. Editor Edwards chose 14 lesser known stories by British crime writers tied loosely together by amateur detectives as the main character. The wide range of plots, criminals and settings may have readers using the short introductions to decide which stories to read first. Arthur Conan Doyle and G. K. Chesterton are two of the most well known authors included in this anthology. ( )
Holidays offer us the luxury of getting away from it all. So, in a different way, do detective stories. This collection of vintage mysteries combines both those pleasures. From a golf course at the English seaside to a pension in Paris, and from a Swiss mountain resort to the cliffs of Normandy, this new selection shows the enjoyable and unexpected ways in which crime writers have used summer holidays as a theme. These fourteen stories range widely across the golden age of British crime fiction. Stellar names from the past are well represented--Arthur Conan Doyle and G. K. Chesterton, for instance--with classic stories that have won acclaim over the decades. The collection also uncovers a wide range of hidden gems: Anthony Berkeley--whose brilliance with plot had even Agatha Christie in raptures--is represented by a story so (undeservedly) obscure that even the British Library seems not to own a copy. The stories by Phyllis Bentley and Helen Simpson are almost equally rare, despite the success which both writers achieved, while those by H. C. Bailey, Leo Bruce and the little-known Gerald Findler have seldom been reprinted.
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For ones I'll mention for having some particularly interesting feature:-
Murder! by Arnold Bennett: The story is told from the murderer's perspective and it's not amazing but the ending has a really nice twist
"Dr Austin Bond, having for the nth time satisfactorily demonstrated in his own unique, rapid way that police officer were a set of numskulls, bade the superintendent a most courteous good-evening, nodded amicably to the detective-sergeant, and left in triumph"
A Posteriori by Helen Simpson: A part humorous take on the sensibilities of middle class women of the period travelling abroad and unravelled by their own self-importance.
Cousin Once Removed by Michael Gilbert: A very short one but well written and the ending is a very satisfying take on "crime doesn't pay"
The Vanishing of Mrs Fraser by Basil Thomson: Not especially stand out but notable because it follows the storyline of what's now an urban legend
Of the ones I didn't like much I'll note that the Chesterton tale is very typical of him - a heavy handed "atheists are bad!! science means nothing without faith" type thing. It's about as well executed as such a thing can be but it made me roll my eyes a bit. A Mystery of the Sand Hills wasn't bad but very strong on the "long explicit descriptions of deductions" type thing. It was hard to follow and drew me out of the story a lot. The rest were generally enjoyable although not particularly exciting. You'll probably like it if you're into golden age mystery stuff. (