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10:04: A Novel (2014)

di Ben Lerner

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
8953924,184 (3.65)1 / 45
"A beautiful and utterly original novel about making art, love, and children during the twilight of an empire Ben Lerner's first novel, Leaving the Atocha Station, was hailed as "one of the truest (and funniest) novels. of his generation" (Lorin Stein, The New York Review of Books), "a work so luminously original in style and form as to seem like a premonition, a comet from the future" (Geoff Dyer, The Observer). Now, his second novel departs from Leaving the Atocha Station's exquisite ironies in order to explore new territories of thought and feeling. In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water. In prose that Jonathan Franzen has called "hilarious. cracklingly intelligent. and original in every sentence," Lerner captures what it's like to be alive now, when the difficulty of imagining a future has changed our relation to our present and our past. Exploring sex, friendship, medicine, memory, art, and politics, 10:04 is both a riveting work of fiction and a brilliant examination of the role fiction plays in our lives"--… (altro)
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Inglese (35)  Italiano (1)  Francese (1)  Olandese (1)  Tutte le lingue (38)
Ho letto questo libro perché, insieme con "Gli anni" di Annie Ernaux e "L'arte di collezionare mosche" di Sjöberg, l'ho visto citato come esempio di testo indicativo della direzione che sta prendendo il romanzo contemporaneo. È sicuramente il più debole dei tre a mio avviso, nonostante una traduzione ottima la quale però non riscatta l'idea di partenza, che è quella di scrivere una sorta di autobiografia romanzata che sconfina nel metaromanzo: si racconta infatti la storia della scrittura stessa del libro. Lo si fa attraverso cinque capitoli quasi slegati tra di loro, o comunque flebilmente connessi, che raccontano la vita e gli ambienti di un intellettuale americano contemporaneo. Alcuni episodi sono anche divertenti o interessanti se presi a sé, ma il tutto veramente non può definirsi romanzo, a meno che la direzione intrapresa non sia quella della dissoluzione del genere. Ciò che manca (a differenza dei due esempi precedenti) è un conflitto, un motore della storia. A me è parso soprattutto un accostamento di aneddoti personali, probabilmente mescolati con elementi inventati. Nel complesso si può leggere, ma non è il capolavoro raccontato in quarta di copertina. ( )
  glisquarcini | Aug 16, 2021 |
Set in New York City, the story features an unnamed protagonist with a modicum of literary fame, a heart condition, and a best friend who needs his assistance to conceive a child. Though graciously contributing to the start of another life, the narrator is constantly aware of his own fragile existence. This vexing awareness of time forms the core of the novel. Whether wandering through dinosaur exhibits, ruminating over the Challenger explosion, or staring at the Marfa lights, our storyteller is continually musing on the triadic relationship of the present to the unknown past and the uncertain future. VERDICT An autoethnography that skillfully weaves Back to the Future, the brontosaurus, and Ronald Reagan into a narrative about living in the moment; highly recommended.
 
“Proprioception”: The narrator of Lerner’s knotty second novel returns often to that word. It refers to the sense of where one’s own body is in relation to things, a signature theme for an author who’s determined to pinpoint exactly where he is emotionally and philosophically.... “Proprioception”: The narrator of Lerner’s knotty second novel returns often to that word. It refers to the sense of where one’s own body is in relation to things, a signature theme for an author who’s determined to pinpoint exactly where he is emotionally and philosophically....Topic A remains whether his ambition will fully connect with his art.... Provocative and thoughtful, if at times wooly and interior.
aggiunto da Lemeritus | modificaKirkus Reviews (Jul 1, 2014)
 
Poet and novelist Lerner captures in beautiful and sometimes hilarious style the rhythms, dissonances, and ambiguities of a New York City set in... well, it's hard to say exactly when it is set, disorientation being one of the book's calculated effects.... This is a modern, very New York and unique literary novel.
aggiunto da Lemeritus | modificaBooklist (sito a pagamento) (Jul 1, 2014)
 
In his second novel, an associative, self-aware roman à clef that ably blends cultures high and low, Lerner (Leaving the Atocha Station) explores the connections between contemporary life, art, and literary writing....Lerner’s insistence on showing off his skill and his display of syntactical acrobatics sometimes result in overwrought constructions that detract from the narrative momentum, but readers who can overlook the sluggish start will be rewarded with engaging streams of thought and moments of tenderness.
aggiunto da Lemeritus | modificaPublisher's Weekly (Jun 2, 2014)
 
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The Hassidim tell a story about the world to come that says that everything there will be just as it is here. Just as our room is now, so it will be in the world to come; where our baby sleeps now, there too it will sleep in the other world. And the clothes we wear in this world, those too we will wear there. Everything will be as it is now, just a little different.
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The city had converted an elevated length of abandoned railway spur into an aerial greenway and the agent and I were walking south along it in the unseasonable warmth after an outrageously expensive celebratory meal in Chelsea that included baby octopuses the chef had literally massaged to death.
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"A beautiful and utterly original novel about making art, love, and children during the twilight of an empire Ben Lerner's first novel, Leaving the Atocha Station, was hailed as "one of the truest (and funniest) novels. of his generation" (Lorin Stein, The New York Review of Books), "a work so luminously original in style and form as to seem like a premonition, a comet from the future" (Geoff Dyer, The Observer). Now, his second novel departs from Leaving the Atocha Station's exquisite ironies in order to explore new territories of thought and feeling. In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water. In prose that Jonathan Franzen has called "hilarious. cracklingly intelligent. and original in every sentence," Lerner captures what it's like to be alive now, when the difficulty of imagining a future has changed our relation to our present and our past. Exploring sex, friendship, medicine, memory, art, and politics, 10:04 is both a riveting work of fiction and a brilliant examination of the role fiction plays in our lives"--

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