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Red House: Being a Mostly Accurate Account of New England's Oldest Continuously Lived-in House (2004)

di Sarah Messer

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2147127,926 (3.63)3
In her critically acclaimed, ingenious memoir, Sarah Messer explores America's fascination with history, family, and Great Houses. Her Massachusetts childhood home had sheltered the Hatch family for 325 years when her parents bought it in 1965. The will of the house's original owner, Walter Hatch--which stipulated Red House was to be passed down, "never to be sold or mortgaged from my children and grandchildren forever"--still hung in the living room. In Red House, Messer explores the strange and enriching consequences of growing up with another family's birthright. Answering the riddle of when shelter becomes first a home and then an identity, Messer has created a classic exploration of heritage, community, and the role architecture plays in our national identity.… (altro)
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This book could have been so much better than it was - which is the truly disappointing thing.

The book tells the story of a house in southern Massachusetts that has been lived in (almost exclusively) by the same family from 1646 through the mid 1960's when a new, unrelated family, buys the house and lives there. The story is told in alternating chapters based on the historical knowledge for each generation of the original family then from the perspective of the current owners.

What went wrong is that neither perspective is well told. Knowing that there are limited records from the mid 1600's, the reader is not drawn to what happened at that time but there are long descriptions of the land and the house. My imagination couldn't really pull together what the area looked like in 1646 and how that changed in the subsequent eras. The perspective of the current residents was spotty and uneven. There is a paragraph near the end of the book, where the author (who grew up in the house as the 'current family') relays a conversation with an old boyfriend and goes into detail on what was on his tuna sandwich! I really didn't understand why the conversation (and subsequent actions) were even included never mind the tuna sandwich.

What does come across is how difficult it is to have a family house passed through the decades - the allure of history but the potential resentment that you could never create your own history but continue to live the history of your extended family. For the current family that lives there, they are living in a house with someone else history - the history they are making in their day-to-day live getting overshadowed by the history of the house and the generations of people that lived there previously.

I wanted to like this book but there is a lot that was wrong with it and not enough that drew me in. If this wasn't a book club book, I don't think I would have finished it. ( )
  mfbarry | Jan 11, 2018 |
Got to p. 87. I wish I'd read the original article. I just couldn't connect with this. It reminds me of the [a:Tracy Kidder|4770|Tracy Kidder|http://d202m5krfqbpi5.cloudfront.net/authors/1205329434p2/4770.jpg] and [a:Ian Frazier|25281|Ian Frazier|http://d202m5krfqbpi5.cloudfront.net/authors/1246138286p2/25281.jpg] and [a:William Least Heat-Moon|1254084|William Least Heat-Moon|http://d202m5krfqbpi5.cloudfront.net/authors/1266913173p2/1254084.jpg] I've read, but Kidder is the only one of the bunch that I actually want to read more of. Nothing at all wrong with Messer's book, and you may very well love it... just not for me.
  Cheryl_in_CC_NV | Jun 5, 2016 |
I'm not one for history (except when it comes to war). That being said, this is the first non-fiction piece I've ever read that managed to fuse what seems like nonsensical history together with an overall theme of meaning. I wasn't simply reading a book stating how tall the chimney of Red House is and what color it is, I was reading a book describing a house as though it was the main character.

Indeed, Red House is the main character in this story. The reader starts out becoming familiar with the dad of the family more than even the narrator, but that slowly transitions when the narrator begins her research and begins to understand what the house really means to her, her family, and the Hatch families who came before.

I'll admit, for me, even though the book was better than expected, it was still painful at times, and it almost felt like I had completed a huge challenge when I finished the book. That doesn't mean I didn't like the writing style: I enjoyed the plot, the grammar was spot-on perfect, ...but, it just wasn't my personal favorite of the year. When it comes to non-fiction, I enjoy novels more along the lines of memoirs. Yes, this book does a good job of letting you understand who the narrator is through the house, but I wanted to know more. And I think it was intentional on the author's part to not deliver that since, duh, the book is about Red House, not the author! ( )
  taletreader | May 23, 2012 |
A biography of a house. Who knew? Going back and forth between the history of the Hatch family and the autobiographical history of the author's family this book tells the story of the inhabitants of the oldest continuously lived in house is New England.

It is often difficult to take in the details of a family's life, but more so when the author is writing about hers. This is warts and all. And yet the house survives the latest residents that have no familial connection. ( )
  book58lover | Jan 6, 2010 |
The Red House is the oldest continuously lived in house in New England. It was built by Walter Hatch in 1646. When he died, he left a will sayaing that the house could never be sold. It was to be passed down from generation to generation. It was, for over 300 years, until 1965 when Sarah Messer's parents bought the house. The author alternates between telling early history of the house and her own family's history. She does this only marginallly successfully. The historical stories of the house are interesting, her family's stories are not. Some of the family stories are relevant and relate to the house, but then others seemed to be tossed in for no apparent reason.

At one point, the author describes one of her boyfriends: "He smelled like geraniums, screen doors, metal screws. Once, while walking, he grabbed a handful of apple petas and stuffed them into a tree. "There, this is you," he said."

Snippets and memories like this are tossed in amongst the house's story. It is jarring, and I found myself reading over them quickly, except some of them are just so odd, like the one above, that I tried to figure out the reasoning for including them.

I'm giving this 3 stars based on the parts having to do with the house, the rest would get zero to one stars. ( )
  scrappycat | May 16, 2009 |
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Old houses that have sheltered a family for 300 years are forever invisibly inhabited by jealous ghosts, and it is absolutely essential for any dweller therein to get them on his side.

-Richard Warren Hatch, 1966
This earthly house must be dissolved, that is the bodyes of gods children, that theire soules now dwell as in a house, and earthly house the body is...

-Increase Mather, 1687
Of those so close beside me, which are you?

-Theodore Roethke
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For my parents--who made everything possible

and

in memory of Richard Warren Hatch,

who gave us the story.
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Before the highway, the oil slick, the outflow pipe; before the blizzard, the sea monster, the Girl Scout camp; before the nudist colony and flower farm; before the tidal wave broke the river's mouth, salting the cedar forest; before the ironworks, tack factory, and shoe-peg mill; before the landing where skinny-dipping white boys jumped through berry bushes; before hayfield, ferry, oyster bed; before Daniel Webster's horses stood buried in their graves; before militiamen's talk of separating; before Unitarians and Quakers, the shipyards and mills, the nineteen barns burned in the Indian raid--even then the Hatches had already built the Red House.
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In her critically acclaimed, ingenious memoir, Sarah Messer explores America's fascination with history, family, and Great Houses. Her Massachusetts childhood home had sheltered the Hatch family for 325 years when her parents bought it in 1965. The will of the house's original owner, Walter Hatch--which stipulated Red House was to be passed down, "never to be sold or mortgaged from my children and grandchildren forever"--still hung in the living room. In Red House, Messer explores the strange and enriching consequences of growing up with another family's birthright. Answering the riddle of when shelter becomes first a home and then an identity, Messer has created a classic exploration of heritage, community, and the role architecture plays in our national identity.

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