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The Girl: A Life in the Shadow of Roman Polanski (2013)

di Samantha Geimer

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342720,768 (3.5)2
In this searing and surprising memoir, Samantha Geimer, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five-year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha-on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever-eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the US and abroad. But even with the extensive coverage, much about that day-and the girl at the center of it all-remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, The Girl reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.… (altro)
  1. 00
    Lucky Me: My Life With--and Without--My Mom, Shirley MacLaine di Sachi Parker (akblanchard)
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A great read. Honestly written and plainly spoken. A very open account of a bad situation. It filled in a lot of the details that just aren't anywhere else because, well, the media is garbage in this age of extreme dichotomies, facts don't matter, and pundits lie to control what to think, where capital-drive lurid sensation is more important than human dignity.

Samantha Geimer very much sought to decide how to react to what was inflicted upon her and not be defined by it. The media has never made that an easy feat, trying to nail her to a single narrative. Samantha defied that. Bravo!

Samantha touches lightly upon a lot of points larger than her own tale: judicial malfeasance, celebrity power and the pursuit of that glammer, society's love of the victim narrative and rape culture. I agree with her on a lot of things, differing in only a few areas, but not by much.

After having been loudly and publicly dressed down at work for mentioning Cosby raping women (not one coworker thought to interfere - so much for all that workplace anti-violence training). I let him berate me until he ran out of steam and ended the conversation with one sentence, "He admitted to all of it." My coworker slunk away mumbling, "I don't know anything about that." Rape culture is real, alive, and seeks to destroy women and anyone who dares to stand up for victims. That's why Samantha's story is so important.

We claim that we want rapists, pedophiles, and people that harm women and children punished to the full extent of the law, but act in opposition to that, instead defending and excusing perpetrators - be they priests, celebrities, or sons - letting the justice system remain broken, and destroying victims. All to make ourselves feel good.

Spoiler: Samantha has forgiven Roman for his crimes against her. That's her personal decision and beyond questioning and reproach. She understand, forgiveness is not absolving perpetrators of their crimes, as we're taught in church, but letting go of the pain and the victimhood, and moving on. As Viktor Frankl taught us, no matter how bad the situation, you are free to choose how you react. A tough lesson when society dictates how you're supposed to react. ( )
  Zcorbain | Oct 13, 2023 |
An interview with Geimer in The Guardian and a review in The Observer by Victoria Coren made me buy this book. What Geimer has to say about the nature of 'victimhood' and the media's need for victims who feed the public's desire for stories of misery that make their own lives seem better is, to me, important. Geimer repeatedly makes the point that she is a survivor, not a victim, of Polanski's crime. It is tragic that Western society is incapable of celebrating that, and prefers to cast doubt on the character of rape survivors by implying that they must be sluts because they haven't allowed the crime to cripple them. Geimer is eloquent about this. Understandably, she comes across as angry at times, and occasionally the narrative flow suffers because of the repetition of complaints. The third section of the book felt like it was going round in circles at times, and threw up some contradictory attitudes. But I haven't been raped, so can't possibly know what it's like to reconstruct your life and deal with the aftermath of violation like that. I can understand Geimer's wish to be free of the story and not be framed as a victim every time Polanski is in the news, but I agree more strongly with the argument by Jaclyn Friedman quoted in the book that "Rape is a crime against the social fabric that binds all of us together... when the perpetrator goes unpunished, it makes all of us less safe." ( )
1 vota missizicks | Oct 20, 2013 |
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In this searing and surprising memoir, Samantha Geimer, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five-year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha-on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever-eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the US and abroad. But even with the extensive coverage, much about that day-and the girl at the center of it all-remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, The Girl reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.

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