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Latro in the Mist

di Gene Wolfe

Altri autori: Vedi la sezione altri autori.

Serie: The Soldier Series (Omnibus 1-2)

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650836,123 (4.09)18
A distinguished compilation of two unforgettable fantasy novels, Soldier of the Mist and Soldier of Arete.This omnibus is the story of Latro, a Roman mercenary who was fighting in Greece when he received a head injury that deprived him of his short term memory, but gave him in return the ability to see and converse with supernatural creatures, the gods and godesses. However, Latro forgets everything when he sleeps. He writes his experiences every day in his journal, reading his journal anew each morning, and giving him a tenuous hold on himself. His story's hold on readers is powerful indeed.… (altro)
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» Vedi le 18 citazioni

I think this meanders a little too much for its own good in the second half, but overall Wolfe is still a master - the ancient world feels clearer and closer here than it does in even the Odyssey. ( )
  skolastic | Feb 2, 2021 |
This is an omnibus of two novels, Solder of the Mist and Soldier of Arete. Reviews for each can be found here:

Solder of the Mist
http://speculiction.blogspot.com/2015/02/review-of-soldier-of-mist-by-gene-wolfe...

Soldier of Arete
http://speculiction.blogspot.com/2015/03/review-of-soldier-of-arete-by-gene-wolf...
  HanJie | Mar 27, 2015 |
Beautifully written, with an intriguing premise and an interesting "unreliable" narrator. Latro, a soldier who received a head injury in the Battle of Thermopylae, has lost his short-term memory and can't recall anything that happens the day before, but Latro has also somehow gained the ability to see and interact with the various gods, ghosts, and immortals he encounters along the way. Latro in the Mist, a two-book omnibus, purports to be his journal, which he writes each day so he can read it the next day in an attempt to gain some coherency in his life. The book underscores how ephemeral one's memories can be, and it's a fascinating exploration of the relationship and distinction between memory and knowledge.

The very ending of the second book was rather confusing, though -- the POV shifted to that of another character who is apparently overfond of metaphors and poetic language, and I'm still trying to sort out what actually happened. If it weren't for that, I'd probably have given this 5 stars.

This is the first Gene Wolfe book I've read -- despite his plethora of awards, somehow he wasn't on my radar until I heard [a:Neil Gaiman|1221698|Neil Gaiman|http://photo.goodreads.com/authors/1234150163p2/1221698.jpg] effusively praise his work in a talk Gaiman gave at the Chicago Public Library this past spring. Next up is Wolfe's Book of the New Sun series, the first part of which, [b:Shadow and Claw|40992|Shadow and Claw|Gene Wolfe|http://photo.goodreads.com/books/1311996801s/40992.jpg|40575], fortuitously just came in for me at the library. ( )
  nellgwyn | Mar 30, 2013 |
I occasionally run across a book that challenges me; that makes me work for the story and enjoy the labor; that awes me with the craft of the writing. Usually these are considered “literary novels.” I also tend to find a lot of literary novels tedious, because I’m partial to the plot-driven story. But Latro in the Mist surprised me. It’s a fantasy novel because it has gods and ghosts (which may not be real, see my discussion below.) It’s a historical novel about real events set in Greece in 479 B.C., and populated with historical characters. It's also a finely crafted literary novel that makes the reader think beyond the story and characters about the nature of memory and self, friendship and loyalty, and the journey that is life.

Latro in the Mist is an omnibus of two books Soldier of the Mist (1986) and Soldier of Arete (1989); a chunky 623-page (with another 16 pages of glossary) doorstop of a book, but well worth plowing through. Gene Wolfe provides a compelling literary device to keep the reader engaged. The books are the “translated” scrolls of Latro (which can mean brigand, guerrilla, hired man, bodyguard, or pawn), a Roman mercenary who fights for the Persians in their war against Greece. In the first chapter we find that he has suffered a head wound and doesn’t remember things that happened the day before. A healer gives him a scroll and lead stylus to write what happens from day to day, so he can “remember.”

As with all curses, there is a blessing: Latro can now see and talk to gods, ghosts, dryads and other mythic creatures. A seer in the temple of “The Shining One” tells him that he has offended a goddess and must return to her temple and make amends. Thus Latro leads us on a fantastical journey, as he seeks a cure for his affliction, and a way to return to his dimly remembered home. He is captured by the Greeks and taken as a slave; makes friends with poets, merchants, whores and generals; loves an Amazon; travels the breadth of Greece and her Asian colonies; fights when necessary; and competes in the Olympics where he wins the urn that his scrolls are later found in.

But Latro is an unreliable narrator. One healer claims his visions of gods and ghosts are hallucinations. No one else sees them unless Latro touches them and in a time of intense superstition, people are inclined to “see” all kinds of apparitions. On top of that, the fictional translator tells us in the Foreword: "Latro had a disastrous penchant for abbreviation—indeed, it is rare to find him giving any but the shortest words in full; there is a distinct possibility that some abbreviations have been misread. The reader should keep in mind that all punctuation is mine; I have added details merely implied in the text in some instances and have given in full some conversations given in summary…In dealing with place names, I have followed the original writer who sometimes wrote them as he heard them, but more often translated them when he understood (or believed he understood) their meanings. ‘Tower Hill’ is probably Corinth; “the Long Coast” is surely Attica. In some cases, Latro was certainly mistaken. He seems to have heard some taciturn person referred to as having Laconic manners and to have concluded that Laconia meant “the Silent Country."

For those who like their historical fiction unadulterated, I still recommend this book. Latro is involved in actual historic events and interacts with several historic characters, including the poet Pindar and the Spartan general and regent Pausanias. In fact, knowing the real history considerably enhances the story, because it is by nature episodic and sometimes skips several days when Latro is unable to write anything. Occasionally someone else “writes” in the scroll and fills in some details that Latro has forgotten, but these are few and far between. Having some knowledge of the events of the time helps fill in the gaps. It’s this episodic nature coupled with the unreliable narration and translation that makes the reader work to keep everything straight.

In summary, I very much enjoyed this book. I was familiar with Gene Wolfe’s reputation in the science fiction/fantasy world, but had never read any of his work. Latro in the Mist has made me a fan. But it’s not for everyone. If you like your story straightforward, this omnibus will drive you crazy. If you like puzzles and don’t mind a little mental workout, you’ll love this one. ( )
  MarysGirl | Feb 24, 2011 |
Fair warning: to say that I am a fan of Gene Wolfe is an understatement!

Latro in the mist is the diary of Latro, a mercenary with amnesia, and some of his adventures in ancient Greece and other mediterranean countries. He can remember for no more than a day, and can clearly see the gods and other invisible beings.

As with much of Wolfe's writing, the themes, to me, seem to be identity and memory. Both of these are deeply investigated in a true literary sense (i.e. this is not simply a genre novel, expanding on typical genre themes or adding to what is already thought on the subject in the literary field (as opposed to e.g. the scientific field)).

In an interview Wolfe said that Latro is something of a metaphor for the United States, a genuinely decent man with great power but who cannot remember his past. To my mind this can be expanded to Western culture in general, with our enormous disdain for the past and the people of the past, stumbling into obstacles well understood because of our firm believe that what we 'see now' is right, and being open for manipulation by malicious agendas because of this naiveté.

As with all of Wolfe's work the plot is tricky and requires a VERY active reading to see through the misinformation supplied by this very unreliable narrator. It has multiple layers of understanding of the events, and is incredibly well worked and faultless. Wolfe is such an example to any other author!

Also, as with all of Wolfe's work, the characterization is superb: lively, realistic and interesting. No genre cliches, no hard-to-swallow decisions or dialogue.

The most impressive part however, for me, is the realization of the universe. He simply touches on descriptions, and I still have 'memories' of 'being there'. This amazes me! It is almost as good to me as Hemingway, and really brings the time and place to life.

Despite the depth of the themes and the trickiness of the plot, I really think that this is a fun read. It is funny, interesting and full of action. And it has depth to reward multiple readings as well. ( )
  chvdwalt | Aug 10, 2010 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Gene Wolfeautore primariotutte le edizionicalcolato
Grove, DavidImmagine di copertinaautore secondarioalcune edizioniconfermato
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A distinguished compilation of two unforgettable fantasy novels, Soldier of the Mist and Soldier of Arete.This omnibus is the story of Latro, a Roman mercenary who was fighting in Greece when he received a head injury that deprived him of his short term memory, but gave him in return the ability to see and converse with supernatural creatures, the gods and godesses. However, Latro forgets everything when he sleeps. He writes his experiences every day in his journal, reading his journal anew each morning, and giving him a tenuous hold on himself. His story's hold on readers is powerful indeed.

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