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Sto caricando le informazioni... The Merryweathers (1904)di Laura E. Richards
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Laura Elizabeth Howe Richards (1850-1943) was born in Boston, Massachusetts, to a high-profile family. During her life, she wrote over 90 books, including children's, biographies, poetry, and others. A well-known children's poem for which she is noted is the literary nonsense verse Eletelephony. In 1917, she won a Pulitzer Prize for The Life of Julia Ward Howe, a biography, which she coauthored with her sister, Maud Howe Elliott. Among her most famous works are: Queen Hildegarde (1889), Captain January (1890), Melody (1893), Marie (1894), Hildegarde's Neighbors (1895), Nautilus (1895), Three Margarets (1897), Geoffrey Strong (1901), The Green Satin Gown (1903) and The Silver Crown: Another Book of Fables (1906). Non sono state trovate descrizioni di biblioteche |
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I enjoyed this finale, which, much like Fernley House, brought together characters from both of Richards' series, and which offered some romantic conclusions to a number of the characters' stories. The romance of Gerald and Margaret, begun in Margaret Montfort and continued in Fernley House, becomes much more serious here, while Jack Ferrars and Bell Merryweather become engaged, and Phil and Peggy look like they are headed in the same direction. I was rather surprised, truth be told, that no mate was found for Gertrude, but then, perhaps Richards didn't intend this to be her final visit with these characters. I was struck, during the course of my reading, by how intellectually challenging and engaged the Merryweather family and their extended circle were. Impromptu games involving quickly-composed poetry, naming favorite quotations about the moon - Shelley, Milton, Browning, Longfellow, and Mother Goose all appear, in this context - and the singing of German lieder all featured in their day-to-day activities. Different expectations from a different time! I was also very interested in the discussion of feminine and masculine power that the girls have, midway through the book, as Margaret (who has always struck me as the author's personal favorite, and her mouthpiece, within the series) argues for the Victorian ideal of womanly influence, through feeling. Weakness as strength, and so on.
All in all, this provided another pleasant reading interlude, with engaging characters, and the occasional moment of historical and sociological interest. How I wish that Richards had written more! I may have to dig around, and see if any of her other series look promising. (