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Walt before Mickey: Disney's Early Years, 1919-1928

di Timothy S. Susanin

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For ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928, when Steamboat Willie was released. That first Disney Studio cartoon with synchronized sound made its main character--Mickey Mouse-an icon for generations. But Steamboat Willie was neither Disney's first cartoon nor Mickey Mouse's first appearance. Prior to this groundbreaking achievement, Walt Disney worked in a variety of venues and studios, refining what would become known as the Disney style. In Walt Before Mickey, 1919-1928, Timothy Susanin creates a portrait of the artist from age seventeen to the cusp of his international renown. After serving in the Red Cross in France after World War I, Walt Disney worked for advertising and commercial art in Kansas City. Walt used these experiences to create four studios-Kaycee Studios, Laugh-O-gram Films, Disney Brothers Studio, and Walt Disney Studio. Using company documents, private correspondence between Walt and his brother Roy, contemporary newspaper accounts, and new interviews with Disney's associates, Susanin traces Disney's path. The author shows Disney to be a complicated, resourceful man, especially during his early career.… (altro)
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I was gifted a copy of “Walt Before Mickey” via NetGalley in exchange for an honest review. This is no way changes my opinion or view of this book.

I enjoy biographies, autobiographies and memoires immensely, as it helps you grasp a person’s life truly. This book of course is none of the above, nor does it claim to be. However, I was hoping it would be a little more interesting then what it was. If you are looking for a timeline of Walt’s life, with a whole lot of detail about things that I personally do not feel relevant, than you may enjoy this book. However, it is not a book for everyone.

It is very obvious that the author did a great deal of research while writing “Walt before Mickey”, and in doing so, wanted to get every ounce of that research put into this book. Because of that, it is a bit overwhelming, and at times, dry.

If you are looking for a book about Walt that reads as a timeline pre-Disney (as the name states), then this is the book for you. Just know that about 50% of the book is actually research and the other 50% lists the resources used during said research.
( )
  annmwilson09 | Aug 9, 2016 |
About The Author
Currently, Timothy S. Susanin acts as the general counsel for a Fortune 500 Company. Previously, he served the Federal Government and the NAVY JAG as counsel. Obviously, Susanini is no stranger to laborious and meticulous research. Walt Before Mickey is proof of that.

The Review
By far, this is one of the most comprehensive books about any single period of Walt Disney's life. The author presents a detailed look at a very short time in Walt Disney's career when he was working professionally before the creation of Mickey Mouse. Walt Before Mickey starts with a short look at Walt's life and moves through his first jobs in Kansas City until the formation Kaycee Studios, his first studio, in 1921. The majority of the book recounts Walt's time in other Kansas City studios, the Laugh-O-Gram years and the formation of the Disney Bros. Studios in Los Angeles. As expected, the book does end before the creation of Mickey Mouse.

There are several themes throughout most Disney biographies: consistent and early failure paired with an unchallenged sense of destiny; bringing together the best people; and managing people with visionary leadership. Walt Before Mickey spends a indulgent amount of time describing such events. I have read the major biographies on Walt Disney and I am always shocked by the nexus of animation that occurred and grew out of Kansas City. Most biographers agree that the landscape of animation would be vastly different without Disney pulling together artists from his local Kansas City environs.

The strength of this book could be considered its weakness; we see an almost daily look at Walt's life. We meet all of the characters that worked with, influenced or helped a young Walt Disney as artist. It is rendered as more than a litany of names and census information yet we are accorded quite a bit of detail about everyone he worked with. The author delved deep and researched when these people married, moved and passed away. This book will prove too much for enthusiasts not vested in Walt's career.

Is it more than we need to know?
Any researcher or librarian will tell you how important the bibliography, index and notes sections are when vetting a research title. 125 of the 340 pages in this book are allocated to the research side of Susanin's endeavors. This is a boon to all future researchers. Susanin has uncovered dates and times that were previously unknown and there is never any doubt to the efficacy of the research. You might feel bogged down when you read about an individual restaurant owner--where he lived, when he married and when he died--but the information has finally been collected, preserved and presented.

This is a book that I really enjoyed; Susanin has a comfortable style that blends rote facts and figures into a pleasing narrative. I offer the admonition that this work is pretty geeky. When you have a book dedicated to a ten-year period, you are going to bring to light a lot of information.

Who Should Read This?
Obviously, devotees of Walt Disney and his career will love this book. Anyone looking to piece together a compendious view of the fledgling studios or the people that propelled Walt will find a mass of information. Fans of Michael Barrier, Didier Ghez, John Canemaker and Charles Solomon will find the research and writing enthralling. This is a book that goes deep and pulls no punches about Walt and the choices he made in Kansas City and the early days in Los Angeles. If you have an interest in scholarly research about Disney, then this is a book you need to own. ( )
  imaginerding | May 27, 2011 |
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For ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928, when Steamboat Willie was released. That first Disney Studio cartoon with synchronized sound made its main character--Mickey Mouse-an icon for generations. But Steamboat Willie was neither Disney's first cartoon nor Mickey Mouse's first appearance. Prior to this groundbreaking achievement, Walt Disney worked in a variety of venues and studios, refining what would become known as the Disney style. In Walt Before Mickey, 1919-1928, Timothy Susanin creates a portrait of the artist from age seventeen to the cusp of his international renown. After serving in the Red Cross in France after World War I, Walt Disney worked for advertising and commercial art in Kansas City. Walt used these experiences to create four studios-Kaycee Studios, Laugh-O-gram Films, Disney Brothers Studio, and Walt Disney Studio. Using company documents, private correspondence between Walt and his brother Roy, contemporary newspaper accounts, and new interviews with Disney's associates, Susanin traces Disney's path. The author shows Disney to be a complicated, resourceful man, especially during his early career.

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