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Conan, Vol. 9: Free Companions

di Tim Truman

Serie: Conan - Dark Horse (9), Conan the Cimmerian (2008) (14-21 collected)

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New Conan stories from comics legend Brian Wood, continuing the legend begun by Robert E. Howard for a new generation.
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I can still recall my entry to comics reading as an adult. It began with the early issues of Grimjack from Chicago-based First Comics, written by John Ostrander, with art by Timothy Truman. That book got me excited about the comics medium in a way that traditional capes never could, and I really liked Truman's art. In the many years since, I've come to respect Truman's own talents as a writer, and I've been pleased with the work I've seen him do on the Dark Horse Conan books. Ironically, my affection for him as an artist has not been so durable. The Free Companions collection of issues 14 and 16 through 21 of the Conan the Cimmerian title does a fine job of showcasing Truman's writing, while his art suffers by comparison to the two other artists whose work is presented in the same volume: Joe Kubert and Tomas Giorello.

Kubert's distinctive style is well-suited to sword and sorcery, and his contribution is a frame-story for "Home for the Hunt": Kubert shows the court of Khoraja, while Truman's interior tale is a recollection of Conan's Cimmerian youth. The body of the book is the "Free Companions" novella, recounting Conan's early blunders in national politics. Truman's art is central here, but it is framed by a story in Giorello's images, which continues into the epilogue "Kozaki." There are also some full-page interstitial pieces by artists Cary Nord and Joseph Michael Linsner. Of all these artists, Giorello and Nord do the best job of capturing Conan and the Hyborian Age, as far as I'm concerned.

Truman's development of a continuous narrative to cover the activities of the still-young adventuring Conan invites comparison to the many such developed by pastiche writers since the 1950s. Truman does as well as any and better than most. His work as a comics scripter is doubtless informed by his experience as an artist, and he is adept at letting the pictures carry the bulk of the storytelling, while his dialogue is credible and dynamic, and his narrator's voice captures the feel of the Robert E. Howard original.
3 vota paradoxosalpha | Jan 4, 2014 |
Conan: Free Companions is another excellent Conan graphic novel from Dark Horse Books. Writer Timothy Truman and artists Tomas Giorello and Joe Kubert, with color artist Jose Villarrubia, expand upon “events alluded to in Robert E. Howard’s Conan stories” to produce original new stories in this book. It has the requisite savage battles and warfare, the villainous treachery, and the sorcery that are part of all authentic Conan stories. The story depicts Conan as the commander of a large army. However, it also reveals an extremely beaten and vulnerable Conan who almost succumbs to his injuries, alone in a deadly wilderness environment where his enemies are still searching for him. Of course, his determined and fearless mindset, and his passion to seek revenge enables the barbarian to recover his fight-at-all-costs approach to survival. I believe this Conan graphic novel is certainly one of the best, if not the best, that I have read thus far in the Dark Horse Books series. ( )
  clark.hallman | Feb 19, 2013 |
Conan leads his Free Companions to plunder... ( )
  xavierroy | Nov 25, 2010 |
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