While murder mysteries are a dime a dozen, this one was different in who the killer was and why. ( )

hard to get into, graphic in its descriptions and I think I've read something similar or seen it in movie version. ( )

I have read lots and lots of crime novels, and usually blood and gore does not bother me. I had a hard time with this one in parts. It was especially hard when she was mean to the baby. I enjoyed the blossoming romance between Phil and Marina. ( )

Buchinfo
Entrissen - Tania Carver
Taschenbuch - 512 Seiten - ISBN-13: 978-3548283258
Verlag: Ullstein Taschenbuch - Erschienen: 10. Juni 2011 - EUR 9,99
Kurzbeschreibung
Der Serienkiller hat zum dritten Mal zugeschlagen. Die Wohnung ist in Blut getränkt, die Tote liegt gefesselt in ihrem Bett. Ihr Körper ist bizarr entstellt. Wieder ist das Opfer eine schwangere junge Frau. Von dem Kind fehlt jede Spur. Die Profilerin Marina übernimmt den Fall. Die Indizien deuten auf eine Täterin hin. Aber kann eine Frau so etwas tun? Plötzlich schlägt der Killer wieder zu. Für Marina beginnt ihr ganz persönlicher Alptraum.
Bewertung
Wieder hat Frau Carver es geschafft mich mit ihrem Thriller "Entrissen" in ihren Bann zu ziehen. Mein erstes Buch von ihr war "Der Stalker", welches schon atemberaubend spannend war. Da war mir klar "Entrissen" muss ich lesen. Und ich wurde nicht enttäuscht.
Die Schreibweise die Frau Carver an den Tag legt, lässt einen mitfiebern und zieht einen mitten ins Geschehen. Die kurzen Kapitel und die damit vorhandenen Handlungssprünge lassen die Spannung nicht abklingen, sondern bauen sie regelrecht auf.
Fazit: Ich war wieder sehr begeistert und kann dieses Buch jedem Thriller Liebhaber nur empfehlen. ( )

This book has been sitting on my shelf for a while so decided to give it a go. First time for me reading a book by Tania Carver. This book also introduces me to a whole set of new characters.

Luckily this book is the first in the series which for me is always a bonus as I prefer to read books in order. I cannot believe that this is the first as there seemed to be do much going on with past cases and characters lives. I really felt at times that I had missed out a book in the series.

The story revolves around a killer who is killing pregnant women to steal their unborn babies. Be warned this book is gory. Its been a while since ive read a book that is as gory as this.

I liked the good mix of regular characters and do feel thst I want more and will seek out the follow up books. This book was a cracking read with a good solid story and a satisfactory ending.

I enjoyed this book very much and would highly recommend it. ( )

This book was pretty good! I usually don't read books set in England but I made an exception for this one and was glad I did! ( )

Angesprochen hatte mich das Buch aufgrund, dass im Klappentext eine Psychologin zu einem Fall hinzugezogen wird, welcher einen Serienmörder verfolgt. Zudem hat auch das Cover ein bisschen mitgespielt, da es den Covern von Cody McFadyen sehr ähnelt.
Zugegeben, das Buch von Carver ist ähnlich brutal, wie die Werke von McFadyen, aber im Stil sind sie doch recht unterschiedlich. Vergleichen will und kann ich sie im Folgenden nicht.

Allgemeines

Der Fall des Teams dreht sich um Morde, bei denen schwangere Frauen aufgeschlitzt und ihnen die Babys entfernt werden. Äußerst brutal und nichts für schwache Nerven. Auch die Beschreibungen dazu, sind sehr detailreich und ekelerregend. Carver hat hier gute Arbeit geleistet, den Leser mit zu den Tatorten zu nehmen.
Das Buch spielt in England und somit musste ich mich auf den ersten Seiten an die Bezeichnungen der örtlichen Polizei gewöhnen. Das Polizeiteam besteht aus vier Hauptpersonen. Die Psychologin wird erst nach einiger Zeit hinzugezogen und ist somit nicht fest ins Team integriert, hat aber bereits in der Vergangenheit mit dem Team gearbeitet. Alles in allem ist das Buch gut überschaubar und ich hatte nie das Gefühl den Faden zu verlieren.

Aufbereitung des Themas

Ein Serienkiller, der Babys den toten Müttern entnimmt und entführt. Wieder einmal ein überraschendes brutales Thema. Aber nicht nur bei den Morden spielen Babys eine Rolle, nein auch ein Charakter ist selbst schwanger und ist somit nochmals stärker vom Thema betroffen.
Der Grund für die Morde liegt wieder einmal in der Kindheit. Carver hat dies aber so geschickt umschrieben, dass der eigentliche Grund erst ganz am Ende zum Vorschein kommt.
Das zweite „Thema“ im Buch sind die Beziehungen unter den Kollegen und Kolleginnen. Ich muss sagen, dass mich dieser starke Schwerpunkt zum Ende hin genervt hat. Ich möchte nicht wissen, wie es um die Personen und ihre Beziehungen steht, sondern wer der Mörder ist und warum gemordet wird. Diese Entwicklungen hätte Carver langsamer angehen sollen, denn es gibt einen Fortsetzungsroman in dem die Beziehungen der Personen verstärkt werden können.

Struktur

Der Aufbau des Romans ist sehr gut. Die Spannung bleibt bis zum Schluss erhalten und es gibt immer wieder eine neue Wendung, die ich als Leserin nicht erahnt habe.
Zudem wird in dem ersten Drittel des Buches immer wieder in die Sicht vom Mörder und seiner Frau gewechselt. Man weiß also immer wie es den Babys geht. Dies schadet der Spannung keinesfalls.

Sprache

Die Sprache ist durchgehend in Ordnung. Ich hatte keine Stellen, die ich sprachlich nicht verstanden habe oder die zu komplex geschrieben waren.

Zusammenfassung & Bewertung

Insgesamt gesehen ist der Thriller sehr spannend und ich habe ihn gerne gelesen. Allerdings ist er nichts für schwache Nerven. Von mir bekommt er in der Wertung Abzüge für die sehr ausführlich besprochenen Beziehungen zwischen den Kollegen und die Tatsache, dass das Profiling mir zu kurz gekommen ist.

http://moonyworld.blogger.de/stories/2335718/ ( )

Why are libraries constantly having book sales these days? Once upon a time I'm sure they had sales bi-annually or every quarter, but these days - much like the high street - the sales seem to be on constantly. This means bad things for my overcrowded bookshelves which this week became reluctant hosts to another small stash of ex-library books. 'The Surrogate' caught my eye because it seemed to promise my favourite kind of crime story: a psychological thriller.

"After a loveless, abused childhood, Phil knows evil well, but nothing in his life has prepared him for this."

The incredibly dramatic blurb can be reduced to this basic premise: a serial killer is cutting out babies from the wombs of full-term pregnant women; DI Phil Brennan thinks this killer is seriously evil; criminal profiler, Marina Esposito, is called in to help and suggests that a childless woman may be involved.

However, reducing the drama is the last thing the publishers want to happen. This killer is "sickening", the "most depraved" killer Brennan has ever encountered and "a serial killer like no other". Well, gosh. Like the blurb, the storyline feels OTT and out to shock. Attacking pregnant women? Stealing their babies from the womb? The culprit is a horror show, more a boogeyman than a person. Some readers may find this insistence on sensationalism off-putting; I simply found it underwhelming.

Perhaps surprisingly, despite the potential for gore, the murders themselves are described, during and after, in ways that successfully convey their horror but are not actually that graphic. I have quite a sensitive stomach but there was only one truly wince-inducing scene (perhaps ironically, NOT a murder) and I never had to put the book aside to compose myself. Indeed, the first death becomes almost dull: "Her lungs stopped inflating, her heart stopped beating. Her eyes closed for the final time." We get it. She died. Move on already.

The pace of the investigation is quick and there are plenty of twists and turns which help to make this quite a compelling read. Chapters are short, often only a few pages long, and end with gentle, effective cliffhangers. Chapters following the exploits of the investigating officers and Esposito are interspersed with italicised insights from the killer which emphasise how much he enjoys stalking and attacking women. This is perhaps an over-used strategy in the crime genre and there is no real novelty in its use here, but it is effective at building up tension.

The twists are largely predictable but that doesn't make them any less shocking or enjoyable. This is a book where it's probably best not to think too long or too hard about the plot though: the whole construction relies upon some big coincidences and the final twist is rather implausible, depending as it does upon a bit of a cheat.

For me the real disappointment was in the lack of psychological profiling. Esposito never actually gets round to writing her criminal profile and her contributions to the investigation mostly consist of standing in the crime scene explaining that the killer saw the women as simply carriers, husks, objects in his way. Admittedly, she does also point out that the police have the wrong guy nailed as the killer, but as no one listens to her that isn't particularly helpful. She also seems to be very attractive to lunatics, which is unfortunate to say the least and, in its regularity, slightly unconvincing.

Rather than being a psychological thriller, this is a police procedural with some insights into the mind of a killer. The police work is logical, the suspects are living clichés (the woman-beater and the adulterous husband) and there's the seemingly obligatory awkward relationship between two members of the investigative team. In short, despite Carver's best efforts to shock readers, there's nothing really that striking about the book. I found it easy to read, mildly compelling, slightly predictable and a bit too focused on the lives of the investigating team. Personally, I prefer to read about the crime-solving in crime stories; if I want romance I'll read a romance.
Tania Carver is actually a pseudonym for Martyn and Linda Waites, a husband and wife writing together. It appears to be a successful partnership as the writing doesn't feel at all disjointed in the way some team efforts can. (Hello Emlyn Rees, Josie Lloyd.)

This is Carver's debut novel and the first book in the Brennan/Esposito series, but, oddly, it feels like it must be the second. Brennan and Esposito already have a whole back-story, focused around one case in particular, the details of which unfold throughout this story. There's so much back-story that it almost feels like the book needs a prequel, but it all unfolds clearly enough as the plot develops.

More problematically, I found Esposito a rather annoying character. Her reasons for breaking up with Brennan are, frankly, daft (albeit entirely psychologically plausible) and the way she treats him and her live-in partner, Tony, is terrible. Her pregnancy seems to be little more than a plot device to make her a potential victim for the killer and I found the end of her story to be far too abrupt.

Of course, you don't have to like a character to enjoy a story, and I did enjoy this, just not as much as I thought I might. Will I read the next book in the series? Yes - but largely because I purchased 'The Creeper' at the same time as 'The Surrogate'. Despite the shocking storyline and dramatic characters, this isn't a book that I found memorable or especially interesting and I doubt that I'd make a special effort to seek out the third in the series.

Although it didn't impress me much, this book was short listed for the 2010 Theakston's Prize and is now part of a growing series (four books published so far) featuring DI Phil Brennan and Marina Esposito. In fact, despite my minor quibbles, it is a fairly good example of the genre, it's just not the revolution the over-excited blurb promises. ( )

Auf dieses Buch bin ich durch eine Leseprobe aufmerksam geworden. Danach war mir klar, dass ich dieses Buch haben muss. Am Anfang fiel es mir dann allerdings schwer, wieder hineinzukommen, da ich den Anfang ja bereits kannte und sich durch das nochmalige Lesen die Bindung an die Personen nicht einstellen wollte. Den Lesefluss hat auch die vergangene Beziehung zwischen Brennan und Esposito gestört. Da diese Beziehung von anderen Fällen überschattet war, hätte man sie durchaus aus dem Buch herauslösen und in einem zweiten Buch ausführlicher schildern können. So haben diese Rückblenden nur die aktuellen Ermittlungen unterbrochen. Die Ermittlungen werden übrigens aus den Blickwinkeln verschiedener Ermittler und des Täters verfolgt, so dass man als Leser immer ein bisschen mehr weiß, als die einzelnen Personen. Dadurch ist man ständig gespannt, wann denn nun die Fäden endlich zusammenlaufen und jeder alles weiß. Gepunktet hat Tania French außerdem bei mir mit einem "Das kann doch nicht sein" Moment, so dass das Buch am Ende doch besser als nur Mittelmaß ist. ( )

A debut novel, THE SURROGATE could be quite confrontational reading for many people. The image of unborn babies torn from their dead mother's bodies - dead themselves, or more shockingly possibly still alive is going to shock. Undoubtedly.

DI Phil Brennan, a loveless and abused child, risen to a policeman driven by a sense of responsibility, shocked himself at the nature of the crime that he is investigating is undoubtedly going to engender sympathy in readers.

The idea that there could be a woman behind these crimes, well again more shock.

And that's possibly what my major problem with this book is - everything seems to be designed to shock, the overt violence, a basic premise designed to discomfort readers, a policeman crafted to draw sympathy, a villain of such extreme villany that you have to be scared, hate, react somehow.

I will confess to being very very adverse to overt violence coupled with extreme planning and plotting, committed by a madder than mad on a day out from mad town lunatic though. That sort of scenario doesn't work for me, and instantly switches on a groan reflex that I find nearly impossible to prevent.

Whilst this is a competently written book, I found the whole scenario way too over the top, the attempts to manipulate reactions too overt and the characterisations too predictable for my taste. ( )

Brennan and Esposito Book 1