Ellen Datlow
Autore di Snow White, Blood Red
Sull'Autore
Ellen Datlow is the editor of science fiction, fantasy, and horror anthologies. She was the fiction editor of Omni magazine and Omni Online from 1981-1998. Then she was the editor of the webzine Event Horizon: Science Fiction, Fantasy, and Horror from September 1998-December 1999. She has won the mostra altro World Fantasy Award seven times, the Bram Stoker Award twice with her co-editors and the Hugo Award for Best Editor in 2002 and 2005. She currently lives in New York City and edits fiction for Scifi.com. In 2011 she was given the Life Achievement Award by the Horror Writers Association.She is a long time trustee of the Horror Writers Association. She has been the co-host of the Fantastic Fiction reading series at the KGB Bar since 2000, a series which features luminaries and up-and-comers in speculative fiction. (Bowker Author Biography) mostra meno
Fonte dell'immagine: KGB readings, NYC 2006, photo by Cory Doctorow
Serie
Opere di Ellen Datlow
The Year's Best Fantasy and Horror: Thirteenth Annual Collection (2000) — Editor & Introduction — 335 copie
The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction's Finest Voices (2008) — A cura di — 132 copie
Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland (2017) — A cura di — 119 copie
The Best of the Best Horror of the Year: 10 Years of Essential Short Horror Fiction (2018) — A cura di; Prefazione — 87 copie
Nightmare Magazine, October 2014 (Women Destroy Horror! special issue) (2014) — A cura di — 36 copie
The Years Best Fantasy & Horror 1 copia
SciFiction Originals vol.1 1 copia
Omni Magazine October 1989 — A cura di — 1 copia
Snow White, Blood Red; Black Thorn, White Rose; Ruby Slippers, Golden Tears (1995) — A cura di — 1 copia
SciFiction Originals vol 3 1 copia
SciFiction Originals vol.2 1 copia
Opere correlate
Guest of Honor: Harlan Ellison — Autore — 1 copia
Science Fiction Eye #08, Winter 1991 — Collaboratore — 1 copia
Etichette
Informazioni generali
- Data di nascita
- 1949-12-31
- Sesso
- female
- Nazionalità
- USA
- Luogo di nascita
- New York, New York, USA
- Luogo di residenza
- New York, New York, USA
- Attività lavorative
- editor
anthologist
author - Organizzazioni
- Science Fiction and Fantasy Writers of America (SFWA)
Omni
Sci Fiction - Premi e riconoscimenti
- World Fantasy Award ( [1995])
Hugo ( [2002])
Locus ( [2005])
Locus ( [2006])
Hugo ( [2005])
Science Fiction Chronicle Reader's Award ( [1991]) (mostra tutto 9)
Science Fiction Chronicle Reader's Award ( [1992])
British Fantasy Society, Karl Edward Wagner Award (2007)
Locus Award Finalist (Editor, 2017) - Agente
- Merrilee Heifetz (Writers House)
Utenti
Discussioni
THE DEEP ONES: "The Girl With the Hungry Eyes" by Fritz Leiber in The Weird Tradition (Aprile 2016)
Naked City? Ellen Datlow in Early Reviewers (Luglio 2011)
Recensioni
Liste
Premi e riconoscimenti
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 135
- Opere correlate
- 8
- Utenti
- 25,335
- Popolarità
- #826
- Voto
- 3.7
- Recensioni
- 558
- ISBN
- 431
- Lingue
- 10
- Preferito da
- 38
I was certainly not disappointed by the tales within, though these are, of course, suitable for a younger demographic than the ones I am accustomed to reading in the anthologies gathered by these two.
There are some excellent fairy tales in this book, often told from a strange new perspective - for instance, have you ever more deeply considered the story of Falada, who was The Goose Girl's horse? Nancy Farmer has, and retold it in her own way.
Or perhaps thought of what the giants thought of Jack, or how they came to live in the clouds, only reachable by a magic beanstalk? Michael Cadnum brings their story to life with incredible empathy for such usually neglected characters, and in a truly intriguing way.
Some of the fairy tales are also presented in vastly different settings than the ones we are used to when it comes to this kind of story - I think such things can be terribly effective.
Garth Nix's adaptation of Hansel and Gretel, for instance, is set in something approaching a modern city - and I must agree with his statement that being lost in cities is ever so much more terrifying than being lost in a forest.
The main characters of these fairy tales often think less like, well, something out of a fairy story, and more like someone we can empathise with - someone much like us, for all their fantastical situation or trials.
I greatly enjoyed the book, even wishing it were longer - though despite my occasional wish for more of a particular story, I suspect their teasing length is part of their charm - and will definitely be back to re-read it.… (altro)