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In recent years, the culture wars have included arguments about the way that slavery is taught and remembered in books, films, television programs, historical sites, and museums. In the first attempt to examine this phenomenon, Slavery and Public History looks at recent controversies surrounding the interpretation of slavery's history in the public arena, with contributions by such noted historians as Ira Berlin, David W. Blight, and Gary B. Nash. From the cancellation of the Library of Congress's "Back of the Big House" slavery exhibit at the request of the institution's African American employees, who found the visual images of slavery too distressing, to the public reaction to DNA findings confirming Thomas Jefferson's relationship with his slave Sally Hemings, Slavery and Public History takes on contemporary reactions to the fundamental contradiction of American history--the existence of slavery in a country dedicated to freedom--and offers a bracing analysis of how people remember their past and how the lessons they draw from it influence American politics and culture today.… (altro)
Public history, history presented in museums, parks and at historical sites, is the sharp end of scholarship. We Americans know our history. We remember what our parents, grandparents, and teachers have told us about the way things were. We have seen John Wayne die defending the Alamo, and die again building airstrips in the South Pacific. However, our historical memory is often at odds with historical fact. James Oliver Horton and Lois Horton’s 2009 book “Slavery and Public History: the Tough Stuff of American Memory” is a collection of essays examining the causes and outcomes of some recent controversies that have resulted when memory and fact collide.
All of the essays that the Hortons chose for the book are readable easy to follow. Given that a public historian's job is to present complicated issues and events in a manner acceptable to experts and understandable to school children I would not expect anything less. In fact, he difference between “historical memory” and “historical fact” a distinction I have stumbled over in the past, is better explained here than in any historiography I have read. In addition to the opening theoretical articles there are several interesting case studies presented, the controversy on the new building for the Liberty Bell and its location on the site of the Presidents House, introducing the stories of bonded servants to tours at historical sites like Monticello and “My Old Kentucky Home” Park, and reinterpreting Richmond Virginia’s public space to encourage historical tourism in the new, New South, are interesting and, for me, somewhat surprising. Edward Lnienthal wraps the book up by showing that our disconnect between our “historical memory” and our factual, documented history is not restricted to slavery or even to the United States by pointing out similar disconnects around the world.
If you have ever disagreed with something you read in a museum or on a monument you might enjoy this book. ( )
In recent years, the culture wars have included arguments about the way that slavery is taught and remembered in books, films, television programs, historical sites, and museums. In the first attempt to examine this phenomenon, Slavery and Public History looks at recent controversies surrounding the interpretation of slavery's history in the public arena, with contributions by such noted historians as Ira Berlin, David W. Blight, and Gary B. Nash. From the cancellation of the Library of Congress's "Back of the Big House" slavery exhibit at the request of the institution's African American employees, who found the visual images of slavery too distressing, to the public reaction to DNA findings confirming Thomas Jefferson's relationship with his slave Sally Hemings, Slavery and Public History takes on contemporary reactions to the fundamental contradiction of American history--the existence of slavery in a country dedicated to freedom--and offers a bracing analysis of how people remember their past and how the lessons they draw from it influence American politics and culture today.
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All of the essays that the Hortons chose for the book are readable easy to follow. Given that a public historian's job is to present complicated issues and events in a manner acceptable to experts and understandable to school children I would not expect anything less. In fact, he difference between “historical memory” and “historical fact” a distinction I have stumbled over in the past, is better explained here than in any historiography I have read. In addition to the opening theoretical articles there are several interesting case studies presented, the controversy on the new building for the Liberty Bell and its location on the site of the Presidents House, introducing the stories of bonded servants to tours at historical sites like Monticello and “My Old Kentucky Home” Park, and reinterpreting Richmond Virginia’s public space to encourage historical tourism in the new, New South, are interesting and, for me, somewhat surprising. Edward Lnienthal wraps the book up by showing that our disconnect between our “historical memory” and our factual, documented history is not restricted to slavery or even to the United States by pointing out similar disconnects around the world.
If you have ever disagreed with something you read in a museum or on a monument you might enjoy this book. (