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Sto caricando le informazioni... A Turn in the South (Vintage International) (originale 1989; edizione 1990)di V.S. Naipaul
Informazioni sull'operaA Turn in the South di V. S. Naipaul (1989)
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. En reseskildring från sydstaterna. Inte riktigt min grej men den är intressant ur många aspekter. Visar verkligen ras segregationen som funnits och fortfarande finns i USA. Många personer uttalar sig om minnen och situationen i sydstaterna. Lärorik. Ska läsa en skönlitterär bok av Naipaul. Han skriver bra och boken väcker mitt intresse för författaren It's bound to be intriguing when an opinionated intellectual from foreign parts does a book about your native land, and so it is in this case. Naipaul occasionally shines in his interviews, but at other times he just fails to connect. I don't worship at the shrine of college football, but anyone who thinks that the University of Alabama's cross-state rival is Alabama State has obviously not been paying attention. There's at least as much "Naipaul" as "South" in this book, which doesn't seem to have been the author's intention. But it's worth your time anyway, especially if you live here. nessuna recensione | aggiungi una recensione
Appartiene alle Collane EditorialiGrote ABC (657)
In the tradition of political and cultural revelation V.S. Naipaul so brilliantly made his own in Among The Believers, A Turn In The South, his first book about the United States, is a revealing, disturbing, elegiac book about the American South -- from Atlanta to Charleston, Tallahassee to Tuskegee, Nashville to Chapel Hill. "From the Trade Paperback edition." Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)975History and Geography North America Southeastern U.S.Classificazione LCVotoMedia:
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Each point raises cause for concern, but I don’t think Naipaul was trying to make sweeping generalizations with his writing as much as provide a different bias. Naipaul makes no attempt to hide his experiences as a boy in Trinidad, his education in England, or his Indian heritage. In fact, it seems that these aspects of his character may enrich his commentary. There was also an obvious attempt to let narratives and their possible meaning occur as naturally as they could under the given circumstances. He states that “travel of the sort I was doing, travel on a theme, depends on accidents: the books read on the journey, the people met." The assumption is that Naipaul was simply allowing his informants to represent themselves. Who he chose to interview, what he may have asked them, and what he hoped to find exists in tension with what these people actually said. Assuming they were accurately quoted, I believe they were diverse enough to convince the reader that Naipaul avoided one select group over another. Black radicals, jaded politicians, whimsical writers, fundamentalist Christians, yuppie businessmen, iconoclastic ideologues, and other characters speak in concert to provide an understanding, while incomplete, of particular southern mentalities. Even more surprisingly, Naipaul admits when certain people were rude to him, uninteresting or uninterested, surprisingly likable, or downright elusive, which allows the reader to intimate his biases and decipher the information accordingly.
This approach to rendering the South may be the only reasonable way to do so because to understand the South is to negotiate the different conflicting voices all speaking with supposed authority. Naipaul leaves us without an epilogue or conclusion, but can we blame him? The book is a gestalt, as is the South. There is no monolithic South and no single group has the privilege to singularly express southern identity. Any major conclusions would have inevitably been an attempt to synthesize the material into a cohesive understanding of southern identity, but that is simply not the point of the book.
Globalism, while never directly addressed, is omnipresent in the book. Naipaul draws historical parallels and connections with his birthplace of Trinidad—one informant even professes that his family at one time had a legal claim to the island. In another passage, Naipaul insinuates continuity between swept yards in the South, Trinidad, and even Japan, which to him represent the shared cultural values of order and cleanliness. Interviewees also express concern, excitement, and everything in between regarding the emerging global industrialization that is occurring in the South. Immigration, slavery, and global capitalism are all directly discussed by both the author and his informants, but no single understanding of how the South has interacted with the rest of the world is presented. In a way, the global/local intersection is implied more than it is ever stated in the book. Many of the informants seem to have an awareness of how they are perceived by the world, but most of them seem oblivious to how the world has shaped them.
At one point, Naipaul observes an “almost Indian obsession of the South with religion, the idea of life beyond the senses." This line struck me because it not only illustrates his preoccupation with southern religious life, but it draws a direct connection between his culture and the culture he is observing. It is in sentences like this that Naipaul reveals an emotional involvement with his subject. The religiosity of the South seems omnipresent to him as he speaks to each person about their experiences and opinions of the region. Honestly, it’s possible that many of his informants may have been posturing for the author, but this proves his point regardless. Whether genuine or not, it seems that most of those he spoke with felt the need to address religion to some extent as a factor in southern identity. The pioneer mentality is another reoccurring theme, but religious obsession is shown as a shared feature across all social levels. His quote also compared southern religiosity with Indian religiosity, which seems to provide a means for Naipaul to better understand and empathize with his subjects. I think the “obsession with religion” he found is better understood as an ongoing negotiation with a historical institution. Southerners are forced to define themselves within or against religious institutions because of their prominent role in Southern social life. Many of his informants most likely spoke about religion because they assume it is something with which they are expected to define themselves against. ( )