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The Complete Peanuts: 1961-1962 Dailies & Sundays

di Charles M. Schulz

Altri autori: Diana Krall (Introduzione)

Serie: Complete Peanuts (6), Peanuts

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Launching into the 1960s, Schulz adds another new cast member. Two, in fact: The obnoxious Frieda of "naturally curly hair" fame, and her inert, seemingly boneless cat Faron. The rapidly maturing Sally, who was after all just born in the previous volume, is ready to start kindergarten and not at all happy about it. Lucy and Linus' war over the security blanket escalates, with Lucy burying it, cutting it apart, and, in the longest sequence of the book, turning it into a kite and allowing it to fly away. Aauugh! In fact, Linus' life is particularly turbulent in this volume, as he is forced to wear glasses, sees the unexpected return of his favorite teacher, Miss Othmar, and coaxes Sally into the cult of the Great Pumpkin (with regrettable results).… (altro)
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In these years Sally becomes a full-fledged character, aging in time to fret about the tyranny of being sent to Kindergarten. The biggest debut is Frieda & Faron. Growing up I had no idea who Frieda was because she had the briefest lifespan of Schulz' main characters so hardly appeared in any strips after I was born. She and the other forgotten characters did appear in my hand-me-down 'Charlie Brown Dictionary' set, but that doesn't give much in the way of characterization.

The span of this comic staggers me if I really think about it. He kept up a daily strip with relatively few repeats for fifty years.

Otherwise, there is being to be a lot more interaction between Snoopy and the birds, he talks with them, allows them to rent out his doghouse for club meetings and is a rest stop during migration. Woodstock, of course, is a few years way. My favorite strips were where he befriends snowmen, only to have them melt.

Lucy's psychiatric booth gets into full swing and there was an interesting storyline where the Van Pelt's new tangerine pool table causes unrest among the mothers. They spend so much time playing during the day they forget about their children.

Complete Peanuts

Next: 'Volume Seven: 1963-1964'

Previous: 'Volume Five: 1959-1960' ( )
  ManWithAnAgenda | Aug 13, 2020 |
In the sixth volume of this comprehensive series reprinting every Peanuts strip we move closer to the classic characters we know. This two year run is a little heavy on the baseball gags, and Snoopy still vacillates between being the neighborhood dog and the more anthropomorphic adventurer of later years. Linus and Sally get some good arcs here as their personalities start to develop. Another fascinating step on the developing history of these iconic characters ( )
  gothamajp | May 30, 2020 |
As we get into the 1960s, Charles Schulz introduces Frieda into the Peanuts universe, has Sally Brown grow up and sets the groundwork for Snoopy's friendship with birds.

Frieda is a character who eventually fades out of focus later on in Peanuts run - after all, her distinguishing characteristic is her naturally curly hair (which she brings up constantly). Still, the early strips where she appears are quite enjoyable, especially when we meet her cat, Faron.

Snoopy also becomes more involved with birds and there's a neat period where Linus wears glasses for awhile - which you usually didn't see in many of the later reprint books.

Peanuts just keeps getting better and better in this volume! ( )
  maxwestart | Aug 13, 2013 |
Schulz is becoming more and more confident in his writing and artwork by this time; the artwork especially has an assured, effortless look to it. Snoopy has become a particularly intriguing character here, filled with whimsy, playfulness, and a definite awareness of his self in the universe. Charlie Brown has been called Everyman, but I think the title belongs to Snoopy. This volume introduces Frieda (and her cat, Faron), a definitely minor character marked by her self-absorption with her naturally curly hair, and her tendency to rudely critique the faults of others. Linus gets glasses here, although they would only be used sporadically, eventually to be forgotten (perhaps he got contacts). Lucy is starting to develop more of a personality as she comes out of babyhood. There is a curious skewed aging process in this strip, with some characters aging more quickly than others, until there is a near-parity in their maturations. It's a pleasure to see a fine strip again; many of these panels I have not seen since they first appeared in the newspapers. ( )
  burnit99 | Feb 18, 2007 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Charles M. Schulzautore primariotutte le edizionicalcolato
Krall, DianaIntroduzioneautore secondariotutte le edizioniconfermato
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Launching into the 1960s, Schulz adds another new cast member. Two, in fact: The obnoxious Frieda of "naturally curly hair" fame, and her inert, seemingly boneless cat Faron. The rapidly maturing Sally, who was after all just born in the previous volume, is ready to start kindergarten and not at all happy about it. Lucy and Linus' war over the security blanket escalates, with Lucy burying it, cutting it apart, and, in the longest sequence of the book, turning it into a kite and allowing it to fly away. Aauugh! In fact, Linus' life is particularly turbulent in this volume, as he is forced to wear glasses, sees the unexpected return of his favorite teacher, Miss Othmar, and coaxes Sally into the cult of the Great Pumpkin (with regrettable results).

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