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Fiction.
Literature.
HTML:It is the call Scotland Yard Superintendent Duncan Kincaid never expected â?? and one he certainly doesn't want. Victoria, his ex-wife, who walked out without an explanation more than a decade ago, asks him to look into the suicide of local poet, Lydia Brooke â?? a case that's been officially closed for five years. The troubled young writer's death, Victoria claims, might well have been murder.
No one is more surprised than Kincaid himself when he agrees to investigate â?? not even his partner and lover, Sergeant Gemma James. But it's a second death that raises the stakes and plunges Kincaid and James into a labyrinth of dark lies and lethal secrets that stretches all the way back through the twentieth century â?? a death that most assuredly is murder, one that has altered Duncan Kincaid's wo… (altro)
Out of the blue, Duncan Kincaid's ex-wife Vic contacts him after years of no communication, to ask his help. She has been working on a biography of a poet who died just five years before, an accepted suicide based on the manner of her death and her multiple previous attempts to take her own life. However, after reading through the private papers, most especially letters to the poet's mother, Vic has become convinced the other woman was murdered, and she wants Duncan to call in a favor to get the local constabulary to look into the death. No one wants to be bothered, naturally, but Duncan is persuaded that Vic's instincts might be valid.
What follows presents multiple challenges to Duncan's view of himself and his life, as well as his relationship with Gemma. The past he's digging into contains any number of secrets that the people whose lives overlapped with Vic's and the poet Lydia Brooke's might want to keep suppressed. Fans of the Bloomsbury group in general, and Rupert Brooke in particular, will enjoy the many references to that literary enclave; fans of this series will find plenty to ponder as Duncan's personal life takes a dramatic turn or two. This was good, although the major underlying secret only came to light very near the end, and the conclusion felt a bit convoluted and rushed. ( )
The fifth entry in the Duncan Kincaid & Gemma James series weaves the poetry of England’s WWI soldier-poet Rupert Brooke into a case tied to Kincaid’s former wife and the biography she's writing about another English poet. And as unlikely as it sounds, poetry in a murder mystery, it works. It breaks out of the conventional mystery format of the earlier books by focusing on the tangled emotions and conflicts between Gemma, Duncan, his ex-wife, and her Oxford University co-workers. One development in particular made picking up the next book a sure thing for me. ( )
Another fabulous mystery about Kincaid and James. Well written. I think it took me till about 3/4 through to guess the murderer. Which for me is darn good. Read these books in order to get the full character development of the main characters. ( )
Fünf Jahre nach dem Tod der Autorin Lydia Broke nimmt Superintendent Duncan Kincaid den Fall noch einmal auf. Denn seine Exfrau Vic glaubt fest an Mord und bittet ihn um Beistand. Als sie wenig später selbst umgebracht wird, verwandelt sich das Ganze für Kincaid in einen Fall von höchst persönlichem Interesse ...
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There are four ways to write a woman's life: the woman herself may tell it, in what she chooses to call an autobiography; she may tell it in what she chooses to call fiction; a biographer, woman or man, may write the woman's life in what is called a biography; or the woman may write her own life, in advance of living it, unconsciously, and without recognizing or naming the process.
CAROLYN HEILBURN, from Writing a Woman's Life
Dedica
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This book is for Terry, with gratitude for her voice, among many other things.
Incipit
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The post slid through the letter box, cascading onto the tile floor of the entry hall with a sound like the wind rustling through bamboo.
Citazioni
Ultime parole
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"It seems Lydia was the voice of vengeance, after all."
Fiction.
Literature.
HTML:It is the call Scotland Yard Superintendent Duncan Kincaid never expected â?? and one he certainly doesn't want. Victoria, his ex-wife, who walked out without an explanation more than a decade ago, asks him to look into the suicide of local poet, Lydia Brooke â?? a case that's been officially closed for five years. The troubled young writer's death, Victoria claims, might well have been murder.
No one is more surprised than Kincaid himself when he agrees to investigate â?? not even his partner and lover, Sergeant Gemma James. But it's a second death that raises the stakes and plunges Kincaid and James into a labyrinth of dark lies and lethal secrets that stretches all the way back through the twentieth century â?? a death that most assuredly is murder, one that has altered Duncan Kincaid's wo
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What follows presents multiple challenges to Duncan's view of himself and his life, as well as his relationship with Gemma. The past he's digging into contains any number of secrets that the people whose lives overlapped with Vic's and the poet Lydia Brooke's might want to keep suppressed. Fans of the Bloomsbury group in general, and Rupert Brooke in particular, will enjoy the many references to that literary enclave; fans of this series will find plenty to ponder as Duncan's personal life takes a dramatic turn or two. This was good, although the major underlying secret only came to light very near the end, and the conclusion felt a bit convoluted and rushed. (