Pro: the art. The book is absolutely loaded with illustrations, and each of the half dozen or so artists has an extremely distinct style, ranging from etching to watercolor. It's an amazingly beautiful collection.

Con: the accuracy. The book is almost as loaded with errors as it is with pictures, including boneheaded stuff like mislabeling a picture of Merry as Pippin and vice versa - in other words, things that reflect a fault not in research, but in editing. ( )

Esta enciclopedia es una delicia para el lector, una obra de arte en sí misma y el complemento ideal para conocer mejor el mundo épico de J.R.R. Tolkien. ( )

http://nwhyte.livejournal.com/1501389.html

As an encyclopedia of Middle-Earth it doesn't hold a candle to Foster's Complete Guide; odd things like mis-spellings of'Rivendell' on the second page, of Éotheéod in the title of the relevant entry, etc; separate entries (just to pick the first of very many such examples that caught my eye) in the geographical section for Amon Amarth, Mount Doom and Orodruin despite them all being the same mountain (and not explaining what languages the first and third names are in); and absolutely no cross-referencing at all.

But the point probably isn't the text but the art, scenes and places and people from Middle-Earth (not from other works) as imagined by nineteen different illustrators, all of them excellent; I hope it isn't invidious to name Rachel Chilton as particularly grabbing my attention with her Window of the Sunset (Henneth Annûn), Zirak-Zigil and Dead Men on Dunharrow because I liked pretty much all the rest. So if I look at it as an inexpensive book of very good Tolkien illustrations, rather than a cheap and bitty encyclopedia, I actually rather like it. ( )

This is a work that attempts to live up to its title: it includes an introduction to Tolkien’s published works (not just related to Middle Earth), then rushes straight into chapters on history, geography, peoples and nations (pretentiously called sociology here), natural history and a Who’s Who in Middle Earth, finally ending with indices and acknowledgements. Because David Day doesn’t just limit himself to The Hobbit and The Lord of the Rings, there are charts and maps that help to place the War of the Ring in context, and the whole is profusely illustrated by nearly a score of artists.

I can’t vouch for the accuracy of all of the information — much of it seems to be authoritative but other critics have commented on inconsistent spelling and editing. For a borderline fan like me, whose interest is limited to The Hobbit and The Lord of the Rings, one can only marvel at the obsessiveness that tries to chronicle, catalogue and categorise every aspect of Middle Earth. If only cross-referencing was included this would make the reader’s life much easier; as it is, one has to keep turning back to a very densely printed General Index to make the connections. As for the text itself, this is no great work of literature: there is some attempt at epic writing — “to no avail”, “so it was at the final moment” and so on — but it seems all very clumsy and a poor imitation of Tolkien’s already flowery mock-medieval language.

For me it’s the illustrations that make the book even though their quality is variable: of the principal illustrators Ivan Allen, Rachel Chilton, Lidia Postma and Sally Davies are outstanding, while Andrew Mockett is a mere doodler and I can take or leave (mostly leave) the rest. There are line drawings, maps, timelines and paintings in styles ranging from faintly medieval to Impressionist, from pen-and-ink wash through woodcut to oils. If not for these I would imagine there are better researched and presented Middle Earth reference books.

http://calmgrove.wordpress.com/2014/01/04/illustrated/ ( )

Not always particularly accurate but the pictures are worth the price of the book. There are all kinds of pictures from all kinds of artists. ( )