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The Road Not Taken and Other Poems (Dover…
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The Road Not Taken and Other Poems (Dover Thrift Editions) (originale 1916; edizione 2016)

di Robert Frost (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
1,2581015,310 (4.16)12
"Two roads diverged in a wood, and I I took the one less traveled by, And that has made all the difference. "These deceptively simple lines from the title poem of this collection suggest Robert Frost at his most representative: the language is simple, clear and colloquial, yet dense with meaning and wider significance. Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism. Now a selection of the best of his early works is available in this volume, originally published in 1916 under the title Mountain Interval. Included are many moving and expressive poems: "An Old Man's Winter Night," "In the Home Stretch," "Meeting and Passing," "Putting In the Seed," "A Time to Talk," "The Hill Wife," "The Exposed Nest," "The Sound of Trees" and more. All are reprinted here complete and unabridged. Includes "The Road Not Taken."… (altro)
Utente:JMigotsky
Titolo:The Road Not Taken and Other Poems (Dover Thrift Editions)
Autori:Robert Frost (Autore)
Info:Dover Publications, Incorporated (1993), Edition: Reprint, Unabridged, 64 pages
Collezioni:In lettura, Da leggere, Letti ma non posseduti
Voto:*****
Etichette:to-read, goodreads

Informazioni sull'opera

Mountain Interval di Robert Frost (1916)

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For one hundred years, Robert Frost’s “The Road Not Taken” has enchanted and challenged readers with its deceptively simple premise—a person reaches a fork in the road, facing a choice full of doubt and possibility. The Road Not Taken and Other Poems presents Frost’s best-loved poem along with other works from his brilliant early years, including such poems as “After Apple-Picking,” “The Oven Bird,” and “Mending Wall.” Award-winning poet and critic David Orr’s introduction discusses why Frost remains so central (if often misunderstood) in American culture and how the beautiful intricacy of his poetry keeps inviting generation after generation to search for meaning in his work.
  Daniel464 | May 15, 2022 |
Well, inspired by Maurice and Donald, I decided to take a whack at some poetry. Relatively classic, but I thought a safe beginning. I have to say that some of them were a bit of torture for me, and some I really quite enjoyed. I suppose I do like some poetry then eh? Always good to try new things now and then. Though, I did read it in bits over a few weeks, and I'm not sure I would enjoy reading poetry exclusively...there is some that I appreciate and that is good to know. ( )
  Amelia1989 | Jun 10, 2019 |
Choices of past seem to be a theme with me lately it seems. Recently I was induced to read a collection of poetry for my book group. Luckily for me, one of America’s most beloved poets, Robert Frost, was chosen.
From Frost’s many collections, my friend chose Mountain Interval. These 30 poems were originally published in 1916. However, Frost made several changes to the collection’s sequencing and released the new (and improved?) edition in 1920.
I’ve read both the 1916 version and the 1920 version (thank God for libraries), and I don’t feel that it makes any difference as to the order. This collection contains one of the most well-known and cherished pieces of prose in American history: “The Road Not Taken.”
The collection is divided into six sections: Christmas Trees (probably my favorite ones), In the Home Stretch, Birches, The Hill Wife, The Bonfire, and Snow (my second favorite). Do I see another pattern here with the winter? Yes, I do love winter. And snow.
I give Mountain Interval 5 out of 5 stars ( )
  juliecracchiolo | Feb 16, 2018 |
Frost is one of the few great poets who can write narrative verse, including conversation, and have it work both as story and as verse. This collection is held together by a theme of the relationship between humans, each other, and the natural world. There is cruelty, often unintentional or unknowing. But there is beauty in the intersection and the conflicts that result.

"The Road Not Taken" leaves its ambiguous ending hanging there: is it celebration, regret, or is it a facile narrator missing his own point? And in "Snow" the complexities of human feelings swirl with the storm that challenges Meserve to heroism or is it foolishness, or is it love for his wife?

Frost has often been underestimated, more by his fans than by some post-modernists who seem to loathe his writing. This collection bears rereading and savoring for its depths. ( )
  dasam | Jul 25, 2017 |
"Birches", "Snow", "The Bonfire" and others quite good.
  Sopoforic | Apr 30, 2017 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Robert Frostautore primariotutte le edizionicalcolato
Applebaum, StanleyA cura diautore secondarioalcune edizioniconfermato
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TO YOU
WHO LEAST NEED REMINDING
that before this interval of the South Branch under black mountains there was another interval, the Upper Plymouth, where we walked in spring beyond the covered bridge; but that the first interval of all was the old farm, our brook interval, so called by the man we had it from in sale.
Incipit
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Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
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Originally Mountain Interval, re-published by Dover Publications as The Road Not Taken and Other Poems. re-published by Penguin as The Road Not Taken and Other Early Poems
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"Two roads diverged in a wood, and I I took the one less traveled by, And that has made all the difference. "These deceptively simple lines from the title poem of this collection suggest Robert Frost at his most representative: the language is simple, clear and colloquial, yet dense with meaning and wider significance. Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism. Now a selection of the best of his early works is available in this volume, originally published in 1916 under the title Mountain Interval. Included are many moving and expressive poems: "An Old Man's Winter Night," "In the Home Stretch," "Meeting and Passing," "Putting In the Seed," "A Time to Talk," "The Hill Wife," "The Exposed Nest," "The Sound of Trees" and more. All are reprinted here complete and unabridged. Includes "The Road Not Taken."

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