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A Tale Etched in Blood and Hard Black Pencil (2006)

di Christopher Brookmyre

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5331445,425 (3.78)57
We could tell you about the bodies. We could tell you their names, where they were found, the state they were in. We could tell you about the suspects too, the evidence, the investigators; join a few dots, even throw you a motive. But what would be the point? You're going to make your own assumptions anyway. After all, you know these people, don't you? You went to school with them. We all did. Granted, that was twenty years ago, but how much does anybody really change? Exactly. So if you really knew them then, you'll already have all the answers. If you really knew them then... Put on your uniform and line up in an orderly fashion for the funniest and most accurate trip back to the classroom you are likely to read, as well as a murder mystery like nothing that has gone before it. Forget the forensics: only once you've been through school with this painfully believable cast of characters will you be equipped to work out what really happened decades later. Even then, you'll probably guess wrong and be made to stand in the corner.… (altro)
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» Vedi le 57 citazioni

I loved Brookmyre since I discovered the Jack Parlabane series. The language is amazing, funny and without bows and twirls, somehow grueseome too (but we love this, don't we?) peppered with Scottish expressions and all the way through full of the typical Scottish wit, so fun! Loved the story told jumping back and forth in time, a more true picture of what happened at school back in the 70s and early 80s I can tell, teachers and pupils altogether. Thanks so much for the brief glossary at the end of the book: it helped me to identify some Scottish expressions that were very much cryptic to someone whose mother tongue is not English, so thanks! and yes...I am already looking to add to my TBR list more of this author. ( )
  MissYowlYY | Jun 12, 2020 |
really fun ( )
  Felicity-Smith | May 29, 2016 |
This is nominally a crime novel, but with an interesting twist, in that the roots of the crime lay in the childhoods of the characters involved, all of which means we could go on a hilarious tour through their primary/secondary school years. This author has a firm handle on what makes children tick, and the shifting nature of friendships, as well as how incredibly cruel they can be to one another. I always wondered what rules governed the apparent free-for-all football sessions that went on during every break and lunch time at school, and now it has all been explained for me! There were some tremendous comedy set-pieces here too: the Betamax chapter was a particular highlight. I didn't fully understand the present-day crime sections: it was all a bit too complicated for my little brain, but with a back-story this good, who cares. ( )
  jayne_charles | Jan 4, 2016 |
Going back and forth from the present to the past, this tells of the murder of two men, the arrest of two more, the arresting officer and a big-time lawyer. The fact that everyone involved has been connected to one another either by blood or by being schoolmates in a small Scottish village is examined, as well as how being labeled as a "brain" or "thief" affected their lives.

Really well done, with complex, realistic characters that evolve as they age. There's also a useful glossary of Scottish words explained, such as "haun: the end of the forelimb on human beings, monkeys, etc. utilizing opposable thumbs in order to grasp objects. Also the appendages dragged along the ground at the end of Old Firm supporters' sleeves." ( )
  mstrust | Apr 27, 2015 |
This is a fantastic title, but I've felt very restless with this book. Probably a case of the wrong book at the wrong time, as I normally enjoy Brookmyre's work and did enjoy some aspects of this particular book, but not enough to continue. This tells two parallel stories: one is set in the past and follows a group of children at a primary school, and the second is a murder investigation in the present day involving some of those children, now grown up. The past story is highly amusing (and disgusting; bodily humour is a key part of primary-school life, so if that's not your thing, fair warning), but I found myself getting the cast of characters mixed up, and then when the present-day story came back, it wasn't long enough for me to remember who was who. I'll have to try this one again another time.
  rabbitprincess | Nov 30, 2014 |

This starts with a blizzard of expletives as a pair of former classmates attempt, comically unsuccessfully, to get rid of two bodies. One of them is soon picked up by the police but the other is gravely ill in hospital after being stabbed in the eye. The first suspect asks for another former classmate, Martin Jackson, now a successful media lawyer in London, to help clear him.

The female Detective Superintendent in charge of investigating the case is also a former classmate.

While I did not require it I can understand why Brookmyre (or his publishers) thought it necessary to include a glossary at the back. Anyone not brought up in Scotland - probably the west of Scotland at that - might otherwise barely decipher a fair bit of the dialogue and prose. Said glossary is a mine of delightful usages, Brookmyre’s predilections (diddies is defined not only as mammary glands but also as, “See Greenock Morton FC,” plus there are repeated references to St Mirren wins over the Old Firm and sore points about refereeing decisions against them about which Brookmyre is clearly not bitter, not at all, and various derogatory terms are said to apply to Scottish broadsheet literary critics, about whom ditto) and is also extremely funny to those in the know, especially about the seat of the intelligences of Old Firm supporters.

The portrayal by Brookmyre of a West of Scotland (Paisley) Catholic schooling is bleak, not so much because of the adults in authority - though they get their fair share of disapprobation - but for the apparently unremitting viciousness and one-upmanship of the children one to another.

As to the novel’s flaws, jump cuts are frequent and sudden, there are too many characters, the murder plot which is used to draw us in to the action is perfunctory at best and some of the clues necessary to unravelling the mystery are given far too late but Brookmyre’s focus is more on the children’s school lives.

The glossary at the end is alone worth the admission, though.

One quibble. North of the Clyde the word skoosh is very definitely reserved for a carbonated drink - scoosh is what it does when you open the bottle after all – and never, as Brookmyre has it, for the uncarbonated variety.
aggiunto da jackdeighton | modificaA Son Of The Rock, Jack Deighton (Dec 12, 2010)
 
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For Gerard Docherty and Allan McGuire.

And in memory of David Welsh.

Twenty years on, I'm not missing you any less.
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'Are they deid? Jesus Johnnybags, are they both deid? Fuck's sake, man, answer us. Fuck's sake.'
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We could tell you about the bodies. We could tell you their names, where they were found, the state they were in. We could tell you about the suspects too, the evidence, the investigators; join a few dots, even throw you a motive. But what would be the point? You're going to make your own assumptions anyway. After all, you know these people, don't you? You went to school with them. We all did. Granted, that was twenty years ago, but how much does anybody really change? Exactly. So if you really knew them then, you'll already have all the answers. If you really knew them then... Put on your uniform and line up in an orderly fashion for the funniest and most accurate trip back to the classroom you are likely to read, as well as a murder mystery like nothing that has gone before it. Forget the forensics: only once you've been through school with this painfully believable cast of characters will you be equipped to work out what really happened decades later. Even then, you'll probably guess wrong and be made to stand in the corner.

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