Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

James Fairfax

di Jane Austen, Adam Campan (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
1621,302,493 (4)1
Same-sex marriage in Jane Austen's Regency England! In this stunning, gender-bending, stylish dance-of-manners version of Jane Austen's beloved classic novel Emma¿an alternate Regency where gay marriage is commonplace and love is gender-blind¿matchmaking Emma Woodhouse tries to find a suitable spouse for her lover Harriet Smith, and is embroiled in the secrets of the relationship between the mysterious and accomplished James Fairfax and the handsome Frank Churchill...… (altro)
Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi 1 citazione

Mostra 2 di 2
(This duplicates my review on LJ.)

Genderbending and gender flips are popular these days, whether it's putting Disney princesses in their princes' outfits or designing gender-flipped casts for movies. One interesting example I came across recently is James Fairfax, a retelling of Jane Austen's Emma, by Adam Campan.

In this retelling quiet, reserved secondary-character-with-a-secret Jane Fairfax becomes James Fairfax. That's change no. 1. But the story also posits that progressive Enlightenment thought and the affections of certain royal personages has resulted in same-sex marriages becoming legal and, by the time the action of the story takes place, widely accepted.

Campan weaves information that establishes the resultant differences in expectation and behavior into Jane Austen's prose, so that this alternative reality seems entirely natural for the times. For example, when it comes to dancing,and dancing partners:

Young ladies, unless secure in their powers of attaching partners, much preferred a bal nouveau, as the new rule permitted women to ask partners to dance. Thus no woman must sit at the side wishing to dance, given enough possible partners in attendance.

and later:

James was on the other side of the room, being pressed to dance by Miss Anne Cox and the eldest Miss Cole, who were pushed aside by Mr. Thomas Cole, who wanted a fast and boisterous male partner for the gavotte. The girls went off to take their place in the forming line, followed by James Fairfax and Mr. Thomas Cole.


Because same-sex attachments are not an issue, Emma's distress over Mr. Knightley's possible romantic interest in Jane Fairfax translates easily enough when her friend Mrs. Taylor suggests the same possibility regarding James Fairfax:

“Mr. Knightley!--Mr. Knightley must not fall in love!”

“Why not? You would deny him happiness?”

“Oh! No, not at all.”

“Well, then. Surely you are not a traditionalist?”

“I am only a traditionalist in believing that one must marry for better reasons than one’s admiration of another’s playing of Bach ... Mr. Knightley in love? Mr. Knightley marry? No, I have never had such an idea, and I cannot adopt it now.”

It's a wonderful conjuring, this past in which same-sex courtship and marriage are simply not an issue. It made me a little wistful, reading it!

If you're intrigued by this type of literary play, and if you enjoy Emma, I highly recommend it.


( )
1 vota FrancescaForrest | May 12, 2014 |
(This duplicates my review on LJ.)

Genderbending and gender flips are popular these days, whether it's putting Disney princesses in their princes' outfits or designing gender-flipped casts for movies. One interesting example I came across recently is James Fairfax, a retelling of Jane Austen's Emma, by Adam Campan.

In this retelling quiet, reserved secondary-character-with-a-secret Jane Fairfax becomes James Fairfax. That's change no. 1. But the story also posits that progressive Enlightenment thought and the affections of certain royal personages has resulted in same-sex marriages becoming legal and, by the time the action of the story takes place, widely accepted.

Campan weaves information that establishes the resultant differences in expectation and behavior into Jane Austen's prose, so that this alternative reality seems entirely natural for the times. For example, when it comes to dancing,and dancing partners:

Young ladies, unless secure in their powers of attaching partners, much preferred a bal nouveau, as the new rule permitted women to ask partners to dance. Thus no woman must sit at the side wishing to dance, given enough possible partners in attendance.

and later:

James was on the other side of the room, being pressed to dance by Miss Anne Cox and the eldest Miss Cole, who were pushed aside by Mr. Thomas Cole, who wanted a fast and boisterous male partner for the gavotte. The girls went off to take their place in the forming line, followed by James Fairfax and Mr. Thomas Cole.


Because same-sex attachments are not an issue, Emma's distress over Mr. Knightley's possible romantic interest in Jane Fairfax translates easily enough when her friend Mrs. Taylor suggests the same possibility regarding James Fairfax:

“Mr. Knightley!--Mr. Knightley must not fall in love!”

“Why not? You would deny him happiness?”

“Oh! No, not at all.”

“Well, then. Surely you are not a traditionalist?”

“I am only a traditionalist in believing that one must marry for better reasons than one’s admiration of another’s playing of Bach ... Mr. Knightley in love? Mr. Knightley marry? No, I have never had such an idea, and I cannot adopt it now.”

It's a wonderful conjuring, this past in which same-sex courtship and marriage are simply not an issue. It made me a little wistful, reading it!

If you're intrigued by this type of literary play, and if you enjoy Emma, I highly recommend it.


( )
  FrancescaForrest | May 12, 2014 |
Mostra 2 di 2
The time is perhaps ripe for a gay/lesbian take on one of Austen’s novels. One could imagine, for instance, a young Edmund or Edward Woodhouse—handsome, rich and opinionated—who finds himself after various misadventures drawn to the excellent Mr. Knightley. Whether dealing with a hero or a heroine, one could in such a novel explore some aspects of Georgian and Regency sexuality: the secretive, but not yet illegal world of gay men; the more anxiety-provoking ideas of incest, as expressed both in the popular novel The Monk and in the public’s attitudes towards Lord Byron’s alleged affair with his half-sister; the Ladies of Llangollen; the Hell-Fire Club and so on. A novel such as this would require research, reflection and creativity.

To produce a “gay romance” it is not, however, sufficient to take an e-text of Emma and use the global “search and replace” function to change “Jane Fairfax” to “James Fairfax,” transform “Mr. Weston” into “Mrs. Weston” and have that wealthy and genial widow woo and win Miss Taylor, who upon her marriage to Mrs. Weston rather confusingly becomes Mrs. Taylor, turn all the “she saids” to “he saids,” and then dust off one’s hands and call it a day.
aggiunto da AustenBlog | modificaAustenBlog, Allison T. (Aug 3, 2009)
 

» Aggiungi altri autori

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Jane Austenautore primariotutte le edizionicalcolato
Campan, AdamAutoreautore principaletutte le edizioniconfermato

È una risposta a

Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Luoghi significativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

Same-sex marriage in Jane Austen's Regency England! In this stunning, gender-bending, stylish dance-of-manners version of Jane Austen's beloved classic novel Emma¿an alternate Regency where gay marriage is commonplace and love is gender-blind¿matchmaking Emma Woodhouse tries to find a suitable spouse for her lover Harriet Smith, and is embroiled in the secrets of the relationship between the mysterious and accomplished James Fairfax and the handsome Frank Churchill...

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (4)
0.5
1
1.5
2
2.5
3 1
3.5
4
4.5
5 1

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 204,508,128 libri! | Barra superiore: Sempre visibile