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Il prato di camomilla (1984)

di Mary Wesley

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
8652124,913 (3.73)132
Behind the large house, the fragrant camomile lawn stretches down to the Cornish cliffs. Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war. years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.… (altro)
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» Vedi le 132 citazioni

This was an unexpectedly good read. Mary Wesley presented another side of war - how people tried to live their lives normally during wartime. Unlike Louis de Bernieres' The Dust that Falls from Dreams which is similar in background, The Camomile Lawn is a much niftier read, and one that slightly pulls your heartstrings at how hard the characters are trying to live their lives. What you have to get used to is the quick change of perspectives and scenes without warning, and you have to find your bearings on where the plot is at. ( )
  siok | May 14, 2023 |
Idyllisch uitgangspunt: een laatste familiereünie van neven en nichten op het landgoed van hun oom in Cornwall. Candlelight dinner in de kamillebloemenwei op de vooravond van Wereldoorlog II. Via flashbacks en door de ogen van alle betrokkeken zien we de oorlog passeren, de jongens naar het front vertrekken en gehavend al dan niet terugkomen. De meisjes of vrouwen genieten van de vrijheid die deze tijd hun biedt. Tweede en langere deel is wanneer de betrokkenen op weg zijn naar de begrafenis van Max, een spilfiguur (wie niet?) in dit verhaal. Gesprekken onderweg en flashbacks in de hoofden verhelderen de onderlinge verhoudingen, weven het verhaal aaneen tot een homogeen iets. Figuren die bijblijven: het intrigerende kind Sophy, de koele maar mooie Calypso, de op en top Engelse landlord Richard, Monika, de Oostenrijkse die kookt en boert en zorgt, de onsympathieke Helena... Lees, laat je meeslepen en geniet! ( )
  Baukis | Feb 28, 2022 |
Ar first I thought this was a light period piece, a novel of manners set in that ever-enticing milieu -- the British upper class. But as it progresses it turns into something deeper, darker, and certainly sexier. Most of the book is set in England during WWII, though the main narrative is interspersed with scenes around a funeral in the mid-1980's. It follows a dozen people; five young cousins, three men with whom they are involved, their aunt and uncle, and a pair of Jewish refugees. The permutations and combinations within this group are many, various, and sometimes startling. And so are the ways they confront the desperate perils of the war, and the more gradual pains of growing older. A terrific read: makes me want to read more by the same author. ( )
1 vota annbury | Jun 7, 2021 |
17/2020. Warning for paedophilia. ( )
  spiralsheep | Jan 25, 2020 |
Conventional upper-middle class cousins and friends embark on unconventional sex and love life once World War II disrupts the social order. Written in the Nineteen Eighties, this story sometimes seems to act as a plea to readers to remember that baby-boomers were not the first cohort to flout sexual mores. Ms Wesley would insist it was 1939 when the revolution happened.
There's a disappointing lack of character development for such a large cast, except perhaps for the wilful Calypso; and the split in narrative between the war years, and a funeral in the Eighties doesn't help the coherence.
  ivanfranko | Dec 16, 2019 |
Mary Wesley's The Camomile Lawn is instantly seductive. We quickly know, without any laborious feeling that we are being force-fed information, what Helena is like, and what her husband Richard is like, and why. Before we meet them - or before they arrive off the London train - we know about their nephews and nieces, Calypso, Walter, Polly and Oliver, whose stories we shall be following. We know about 10-year-old Sophy, and Helena's dislike of her; and we see fortyish Helena in her deckchair through Sophy's eyes, as she perches unseen in the ilex tree. We know the house is on a height above the sea. We know Calypso is breathtakingly beautiful. We know it is the summer of 1939, with war imminent. And all this in two relaxed pages.
 

» Aggiungi altri autori (11 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Mary Wesleyautore primariotutte le edizionicalcolato
Boyd, CaroleNarratoreautore secondarioalcune edizioniconfermato
Glendinning, VictoriaIntroduzioneautore secondarioalcune edizioniconfermato
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To James Hale
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Helena Cuthbertson picked up the crumpled Times by her sleeping husband and went to the flower room to iron it.
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Behind the large house, the fragrant camomile lawn stretches down to the Cornish cliffs. Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war. years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

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