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Sto caricando le informazioni... A Cold Day in Hell!di Simon Furman, Dan Abnett (Collaboratore), Mike Collins (Collaboratore), Alan Grant (Collaboratore), John Higgins (Illustratore) — 5 altro, Bryan Hitch (Illustratore), Grant Morrison (Collaboratore), John Ridgway (Illustratore), Geoff Senior (Illustratore), Lee Sullivan (Illustratore)
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. https://nwhyte.livejournal.com/3141430.html This is a collection of the first eleven Seventh Doctor comic stories that ran in Doctor Who Magazine issues 130-150, from late 1987 to mid 1989. Four of the stories were written by Simon Furman, the others being by Mike Collins (scripting for a change), Grant Morrison, John Freeman, Dan Abnett, Richard Alan (actually DWM editor Richard Starkings) and John Carnell together, John Carnell on his own, and Alan Grant; five different artisis are credited for the second last story, "Follow That Tardis", a sort of jam session for Marvel UK, including Kev Hopgood, who is co-credited on two other stories (with different artists each time). It is all monochrome, which somehow I didn't expect. Given the reputation of all of those involved, it's good solid stuff, though I found the representation of the Seventh Doctor himself a bit iffy. In the first story, the Doctor says farewell to Frobisher and acquires a non-human companion, who lasts only to the second story, and otherwise travels alone. Possibly the most fannish of the stories is "Planet of the Dead" by John Freeman with art by Lee Sullivan, where the Seventh Doctor encounters first Adric, Peri, Sara Kingdom and Katarina, and then his own previous incarnations. The one I liked most was the fairly understated "Culture Shock", by Grant Morrison with art by Bryan Hitch, in which a demotivated Doctor finds a renewed sense of purpose by helping an alien life form. nessuna recensione | aggiungi una recensione
Appartiene alle SerieDoctor Who {non-TV} (Comic Strips) DWM Comic Strips - Original Publication Order (issues 130-150)
The first volume collecting the Seventh Doctor's complete strip adventures from the pages of Doctor Who magazine sees the famous Time Lord in no fewer than 11 thrilling adventures through time and space! The Doctor encounters Death's Head, Heat Vampires, Ice Warriors and even himself! The original black and white strips are digitally mastered and collected for the first time ever. Non sono state trovate descrizioni di biblioteche |
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This is the first DWM graphic novel (in strip order) that has bonus features beyond an archival interview; it contains a new introduction by Richard Starkings (the strip's editor for much of this era) and a set of interviews with the writers and artists put together by John Freeman (the magazine's editor for much of this era). This means I have more insight into the production decisions behind the strip than in previous eras.
The big difference between this run and previous ones is that it has neither a consistent writer (as the strip did from #1 to #110) nor a consistent artist (as the strip did from #1 to 69 and #88 to 133). Starkings explains the decision: "it had often occurred to me that the strip should reflect the series and feature a different writer and director for each story" (p. 6). But I think this neglects a way in which television is a different medium than tv. On screen, the writer and director might always change, but the performance stays the same. Every episode has got Sylvester McCoy in. But in a comic, the artist isn't just the director, they're also every actor. This means that even when the strips are good, there's no throughline, and the lack of consistency leaves it all feeling like less than the sum of its parts. From #70 to 87, you had a consistent tone and style from Steve Parkhouse even if the art was always different; from #111 to 133 you had a consistent tone and style from John Ridgway even if the writing was always different. Here you have neither. And no companion! (The strip was last companion free from #49 to 77.) I cannot think of any other ongoing non-anthology comic that took an approach like this.
Now, this might all be rubbish, because I read this all in one go, whereas it would have come out across two years. Maybe it reads fine when you have a month gap every time the creative team changes? But this is how I read it!
A Cold Day in Hell! / Redemption!
These two strips transition out of the trappings of the sixth Doctor era: Frobisher departs the Doctor; when he leaves, new companion Olla is introduced, but she's gone within one more strip herself! The actual stories here are so-so, the Doctor running around after Ice Warriors and such, and doing a lot of goofy stuff that makes you suspect all Simon Furman had to go off was the script for Time and the Rani. Frobisher's writing-out is pretty perfunctory, as is Olla's.
The Crossroads of Time
So I've been reading the Marvel UK Transformers comics in parallel with the DWM strips, all because here they collide. At the end of the Transformers story "The Legacy of Unicron!" (in Transformers Classics UK, Volume Five), the robot mercenary Death's Head is tossed into a malfunctioning time portal; here we find out where he went, as he emerges in the Doctor Who universe. I don't object to this on principle; indeed, it strikes me as one of the USPs of reading the strip, and I was curious to see how this whole crossover thing would shake out.
Alas, in practice, it's freaking terrible. Death's Head, who in Transformers was a "principled" freelance peacekeeping agent in that he killed for money-- and not for pleasure-- here attacks the Doctor for no real good reason, just an accidental collision in the Time Vortex. The Doctor fights him with lethal force! It doesn't kill Death's Head, but he doesn't know that; I get that Death's Head had to be shrunk down to human scale if he was going to interact with other Marvel UK characters, but maybe the Doctor could have done it on purpose? And then the Doctor sends this homicidal bounty hunter to Earth in the year 8162 and is just like, "Ah, oh well, I'm sure it'll be fine." I think there could have been a great story about a clash of values between the Doctor and Death's Head... but this is manifestly not it. I can only hope that Death's Head's solo feature, which I plan on following him into, is better than this.
Claws of the Klathi!
This is a decent piece of Victoriana by stalwart DWM contributor Michael Collins. It feels to me like it has a bit too much going for its three parts: a freakshow escapee, a pair of alien refugees, a giant robot, a gathering of men of science, and the Crystal Palace struggle for space. The men of science, for example, kind of feel pointless. But it's certainly the best story in this volume thus far, and Kev Hopgood is one of DWM's better post-Ridgway artists.
Culture Shock! / Keepsake / Planet of the Dead / Echoes of the Mogor! / Time and Tide
This run of strips reminded me a lot of Steve Moore and Steve Parkhouse's run from #46 to 60 (back in Dragon's Claws): it's all one- and two-part stories, often hinging on some kind of highbrow science fictional concept taken to a depressing conclusion. In Culture Shock!, the Doctor discovers a sentient race of bacteria who need his help; in Keepsake he (accidentally?) bullies a mercenary into helping him out; in Echoes of the Mogor!, he finds a long-dead species who embody their memories in crystal; in Time and Tide, he comes upon a dying species on a water planet. They are all varying degrees of fine, and the artists all have varying degrees of command over Sylvester McCoy's likeness. Culture Shock! had a cool hook, but I didn't really buy the Doctor's depression; I liked the idea of Keepsake but thought the humor didn't quite come off; Time and Tide was crazy depressing, and am not convinced it really fits the character of the Doctor. (There's a lot of standing around watching people die!)
Planet of the Dead has the Doctor encountering first dead companions, and then his own previous selves. I didn't think John Freeman really captured the voices of the companions and Doctors enough to pull this off, but Lee Sullivan was an excellent choice for illustrating it.
Follow That TARDIS!
The Doctor is forced by the Sleeze Brothers, a pair of private investigators, to chase the Monk's TARDIS throughout a series of historical disasters. I am convinced this could be funny, but I did not think the joke actually came off.
Invaders from Gantac!
Going into this, I was like, "Oh no... another comedy story." But it turned out to be the best story in the whole volume! The Doctor lands on Earth in the far future year of 1992 to find out that it's been taken over by aliens, and his only ally is a homeless man named Leapy. In its mix of big events and light comedy, it very much felt like something I could imagine Russell T Davies putting on screen as a big, bright two-parter in the Aliens of London/Rise of the Cybermen/Daleks Take Manhattan/The Sontaran Stratagem slot. There's some good comedy, but also a serious edge: more than any other story, I could imagine McCoy doing this on screen. It's pacey and twisty, and the only thing I didn't like was the kind of perfunctory ending. That said, Griffiths and Smith don't exactly nail McCoy's likeness. (But then, who does!?)
Stray Observations: