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Il mago (2009)

di Lev Grossman

Altri autori: Vedi la sezione altri autori.

Serie: The Magicians (1)

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
8,415609738 (3.45)1 / 441
As a senior in high school Quentin Coldwater became preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. After graduating from college and being admitted into a highly exclusive, secret society of magic in upstate New York, he makes a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined for his childhood dream becomes a nightmare with a shocking truth at its heart.… (altro)
Aggiunto di recente dagluegun, Rennie80, Chris_Allen, biblioteca privata, Lovedogstoo, DrewSkadoo, mindbat, JillMcKiernan
Biblioteche di personaggi celebriTim Spalding
  1. 201
    Dio di illusioni di Donna Tartt (middled, kraaivrouw, Euryale)
    Euryale: No magic, but I thought the tone and setting were otherwise very similar.
  2. 225
    Le cronache di Narnia di C. S. Lewis (Jannes)
    Jannes: The Magicians wolud not exist if it wasn't for the Narnia books, and is really a kind of loving deconstruction of Lewis' work. What could be better than giving the books that inspired it a try?
  3. 131
    Cose fragili di Neil Gaiman (catfantastic)
    catfantastic: Read the short story "The Problem of Susan" included in this collection.
  4. 157
    Harry Potter e i doni della Morte di J. K. Rowling (sonyagreen)
    sonyagreen: It's like HP goes to college, complete with drinking and sex.
  5. 158
    Jonathan Strange & Mr Norrell di Susanna Clarke (Utente anonimo)
    Utente anonimo: Magic is real in a world we recognize--Napoleonic England and contemporary New York.
  6. 40
    The Library at Mount Char di Scott Hawkins (TFleet)
    TFleet: Both novels are centered in the modern real world, but with a set of young adults who have magical powers. The novels are different takes on the question, "What would the modern real world be like if there were magic?"
  7. 40
    Little, Big di John Crowley (rarm)
    rarm: Fairy tale worlds that reveal a hidden darkness.
  8. 40
    The Chronicles of Chrestomanci: Charmed Life / The Lives of Christopher Chant di Diana Wynne Jones (Utente anonimo)
  9. 41
    Il libro delle cose perdute di John Connolly (rnmcusic)
  10. 85
    Harry Potter. La serie completa di J. K. Rowling (elleeldritch)
    elleeldritch: An adult version of Harry Potter (and Narnia), albeit with a different (but still interesting) magic scheme.
  11. 20
    A College of Magics di Caroline Stevermer (beyondthefourthwall)
    beyondthefourthwall: Teenagers suddenly plunged into the magical-boarding-school experience and, once their training is behind them, having to figure out who is trustworthy, what they need to do with their lives, whether they are being summoned into leadership roles, and maybe - just maybe - where their reality is coming from in the first place.… (altro)
  12. 20
    Every Heart a Doorway di Seanan McGuire (Cecrow)
  13. 20
    Shadowland di Peter Straub (Scottneumann)
  14. 10
    Dreams and Shadows di C. Robert Cargill (Scottneumann)
  15. 10
    L'Alchimista di Michael Scott (Jess1106)
  16. 10
    The Voodoo Killings di Kristi Charish (charlie68)
  17. 10
    Vita Nostra di Sergey Dyachenko (KatyBee)
  18. 10
    The Silver Nutmeg: The Story of Anna Lavinia and Toby di Palmer Brown (tetrachromat)
    tetrachromat: Both describe the reflections of certain pools of water as windows onto other realities. The Silver Nutmeg, however, is much less dark and aimed at younger readers.
  19. 10
    Phantastes di George MacDonald (charlie68)
    charlie68: Similar themes.
  20. 21
    Re in eterno di T. H. White (wandering_star)
    wandering_star: I thought of making this recommendation when reading the magical education section of The Magicians, which reminded me of the first book of The Once and Future King. But the wider idea - that magical powers can't stop us from making stupid human mistakes - is also relevant to both books.… (altro)

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» Vedi le 441 citazioni

Inglese (603)  Svedese (1)  Tedesco (1)  Francese (1)  Tutte le lingue (606)
1-5 di 606 (prossimo | mostra tutto)
Adult fiction; magic/suspense. You can't read this without thinking "Harry Potter" (the author himself makes several references) but the main character, Quentin, is decidedly NOT harry potter. He's older--isn't introduced to the idea that magic is real until he's 17 or so--and there's a lot more sex and drugs/alcohol in his story, for another thing. The story also takes off in an entirely different direction at the end of the first part (when the kids graduate and leave the Brakebills college of magic). It sort of ended abruptly (or not abruptly enough?) but it was a very fast, enjoyable read overall. ( )
  reader1009 | Jul 3, 2021 |
Disclaimer: I read the book after watching the show.

I feel like my rating should be more of a 2.5 than a 3, but I'm going to round up for this one because I just wanted to like it so much more.

I found this book to be slow at times and kind of wondering where they were going with it. It took me awhile to get through this book as I wasn't eager to find out what happened. I did watch the show first, but the book is pretty different from what happens in the show.

I really wanted to like this book since I did like the show a lot. However, I just wasn't crazy about it. It wasn't horrible, but it wasn't anything to tell people about either. I just never connected with the characters like I did in the show. I really never cared about any of them. They just made them all seem pretentious, and not even quirky pretentious, just annoying. And I know the main character whines a lot on the show... but every character whines in the book, it's just so hard to get into.

I really do want to continue on with this series, hoping that it gets better, but those hopes aren't high. ( )
  TaylorTaco | Jun 28, 2021 |
I am not an enormous fan of fantasy* but I have been known to make exceptions for urban fantasy. Lev Grossman’s “The Magicians” popped up on a book list recommend by the lit snobs over at Slate. As I cannot resist lit snobbery, and it comes in convenient e-book form, it appeared on my Kindle.

Quentin, our super brilliant emo protagonist who normally would be in line for the new Arcade Fire CD, is whisked off mysteriously to take a bunch of entrance exams for some mysterious Wizard College. He gets in after some brutal and bizarre exams, because he’s the main character, and he gives up all the vestiges of his old life to become a wizard. The first half of the Magician’s is a bit of Harry Potter meets College Angst meets the X-Men. Quentin meets a whole bunch of other proto-wizards, makes a bunch of friends, and learns to become content with his weird wizarding self. This part of the book is more “New X-Men” than “Harry Potter” frankly — it feels more than a little like Professor Xavier and his secretive school for Mutants in Upstate New York than Hogwarts, especially once the students start to differentiate into different magical power specialities.

The second half is post-college early-20s angst with magic. The book picks up here. It feels like the characters are in a holding pen until they are let loose to go wreak havoc on the magical world. The book becomes funnier and it moves faster once it acquires something that resembles the vague outline of a plot; before then it was just a coming of age story set in a fantasy background. This book does have a lack-of-plot problem. The big evil is not well formed. The fantasy on a fantasy world is pretty vague although, to be fair, it is supposed to be. The fights are written well and the plot ends satisfyingly enough.

The book is highly readable. It doesn’t feel bogged down with turgid prose and it moves at a brisk pace. It mixes modern sensibilities and pop culture references (D&D references; fight club; drinks and drugs of all kinds) with urban fantasy into a nice little whole. The writing gets better as the book goes on, leading me to believe this is a sophomoric effort and leading me to hope for a possible sequel — something with a firmer plot with the same characters would make for a better story.

Originally I gave this book 3 stars out of 5 because I read it immediately following Umberto Eco’s “The Name of the Rose.” If you have read Umberto Eco, you know it’s hard for a fantasy novel, let alone any novel, to follow up that act. I docked it a star merely because it came after a better written book. It’s unfair and I give it back half a star and upgrade it to 3 1/2 stars out of 5. It is good. Not great. Not fantastic. It is solidly a good and entertaining read. ( )
  multiplexer | Jun 20, 2021 |
Quentin is a brilliant, disgruntled teenager when this book opens. He’s bored and unhappy and feels like even among other smart kids in a privileged school, he doesn’t fit in. He feels like he’s just waiting for his real life to start happening. Also he secretly yearns to find a magical land from a series of books he read as a kid, a place called Fillory. I loved the fact that the Fillory books were so much a part of this storyline, and how distinctly the characters talked about them. Fillory is very much like Narnia. Except when Quentin and his friends find the real Fillory, it’s much darker, a bitter dangerous place full of unexpected things. But that comes in so much later- literally almost all the interesting action happens in the very last fifth of the book. All the rest before that- is kind of dull. Quentin suddenly discovers that magic is real when he gets invited to a hidden magical school, and starts training as a wizard. It’s a lot of rote work and memorization (very reminiscent of the school in Earthsea, but also with plenty of Hogwarts similarities). At first Quentin is delighted to be there- but he still isn’t happy. He works hard, he makes friends or not, he eventually finds a friend who becomes his girlfriend, and then casually, stupidly breaks her heart. He sees how very very dangerous magic can be. People die from mistakes. In nasty ways. He goes home for a few brief vacations which is surreal as his parents have no clue what he’s actually doing, their memories and perceptions magically altered. When he finally is done with school, he’s at loose ends- can’t find meaning to his life, messes around in a big city just wasting time. Until they find a route to Fillory, and get all excited again that this is the start of something really exciting. Except- it’s mostly not. Not an exciting adventure in a lovely magical land. No, it’s a sudden drop into a foreign place in a long civil war, where they don’t understand in the least what’s going on, and the magic they have worked so hard to learn is sneered at by much more skilled creatures. Yes, there’s magical creatures, but they’re not impressed with meddling humans!

The other reviews sum this up nicely: it’s like an adult, urban fantasy version of Harry Potter plus Narnia with bits echoing The Once and Future King (a Questing Beast) and also Tolkien’s Middle Earth. Some of these were subtle plays on the same ideas, some were nice nods- the characters referring to or admiring the other works- and others just felt like outright copying. The world-between-worlds you have to reach with a small magic object, for example. It was fun to see them worked in a different light, but also a tad annoying, how familiar. All that plus the fact that most of the characters weren’t actually likable or felt very flat- through the whole book I got very little sense of who they really were, even the ones I might have wanted to know (Alice). So I feel like I really dragged through this book, and I was actually relieved when it was over. I’ve heard the sequel is more engaging so do want to read it, just not immediately.

from the Dogear Diary ( )
  jeane | Jun 5, 2021 |
With the new SyFy Magicians series airing, and a number of people recommending this series, I decided to give it a shot. While expecting a more campy Harry Potter adaptation, what I got was a present day magical tale -- a combination of HP, The Lion, the Witch and the Wardrobe and Apocalypse Now. In a book that could've gone very campy, it managed to stay serious. I'm looking forward to seeing where the story goes next. ( )
  adamfortuna | May 28, 2021 |
”Magikerna” marknadsförs som ”Harry Potter för vuxna”, men i själva verket är det en ovanligt vacker sorgesång över hur det är att lämna barndomen. Det var faktiskt bättre förr, när man kunde uppslukas helt av leken.
aggiunto da Jannes | modificaDagens nyheter, Lotta Olsson (Feb 4, 2013)
This isn't just an exercise in exploring what we love about fantasy and the lies we tell ourselves about it -- it's a shit-kicking, gripping, tightly plotted novel that makes you want to take the afternoon off work to finish it.
aggiunto da lampbane | modificaBoing Boing, Cory Doctorow (Oct 20, 2009)
It’s the original magic — storytelling — that occasionally trips Grossman up. Though the plot turns new tricks by the chapter, the characters have a fixed, “Not Another Teen Movie” quality. There’s the punk, the aesthete, the party girl, the fat slacker, the soon-to-be-hot nerd, the shy, angry, yet inexplicably irresistible narrator. Believable characters form the foundation for flights of fantasy. Before Grossman can make us care about, say, the multiverse, we need to intuit more about Quentin’s interior universe.
Somewhat familiar, albeit entertaining... Grossman's writing is intelligent, but don't give this one to the kids—it's a dark tale that suggests our childhood fantasies are no fun after all.
aggiunto da Shortride | modificaPeople, Sue Corbett (Aug 31, 2009)
Grossman has written both an adult coming-of-age tale—rife with vivid scenes of sex, drugs, and heartbreak—and a whimsical yarn about forest creatures. The subjects aren’t mutually exclusive, and yet when stirred together so haphazardly, the effect is jarring. More damaging still is the plot, which takes about 150 pages to gain any steam, surges dramatically in the book’s final third, and then peters out with a couple chapters left to go.
aggiunto da Shortride | modificaBookforum, Michael Shaer (Aug 14, 2009)

» Aggiungi altri autori (6 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Lev Grossmanautore primariotutte le edizionicalcolato
Bramhall, MarkNarratoreautore secondarioalcune edizioniconfermato
Sámi, LászlóTraduttoreautore secondarioalcune edizioniconfermato
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I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.

--William Shakespeare, The Tempest
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For Lily
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Quentin did a magic trick. Nobody noticed.
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That guy was a mystery wrapped in an enigma and crudely stapled to a ticking fucking time bomb. He was either going to hit somebody or start a blog.
Space was full of angry little particles.
He had no interest in TV anymore - it looked like an electronic puppet show to him, an artificial version of an imitation world that meant nothing to him anyway. Real life - or was it a fantasy life? whichever one Brakebills was - that was what mattered, and that was happening somewhere else.
No one would come right out and say it, but the worldwide magical ecology was suffering from a serious imbalance: too many magicians, not enough monsters.
"Never cook with a wine you wouldn't drink," he said. "Though I guess that presupposes that there is a wine I wouldn't drink."
Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
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As a senior in high school Quentin Coldwater became preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. After graduating from college and being admitted into a highly exclusive, secret society of magic in upstate New York, he makes a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined for his childhood dream becomes a nightmare with a shocking truth at its heart.

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