Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

Comedy and the Woman Writer: Woolf, Spark, and Feminism

di Judy Little

UtentiRecensioniPopolaritàMedia votiConversazioni
1Nessuno7,662,328NessunoNessuno
Recent critics have affirmed the difficulty--perhaps the impossibility--of defining modern comedy; at the same time, some feminist scholars are seeking to understand the special comedy often present in literature written by women. Comedy and the Woman Writer responds to both these concerns of recent criticism: feminist literary theory and theories of comedy. Judy Little develops a critical apparatus for identifying feminist comedy in recent fiction, especially the radical political and psychological implications of this comedy, and then applies and tests her theory by examining the novels of Virginia Woolf and Muriel Spark. Despite recent scholarly attention to Woolf, the profound comedy of her work has been largely overlooked, and the comic fiction of Spark has seldom had the responsible and attentive criticism that it deserves. The introductory chapter draws upon anthropology and sociology, as well as literary criticism and the fiction of feminist writers such as Woolf, Doris Lessing, and Monique Wittig, to define a modern feminist comedy. Four central chapters then explore the implications of this comedy in the novels of Woolf and Spark. Little distinguishes between, on the one hand, several varieties of traditional comedy and satire and, on the other, the festive or "liminal" comedy to which feminist comedy belongs. Both Woolf and Spark mock centuries-old mythic patterns and behaviors deriving from basic social norms, as well as the values emerging from these norms. It is one thing, the author points out, to find "manners" amusing, to scourge vices, or to mock the follies of lovers; it is a much more drastic act of the imagination to mock the very norms against which comedy has traditionally judged vices, follies, and eccentricities. While the comedy of Woolf and Spark has some precedent in festive or liminal celebrations, during which even basic values and behavior are abandoned, feminist comedy displays its radical nature by implying that there is no resolution to the inverted overturned world, the world in revolutionary transition. The final chapter considers briefly, in the light of the critical model of feminist comedy, the work of several other twentieth-century writers, including Jean Rhys, Penelope Moritmer, and Margaret Drabble. The presence of radical comedy in the fiction of these and other writers suggests the need for continuing attention to the theory of feminist comedy proposed in this study.… (altro)
Aggiunto di recente daangelrose

Nessuna etichetta

Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

Nessuna recensione
nessuna recensione | aggiungi una recensione
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Luoghi significativi
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

Recent critics have affirmed the difficulty--perhaps the impossibility--of defining modern comedy; at the same time, some feminist scholars are seeking to understand the special comedy often present in literature written by women. Comedy and the Woman Writer responds to both these concerns of recent criticism: feminist literary theory and theories of comedy. Judy Little develops a critical apparatus for identifying feminist comedy in recent fiction, especially the radical political and psychological implications of this comedy, and then applies and tests her theory by examining the novels of Virginia Woolf and Muriel Spark. Despite recent scholarly attention to Woolf, the profound comedy of her work has been largely overlooked, and the comic fiction of Spark has seldom had the responsible and attentive criticism that it deserves. The introductory chapter draws upon anthropology and sociology, as well as literary criticism and the fiction of feminist writers such as Woolf, Doris Lessing, and Monique Wittig, to define a modern feminist comedy. Four central chapters then explore the implications of this comedy in the novels of Woolf and Spark. Little distinguishes between, on the one hand, several varieties of traditional comedy and satire and, on the other, the festive or "liminal" comedy to which feminist comedy belongs. Both Woolf and Spark mock centuries-old mythic patterns and behaviors deriving from basic social norms, as well as the values emerging from these norms. It is one thing, the author points out, to find "manners" amusing, to scourge vices, or to mock the follies of lovers; it is a much more drastic act of the imagination to mock the very norms against which comedy has traditionally judged vices, follies, and eccentricities. While the comedy of Woolf and Spark has some precedent in festive or liminal celebrations, during which even basic values and behavior are abandoned, feminist comedy displays its radical nature by implying that there is no resolution to the inverted overturned world, the world in revolutionary transition. The final chapter considers briefly, in the light of the critical model of feminist comedy, the work of several other twentieth-century writers, including Jean Rhys, Penelope Moritmer, and Margaret Drabble. The presence of radical comedy in the fiction of these and other writers suggests the need for continuing attention to the theory of feminist comedy proposed in this study.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: Nessun voto.

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 203,187,455 libri! | Barra superiore: Sempre visibile