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L' ultimo scapolo (2000)

di Jay McInerney

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360771,441 (3.51)2
Discover a world of sex, excess and urban paranoia where worlds collide, relationships fragment and the dark underbelly of the American dream is exposed. A transsexual prostitute accidentally propositions his own father. A senator's serial infidelities leave him in hot water. And two young lovers spend Christmas together high on different drugs. McInerney's characters struggle together in a shifting world where old certainties dissolve and nobody can be sure of where they stand.… (altro)
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For a quarter-century now, Jay McInerney has been telling fundamentally the same story: Innocent newcomer to the neon jungle gains the world -- or at least a book contract, a bespoke suit and a gorgeous girlfriend -- only to lose his soul. "How It Ended" presents a dozen amusing but ultimately self-indulgent variations on that theme. The short story is perhaps not the best display case for McInerney's gifts. His characters need narrative time for their world-weary carapaces to crack, revealing hidden depths and vulnerabilities; in the shorter format, their sardonic defense mechanisms come across as shallow and bitchy. (From the WASHINGTON POST, July 8, 2009) ( )
  MikeLindgren51 | Aug 7, 2018 |
A terrific collection of short stories by a real master of the form. It's a bit of a history lesson/writing lesson - you get to see the stories that would later become [b:Bright Lights Big City|86147|Bright Lights, Big City|Jay McInerney|http://photo.goodreads.com/books/1223018233s/86147.jpg|144128] and [b:Story Of My Life|821611|The Story of My Life (Bantam Classic)|Helen Keller|http://photo.goodreads.com/books/1178681160s/821611.jpg|1602613] - but it's also just a lesson in the form. His preface talks about the form of short stories and he just nails it, even with the stories that are more dead weight that interesting.

There are only a few of those dead weight stories, you'll be happy to know, and most of them are absolutely brilliant. I'm not sure I can recall another short story collection where I felt entirely satisfied at the end of each story.

Plus, did you know that Alison Poole = Rielle Hunter? I KNOW, right?!

Anyway, an excellent collection for an early autumn weekend. I ramble on more about it, at some length, at Raging Biblioholism: http://wp.me/pGVzJ-h7 ( )
  drewsof | Jul 9, 2013 |
This is my first exposure to Jay McInerney, and I was pleasantly surprised at the variety in this collection of stories. So often collected stories tend to be the same thing over and over, but McInerney did a great job with presenting relationship stories without all of them sounding the same. There was plenty of sex, drugs and funky behavior. I was surprised at how well he used women's POV.

Ray Porter's narration is amazing!! He actually has more than one voice for women! And his men sounded different without using accents. I will definitely be looking for more of his work. ( )
  bohemiangirl35 | Jun 15, 2013 |
OK, so here's one of my guilty literary pleasures. I absolutely love me some Jay McInerney. I adore the guy and his writing, and have for quite some time. But here's the thing about me and McInerney: as much as I hate to admit it, I've come to the conclusion that I can only take him in smallish doses, and How It Ended: New and Collected Stories confirms that theory. This is not a collection of stories that is meant to be read straight through, as I did over the New Years weekend. (Especially over such a weekend made for debauchery such as New Years.)

By page 110 or so of this collection of stories, I felt like I needed to check myself into the likes of the Betty Ford Clinic because I was feeling in needed of a detox. The coke! The parties! The beautiful people! The affairs! New York! It's all here, and it's the stuff that Jay McInerney's stories are made of (and why I love him so).

Escaping into a McInerney book is like spending an evening in the company of that friend of yours who is living la vida loca - you know, the one who goes to all the great concerts and all the cool parties, the One Who Has A Life while you're in your PJs by 7 p.m. It's fun, in a way, to live vicariously through such people, which again, is why these stories are good but just not read back to back.

The characters in these stories are, for the most part, gorgeous and rich and incredibly lonely and sad. They're adulterers. They're living in the aftermath of the 80s and 9/11. Several make re-appearances from their starring roles in other McInerney novels (notably, Russell and Corrine Calloway from Brightness Falls and Alison from Story of My Life).

How It Ended is comprised of 26 stories. In my opinion, among the best are:

"The Madonna of Turkey Season" about a family struggling to celebrate the holidays each year after the passing of their mother;
"Sleeping with Pigs", a brilliant story about a woman's fetish for sleeping with a pig and how that is connected with her grieving her deceased brother;
"My Public Service," about an idealistic staffer on a political campaign who quickly becomes jaded;
"The Queen and I," about the enduring spirit of friendship over family;
"Con Doctor," about a doctor in a prison who can't come to terms with his own past;
"I Love You, Honey," about the lengths one will go for revenge and possessiveness, and
"Getting in Touch with Lonnie," where a celebrity gets a surprise when visiting his wife in a rehab clinic.
( )
  bettyandboo | Apr 2, 2013 |
I have lost count of the number of times I have purchased The New Yorker in airports with the idea that, this time, I will enjoy it. And time after time I face disappointment. Similarly, I keep trying to read The Best American Short Stories and, time after time, I am bitterly disappointed. What I find in these stories (stories I have begun calling, in a derogatory manner, “New Yorker” stories) Is a tail that covers a person’s life or a year in a person’s life or a month in a person’s life or a week in a person’s life or a day in a person’s life or some snatch of time in a person’s life and, at the end of these stories, the author uses a line or a paragraph or a page to be profound. And, at the end of these stories, I sit back and say, “So what?” Nothing has happened, nothing has changed, nothing makes me care. The authors are skilled. But there is nothing more there than a slice of life about which I just can’t care.

This is a collection of those stories. That McInerney has writing skills is not the question. Can he make me care about anyone he writes about or care about the stories being told? That is the question. Can he make me care that I spent the time to read these stories? That he can do – I care that I used up my time.

I will not go into the stories – even to point out what didn’t or (very rarely) did work. I look through the table of contents and can barely remember them. I can only say what I have said before. I read them, and there is little else to be said

These are stories that are obviously to the taste of others, just as The New Yorker and Best American Short Stories are to the tastes of others; others who seem to have a great degree of clout and who must have more refined tastes than I.

But I will not pick up another New Yorker, I will not pick up another Best American Short Stories, and I will not pick up anything else written by Jay McInerney. ( )
  figre | Dec 9, 2012 |
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1.
The first time it happened, Liam blamed the terrorists. He assumed that his wife, like all the other sentient residents of the city, was traumatized by the events of that September Day. Deciding that this was no world into which to bring another child was a perfectly rational response, though he knew many people who'd had the exact opposite response. This, too, was understandable: affirming life in the face of so much death. He could name several children who were born nine months later, and he assumed there were hundreds, maybe thousands, more around the city--in fact he'd read something to that effect. But Lora's was the opposite response. He didn't really begin to suspect until much later that her motives might have more complex, less cosmic and more personal, than he had imagined.

2. Her friend LuAnne had called to say something had happened and she'd started surfing channels with the remote in one hand and the phone in the other, seeing the same image on all the stations. She called Liam at work and his assistant said he had a meeting scheduled out of the office. Lora then tried his cell but the call went directly to voice mail. She kept punching redial every few minutes. After the second plane hit she called the office again to ask where, exactly, the meeting was, frantic with worry, trying to remember if Liam had ever mentioned any business in the World Trade Center, but now she got the assistant's recorded message. In fact, Liam's office was in Tribeca, only seven or eight blocks from the towers, and after the first one collapsed she could imagine any number of scenarios that might have put him in harm's way. After the second tower fell she was convinced he was dead. And then he called, his greeting incongruously blithe. "Hey, babe, it's me." "Liam. Oh, my God. Where are you?" "At the office. Just out of a meeting. What's up?" "Thank God," she said. "What's wrong?" "I thought you were dead." "Why would I be dead?" "Jesus, God, Liam, haven't you heard? Turn on the TV. Look out the window for God's sake."

3. Liam arrived at their apartment on Waverly Place ten minutes later--less time than it would have taken him to walk from Tribeca, but he didn't realize until later that the subway service was knocked out and that cabs had vanished from the downtown streets--so everyone later agreed--within minutes of the second plane. In fact he'd been a few blocks away at his girlfriend's apartment on Saint Mark's Place. They met there every Tuesday morning, between nine and eleven, turning off the phones, doing it exactly twice, and there was no reason to suppose that the world would be turned upside down on this particular Tuesday. After talking to Lora he turned on the TV, shushing Sasha as she stepped out of the bathroom, trying to figure out what the hell was happening to his city. His horror was compounded with guilt as he realized how implausible was his claim to be at the office. "My God, I can't believe this," Sasha said, throwing her arms around him as she slumped beside him on the couch. He squirmed free and stood up. He knew it was unfair, irrational, even, but somehow he blamed her for what had happened and felt an overwhelming desire to be with his wife. Walking back across the Village, looking up warily up at a looming apartment tower on Broadway, he struck on the perfect alibi.

4. Until she actually saw and touched him, Lora couldn't quite overcome her earlier conviction that he'd perished in the disaster, and he seemed just as emotional as he hugged her in the foyer, nearly crushing her ribs in his emphatic embrace. When he finally let go she saw the tears in his eyes. "I thought I'd never see you again." "I was in a screening," he said. "I had no idea." "I thought I was going to raise our baby alone."

5. The days that followed were the most vivid of his life. In retrospect, though, they sometimes seemed reduced to a set of experiences that came to seem almost clichÈd by virtue of their resemblance to those of their friends, repeated endlessly over numerous cocktails: the mind-numbing hours in front of the television; the sense of disbelief; the missing friends and acquaintances; the nightmares; the acrid, electrical fire smell in the air, the spontaneous weeping, the excessive drinking. And yet they both agreed--as did everyone else--that they'd never been so conscious of the lives of others, of their own turbulent stream of consciousness, of their own mortality. And they discovered that life was never quite so precious as it was in the proximity of death. From that first night they fucked as if their survival depended on it, and with a passion neither had felt in years. Liam was mortified at his own infidelity and brimming with the resolve to honor his marriage vows forever more. He felt the same resolve three weeks earlier when he learned Lora was pregnant, but somehow he hadn't managed to break it off with Sasha. He kept meaning to, but it seemed like something he had to do in person rather than over the phone, or in an e-mail, and then she would greet him at her apartment door wearing that aquamarine kimono, the mere sight of which aroused him even before she kissed him. It was a time of lofty resolutions, of vows and renunciations. He felt incredibly lucky to have escaped this recent peccadillo unscathed, with his marriage intact, although he sometimes wondered if Lora didn't harbor suspicions, and he felt the occasional twinge of guilt about Sasha, who had no one to comfort her in this moment of collective trauma. 6. For her part, Lora was too relieved to have her husband back to inquire too deeply into his precise itinerary that day. She told herself that the clock had been reset on the morning of September 11th and that whatever happened before didn't really matter. But she couldn't help noticing that Liam seemed almost allergic to his cell phone, jumping whenever it rung over the next few days. He also seemed uncomfortable whenever the subject of peoples' whereabouts that morning arose, as it did constantly in the days and weeks that followed. They were inseparable those first few days, staying in or near the apartment, clinging to each other in the aftermath, until Saturday morning when Liam said he was going to the gym. "Maybe I'll go with you," Lora said. He shrugged. "If you'd like." "No, you go ahead," she said. She waited exactly sixty seconds and then followed him out the door, down the two flights of stairs to the double street doors, the second of which was just wafting shut. It was one of those days when the wind had shifted uptown, carrying the burnt-plastic smell of smoke from Ground Zero. Her fellow pedestrians seemed skittish, the brusque, purposeful tunnel vision of the natives having been replaced by a new caution that made everyone seem like tourists. Lora didn't really have a plan, but the gym was only a few blocks away and if she lost him on the street she could just turn up, and if she found him there, say she'd changed her mind. She watched him walking west and followed, catching sight of him at the end of the block as he turned left on Sixth-- the opposite direction of the gym. She ran up Waverly and saw Liam at the next corner, waiting for the light. He crossed the avenue, turned right and went up the steps of St. Joseph's church, disappearing inside through the big double oak doors. She could hardly believe it. She approached stealthily and stood watching for a few minutes on the sidewalk across the street. She felt almost giddy with relief when she realized this was his secret destination. But her relief was almost immediately replaced by a sense of irritation at how cowardly it was to have lied about his destination. Liam had been raised as a Catholic on Long Island, and they were married in the church where he received his first communion. Their wedding day was the last time she agreed to accompany him to church. The daughter of a Jewish father and an Episcopalian mother, Lora had enjoyed a thoroughly secular childhood. A staunch agnostic, she used to tease him about his residual Catholicism, which she saw as a tribal habit, like his fondness for corned beef and cabbage, rather than an active belief system. She supposed it made sense that he would seek out the faith of his childhood now, in this moment of extremis. Part of her envied him this reserve source of consolation, and part of her thought he was weak for surrendering, when the going got tough, to the superstitions of his ancestors. What the hell was he doing in there, anyway? It was probably a reflex, like the desire for comfort food and retro music that had swept across the city. She waited for another five minutes and then returned to the apartment, where she flipped restlessly between the news channels, watching the towers fall over and over again as she waited for Liam to come home.

7. Liam knelt with his head in his hands, finding the familiar darkness of the confessional, redolent of furniture polish and stale perspiration, unexpectedly comforting. When he heard the wood panel slide open he looked up to see the silhouette of the priest behind the screen. "Bless me father, for I have sinned. It's been, well, more than a year since my last confession." "How much longer, would you say?" "It's been, I think it's about four years." "Go ahead, my son." "I'm not sure where to begin."

8. When he returned home Liam seemed like a different man than the twitchy neurotic who'd left the apartment a half-hour before. For the rest of the day he exhibited a maddening serenity. She wanted to challenge him, to crash his spiritual buzz, if that's what it was, but it seemed peevish to chide him for being in a good mood, and she couldn't think of how to engage him in an intellectual debate without acknowledging that she'd followed him. She took another Zanax, her third of the day. "I'm thinking about going to Mass tomorrow," he said, while they waited for the check at their local bistro. "I don't know, somehow, with everything that's happened, I think it would be, you know, comforting. Of course you're welcome to join me." "I think it's sweet," she said, pinching his cheek, "and totally understandable that you can find comfort in your old rituals, but I might feel a little hypocritical suddenly going to church just because I'm feeling emotionally needy. But that's just me. You do what you need to, honey." That night, for the first time since Tuesday, they failed to have sex. Lora wasn't really in the mood, and was almost looking forward to letting him know she wasn't. But within moments of turning off the television set she heard him snoring from the other pillow. Lora lay awake in the dark, feeling abandoned, thinking about the chaos outside, and the life growing within her. Though she wished she had some kind of faith, after what happened she was hard pressed to imagine a moral order in the universe.

9. The churches were packed that Sunday. Liam arrived fifteen minutes early for the ten o'clock mass and even so he had to stand in the back. He felt the force of Lora's implicit admonishment, along with a kind of sociological embarrassment. Ever since he'd made his way to Stamford he'd done all he could distance himself from his heritage and to regard religion as an academic subject. Seeing himself now through the eyes of his friends, he felt ashamed, as if he were standing naked in a room of fully clothed adults, but at the same time he felt the exhilaration of surrender, as if he were a naked infant lying in the sun, absolved of the responsibilities of higher consciousness. For the first time since Tuesday, he felt at home and at peace in his city. He was unexpectedly moved when it came time to exchange the peace of the Lord, a folksy ritual inspired by the Second Vatican Council that had always seemed artificial to him, the congregants stiffly shaking hands and wishing each other the peace of the Lord, but today, he found himself clasping the hands of neighbors with special vigor and warmth, looking into their glistening eyes as he uttered, "The Peace of the Lord be with you," the voices of his neighbors swelling and filling the church around him. And when the priest the priest intoned: "Lift up your hearts," he seemed to feel his own heart swell and rise as he answered, "We have lifted them up to the Lord." And when, finally, he took the host on his tongue, letting it dissolve on the roof of his mouth, he imagined his inner being infused with light, like a cave suddenly illuminated by a torch. After Mass he didn't feel he could return directly to the apartment. It would be like smoking a cigarette after running a marathon. He knew he couldn't face Lora in this state, anymore than he'd been able to face Jenny, his last girlfriend, the teetotaler, after doing a few lines of coke. Instead he tested this new lightness of spirit as he walked down to Canal Street, to the edge of the blue police barricades sealing off the zone of destruction from the rest of the city and stood with his fellow citizens watching the plume of smoke that rose like a white pillar into the blue sky, and tilted off to the East before diffusing into the cumulus over Brooklyn. From this distance it was an incongruously beautiful sight.

10. That night they walked over to Norman's loft in Chelsea, where everyone was telling their stories. "I'm walking down Greenwich Street and suddenly this plane is practically on top of me," their host said, passing a joint to Jason, "this huge jet flying just above the tops of the buildings." Jason took a hit. "Do you guys remember Carlos, the guy who used to cook for our parties?" "The cute one with the scar above his eye?" Jason nodded. "Missing. He was a line chef at Windows on the World." "Jesus." "Speaking of Jesus," Lora said, "Liam has rediscovered his faith." "What's this?" "He went to Mass this week." Lora walked over and ruffled his hair as if he were a child who'd just done something cute. "Didn't you, my love? I think it's sweet." "That's great," Jason said. "Yeah, really," Norman said. "I wish I had one to rediscover." "Confession," Jason said. "That's what I've always envied about Catholicism. The idea that you could go into a little booth and cleanse your soul." "I don't think I could go and tell some stranger my sins." "Oh, come on. We Jews have that too. It's called psychoanalysis." "But it doesn't help. I've talked to my shrink twice this week. What can he tell me? That I have every right to feel badly? That I have survivor's guilt? That I should refill my Paxil?" Norman looked at Liam. "Did it help?" "I suppose so," Liam said. He didn't feel he could go into it with this group. It would be like discussing sex with his parents. Lora took his cheek in her fingers, putting her face close to his and smiling sweetly, or so it appeared, though he'd come to suspect the sincerity of this particular gesture. "We love you, honey," she said. As soon as he could he retreated to a neutral distance; at that moment his phone rang and he answered it, happy for the interruption. "Liam, it's me," Sasha said. "Don't hang up. I'm so miserable. I need to see you." He shouldn't have looked to see if Lora was watching him, because she was. "I'm sorry, but you've got the wrong number," he said, feeling the heat in his cheeks. He turned off the ringer before slipping the phone back in his pocket. "The phones are still completely screwed up," Jason said.

11. "So you've become a believer?" she asked, smiling brightly. It was the second Sunday of the new era and he'd just asked her if she wanted to join him at Mass. He shrugged. "I just, at this particular moment in time, I'm feeling a sense of, I don't know, spiritual yearning. Is that so surprising, really?" "If that's what you need, then I think you should by all means go to Mass." "Look, I know you feel differently, but I don't want to argue about this." "Who's arguing?" She reached over and stroked his cheek, pinching it between her thumb and forefinger. "I love you." "Maybe I'm weak, maybe I'm being hypocritical, but just indulge me in this, okay? If you don't want to go, I understand." Lora assumed Liam's recrudesence of faith would fade along with the initial shock of that terrifying day. She was kind of assuming the same thing about her own Zanax consumption; she'd cut back again once when things returned to normal, but right now it seemed impossible to get through the day without forty or fifty milligrams. After Liam left she turned on the TV again, another escalating addiction which would surely subside in the weeks to come. She was watching the Taliban spokesman, defiant in his black beard and black robes, when she heard Liam's phone vibrating on the coffee table. She noticed that he'd turned off the ringer days ago, but now it was buzzing like a big flat beetle on the glass. She picked it up. "Hello?" There was silence on the other end. "Did he tell you I'm pregnant?" Lora said, then snapped the phone shut and went to the bathroom and took two more Zanax. For some reason she remembered the conversation at Norman's loft. She'd almost forgotten about the whole confession thing, but suddenly she wondered if that had been the point of Liam's new faith: to clear his soul of mortal sin before the next plane hit.

12. Liam's office was inside the restricted zone south of Canal, and for the first week or so he didn't even think about going to work, but then a friend invited him to use his space in Chelsea. He went back to work the second Monday, not that he foresaw a big demand anytime soon for the kind of edgy independent films he produced. When he got home that night he could tell that something was wrong. His first thought, on seeing her stony expression, was that somehow she'd learned about Sasha. "Any thoughts about dinner," he asked. "I'm not hungry." "Shall I cook something?" "I told you, I'm not hungry." "I brought some DVDs from the office. Hedwig and the Angry Inch and Riding in Cars with Boys." "I don't think so," she said. Tears were pooling in her eyes, though she more looked more angry than sad. "What's wrong?" "The baby's gone," she said. "Gone?" The tears were coursing down her cheeks but her manner was defiant. When he tried to embrace her she pushed him away and said, "I ended it."

13. Eventually, in his mind, it seemed, the abortion became subsumed into the narrative of the collective trauma. Liam went out and got drunk that night, but in the succeeding days he seemed unwilling to confront her about her motives, as if he were afraid their marriage couldn't survive the revelation of certain facts. At some point, after telling her that he believed in the sanctity of life from the moment of conception, he made the decision to forgive her, just as she in turn forgave him, though neither of them ever acknowledged his transgression. But he had presumably confessed his sin, and she sometimes wondered how he squared his own faith with her action, and her own unshriven state. Apparently, in his mind, she had committed murder. But divorce, too, was a mortal sin. As much as she despised his faith, she kind of liked the idea that Catholicism protected her matrimonial monopoly. Most of the noble resolutions of that period gradually faded away, but Liam continued to attend Mass, without making a big deal of it. The fact that he stopped talking about it had convinced her of his seriousness. For her part, she tried not to give him a hard time. The following spring Lora was pregnant again. The days between the morning the stick on the home pregnancy test turned blue and the evening their son was delivered in December were among the happiest of their marriage. After a long period of apartment hunting and soul searching--both of them of an age to have used the phrase "bridge and tunnel" to denote those living in the hinterlands--they bought a townhouse in Brooklyn, in Boerum Hill. Like most converts, they became strident proselytizers, declaiming the virtues of the restaurants on Smith Street and insisting that it was only ten minutes by subway to the Village. They loved telling not only their friends, but also each other how much they didn't miss Manhattan, though eventually this became something of a moot point when Liam started spending half his time in Los Angeles after one of his scripts was picked up by HBO shortly after Jeremy's second birthday. Lora couldn't pretend that it wasn't hard on her, being left behind to take care of the baby. And she couldn't help wondering what he was doing when he wasn't working, despite his declarations that every waking moment was consumed by the show. But he was an attentive father and lover during his sojourns in Brooklyn and one morning she woke him at his hotel in Los Angeles to tell him that she was pregnant. "That's fantastic," he said. "You're happy?" "I couldn't be happier. Aren't you?" "I don't know. I'd be happier if you were here right now. " "I'll be home the day after tomorrow. We'll celebrate." Unpacking his suitcase two mornings later while he slept in, mixed in with his shirts she found a baby -blue silk teddy trimmed with black lace.

14. When Liam woke up that morning, he was alone. Sitting up in bed he saw his suitcase, propped open on the floor, and recognized the light blue undergarment on top as belonging to his production assistant. For years he'd behaved himself and remained faithful to Lora, but recently he and Lanie had been working late and one night she'd kissed him and he'd been unable to resist. He'd gone to confession the next afternoon, but it had happened again several times since. He didn't know how her nightie had gotten into his suitcase, but the more troubling question was why it was so flagrantly displayed when he was ninety percent certain he hadn't opened the bag when he came in last night. What the hell was he supposed to do now? He finally decided to bury it beneath his shirts and hope that it never surfaced again. He descended the stairs with trepidation, but he couldn't read anything unusual in Lora's demeanor when he found her in the kitchen with Jeremy in her arms, attached to her breast. That he was she was still breast-feeding Jeremy at two and a half was a point of contention, but he wasn't about to get into it now. Lora seemed delighted to see him. "Here's daddy," she said. "And we love Daddy, don't we? Yes, we do." She shuffled across the floor in her slippers, clutching Jeremy to her chest, and took Liam's left cheek in her fingers, pinching and pulling his face close to hers. "We love you so much, Daddy." All weekend he waited for the accusation, but it never came. After two days at home he would have almost welcomed a confrontation, but Lora seemed to have finely calibrated her chilliness to a degree or two above the freezing point, and when they had another couple over for dinner Saturday she was overly effusive, gratuitously declaring her love on several occasions. Before the Roberstons arrived he'd suggested they tell them about the pregnancy, feeling that the announcement would make it more real, might lodge the fetus more firmly in Lora's uterine wall, but Lora said it was way too early for that. While Liam was mixing the margaritas Lora told her new joke: "What's the biggest drawback to being an atheist? Give up? --No one to talk to during orgasm." Shortly after she put dessert on the table she stabbed him with a fork. She was talking to Donna about private schools when suddenly she brought her clenched fist, clutching her fork, down on his thigh, impaling him through his jeans. If Liam, in his surprise, had been able to suppress a shriek of pain, it's possible the attack would have passed unnoticed. As it was, Lora's made it the whole thing seem like an unfortunate accident, an absent-minded gesture. "Oh, my God. Oh, Liam honey. You know how I'm always grabbing your thigh. It's like, shit, I forgot I had a goddamn fork in my hand. Poor baby, you're bleeding. I'm so sorry." She showered him with apologies and first aid, and even after the Robertson's had left maintained an air of concern and contrition. For his part Liam was too frightened to confront her. He only hoped that she'd gotten it all out of her system at once. Maybe now they could go on as if nothing had happened. Back in L.A., he told Lanie that it was over between them, citing the pregnancy and she seemed to understand. In retrospect, he found it remarkable that communication between a man and woman with a sexual history could be so straightforward. A few nights later they were crashing a script, four of them working in the office till midnight, when they decided to move to his hotel suite where they could order up a room service supper. Liam was in the bathroom when the phone rang and he rushed out in a panic. He knew who was calling. Lanie was still holding the receiver. "Hello?" He grabbed the phone away from her and heard only the dial tone. It was three ten in the morning; it wasn't hard to guess what Lora, if it had been Lora, was thinking. There was no way of verifying the incoming number on the hotel phone. "What's the matter," Brodie asked. He dialed the home number in Brooklyn. After a half dozen rings he heard his own voice explaining that no one could come to the phone right now. "Honey, it's Liam. Listen, I thought you might have called just now and I wanted to make sure everything's okay out there. We're all here just finishing up on the script for tomorrow, me and Brodie and Issac and Lanie. I guess you're asleep. Just wanted to make sure everything was okay. Big kiss." He called throughout the day, but Lora never answered. When he still couldn't reach her the following afternoon he told his colleagues he had an emergency and caught the red-eye to New York. 15. She was in bed, with Jeremy, when he came in at seven. She said she wasn't feeling well, that she had cramps, and was bleeding. "Are you all right?" he said, breathlessly. "Not really," she said. "The baby?" "There is no baby." "You had a miscarriage?" "No." She shook her head. "Not a miscarriage." Having arrived all tense and alert, he seemed to deflate before her eyes, slumping to the foot of the bed. "How could you do this?" "It's just a procedure," she said. Of course, she knew it was more than that to him. To him it was a mortal sin. "It's a life," he said. "Is this what happened the last time, too? You were punishing me?" "Punishing you for what, my love?" Despite the pain she managed a bright smile. "I just wasn't ready for another child. I didn't think we were ready." "But you know how I feel about this," he said. "How am I supposed to live with you after this?" "Of course you'll live with me. With us---your wife and son. What else would you do? You know I love you, honey."
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He assumed that his wife, like all the other sentient residents of the city, was traumatized by the events of that September Day.

Deciding that this was no world into which to bring another child was a perfectly rational response, though he knew many people who'd had the exact opposite response.

This, too, was understandable: affirming life in the face of so much death.

He didn't really begin to suspect until much later that her motives might have more complex, less cosmic and more personal, than he had imagined.
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Discover a world of sex, excess and urban paranoia where worlds collide, relationships fragment and the dark underbelly of the American dream is exposed. A transsexual prostitute accidentally propositions his own father. A senator's serial infidelities leave him in hot water. And two young lovers spend Christmas together high on different drugs. McInerney's characters struggle together in a shifting world where old certainties dissolve and nobody can be sure of where they stand.

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