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The textual history of the novel is traced in A Note on the Text; a list of substantive variants and emendations; a facsimile manuscript page showing James's method of revision; and a list of the installments of the novel as they appeared in The Atlantic."Backgrounds and Sources" includes relevant extracts from correspondence, reviews, and articles by James and others, and from his Notebooks and Hawthorne."Contemporary Reception" of the novel is illustrated by twenty-one American and English reviews."Twentieth-Century Criticism" is represented in essays by Leon Edel, Oscar Cargill, Irving Howe, Richard Poirier, Royal A. Gettmann, and James W. Tuttleton.A Selected Bibliography is included for further study.… (altro)
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"The American" was assigned reading in a college class many years ago, but for whatever reason I did not finish it. Most likely, I just got overwhelmed with other reading and didn't get to it in time. My original impression from reading the first half of it seems to have been fairly off however. I remember it being intimidatingly precise in it's language, but I did not feel that way about it on this reading.
I thoroughly enjoyed the first half or so of the novel; James shows many interesting differences between American and European perspectives, and he does so in a very elegant way. The second half becomes somewhat melodramatic. I don't want to give anything away, so I'm not going to go into details here. The ending was surprising, and I think satisfactory.
The overarching style is Realism, but there are several Romantic elements, and interestingly a lot of Gothic elements as well. The Bellegarde family, including their manners, their secrecy, and their homes, is Gothic. Newman though is modern, rational, and realistic. ( )
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Do Not Combine: This is a "Norton Critical Edition", it is a unique work with significant added material, including essays and background materials. Do not combine with other editions of the work.
Please maintain the phrase "Norton Critical Edition" in the Canonical Title and Publisher Series fields. There is only one NCE edition.
The textual history of the novel is traced in A Note on the Text; a list of substantive variants and emendations; a facsimile manuscript page showing James's method of revision; and a list of the installments of the novel as they appeared in The Atlantic."Backgrounds and Sources" includes relevant extracts from correspondence, reviews, and articles by James and others, and from his Notebooks and Hawthorne."Contemporary Reception" of the novel is illustrated by twenty-one American and English reviews."Twentieth-Century Criticism" is represented in essays by Leon Edel, Oscar Cargill, Irving Howe, Richard Poirier, Royal A. Gettmann, and James W. Tuttleton.A Selected Bibliography is included for further study.
I thoroughly enjoyed the first half or so of the novel; James shows many interesting differences between American and European perspectives, and he does so in a very elegant way. The second half becomes somewhat melodramatic. I don't want to give anything away, so I'm not going to go into details here. The ending was surprising, and I think satisfactory.
The overarching style is Realism, but there are several Romantic elements, and interestingly a lot of Gothic elements as well. The Bellegarde family, including their manners, their secrecy, and their homes, is Gothic. Newman though is modern, rational, and realistic. ( )