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Exploring Paul Claudel's relationship to the creative geniuses Gide, Merleau-Ponty, Proust, Redon, Sartre, Van Gogh, and Weil, this work clearly demonstrates Claudel's centrality to aesthetic philosophy in France and the profound connection in his work between aesthetics and religious faith.
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Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
Poetic art calls the self to know, represent and experience Being in the world, a Being that lends the world its total harmony and comprehensibility, a center to which all things must converge if they are to be seen, understood and experienced. . . The form of creation possesses a vibratory movement only in its coexistence with other essential images or in its birth from Being.
In fact, implanted in the depth of all beings there is "a luminous spark which one calls rhythmic theme, or form, or life, or soul". And the task of this spark, Claudel goes on to explain, is to give form and proportion to the darkness. "It is necessary that the Light shine in perfect darkness, and that the one who does not further its reception, further its reflection".
In short, the composer makes available to the listener a road to follow, to affirm, until it reaches perfect clarity, and clarity is delight because it expresses itself in the form of successive and simultaneous sounds, or of unity, of melody."
Ultime parole
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
. . . we are enfolded in sensibility, so fine, so fluctuating, so delicate! . . . Here is Paradise regained. We are enveloped and penetrated by its invisible murmuring, it shimmering shadows, its limitless counsel.
Exploring Paul Claudel's relationship to the creative geniuses Gide, Merleau-Ponty, Proust, Redon, Sartre, Van Gogh, and Weil, this work clearly demonstrates Claudel's centrality to aesthetic philosophy in France and the profound connection in his work between aesthetics and religious faith.