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The Pickup Artist (2001)

di Terry Bisson

UtentiRecensioniPopolaritàMedia votiCitazioni
1198229,300 (3.32)3
From the award-winning author of Pirates of the Universe, a New York Times Notable Book of the Year, comes The Pickup Artist--a sharp, witty, and subversive exploration of the future of art, culture, and society. In the tradition of Ray Bradbury's fireman who burns books in Fahrenheit 451, our hero, Hank Shapiro, is a pickup artist, a government agent who gathers for retirement creative works whose time has come and gone. You see, there's simply not enough room in the world for all the art, so anything past a certain age must be cataloged, archived in the records, and destroyed, paving the way for new art. It's a job that comes with risk and the pay's lousy, but it covers the bills. And, after all, this year's art is better than last year's, isn't it? But what happens is not nearly as important as the telling. Terry Bisson is an American writer in the satirical tradition of Twain and Vonnegut and perhaps Richard Brautigan. He can make you laugh and touch your heart in the same sentence. This is a book about love, death, and America.… (altro)
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» Vedi le 3 citazioni

What a very odd story. ( )
  JudyGibson | Jan 26, 2023 |
Hank Shapiro es un artista de la selección, un agente del gobierno que recaba las obras a las que les ha llegado el momento de la jubilación creativa... ya que no hay bastante sitio en el mundo para todo el arte, de modo que las obras que exceden cierta antigüedad deben ser catalogadas, consignadas en los archivos y destruidas, allanando el camino para el arte nuevo. Es una profesión que entraña riesgos, y el salario es pésimo, pero paga las facturas. Después de todo, el arte de este año es mejor que el del año pasado, ¿verdad?
  Natt90 | Jul 6, 2022 |
The similarities to Fahrenheit 451 are obvious. The Pickup Artist is set in a near future America in which art in all forms — music, literature, painting, movies — is being purged to alleviate the glut of such things and allow space for new creative endeavors. When a work, author, or artist is placed on the deletion list, all originals and copies of the applicable art forms are collected and destroyed.

The first-person narrator of this story is a pickup artist, a person working for the Bureau of Arts and Information who confiscates (normally with compensation) books, albums, tapes, CDs and the like from those who own them. One day, he collects a vinyl album by Hark Williams. It reminds him of his father, and he becomes obsessed with listening to it, but first he needs to locate a record player. His search for one brings him into contact with two factions of the Alexandrians, both of which have their roots in the movement that brought about the policy of cultural purging but now have diametrically opposed goals.

The first-person narrative is interspaced with short historical bits on how this policy of cultural deletion came about.

The premise almost works as a bit of cultural satire, but it is too absurd to have the impact of a cautionary tale like Fahrenheit 451.There are also elements such as the cloned Indians, talking dog, and mature baby that I assume were supposed to have some symbolic significance but, whatever that was, it eluded me.

The characters are believable enough to evoke some empathy, and the setting is not so bizarre that it prevents suspension of disbelief for the sake of the story. The book is different and interesting, but I can’t recommend it as a particularly enjoyable read.
( )
  DLMorrese | Oct 14, 2016 |
This book is a cross between 1984, Fahrenheit 451 and maybe something from Philip K. Dick...but a poor man's version of that offspring. ( )
  Sean191 | Dec 1, 2010 |
I enjoyed the premise of the book, that old art and culture needs to be pruned from society, so I kept with it even when I wasn’t sure where the book was going. I couldn’t help but feel the last half of the book was a description of the main characters decent into drug abuse, but I’m not sure that’s an accurate conclusion. Overall, I liked the first half, and didn’t really understand the second half. ( )
  birksland | Dec 28, 2008 |
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From the award-winning author of Pirates of the Universe, a New York Times Notable Book of the Year, comes The Pickup Artist--a sharp, witty, and subversive exploration of the future of art, culture, and society. In the tradition of Ray Bradbury's fireman who burns books in Fahrenheit 451, our hero, Hank Shapiro, is a pickup artist, a government agent who gathers for retirement creative works whose time has come and gone. You see, there's simply not enough room in the world for all the art, so anything past a certain age must be cataloged, archived in the records, and destroyed, paving the way for new art. It's a job that comes with risk and the pay's lousy, but it covers the bills. And, after all, this year's art is better than last year's, isn't it? But what happens is not nearly as important as the telling. Terry Bisson is an American writer in the satirical tradition of Twain and Vonnegut and perhaps Richard Brautigan. He can make you laugh and touch your heart in the same sentence. This is a book about love, death, and America.

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