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Winner of the Man Booker Prize for Fiction 2011Beginning with an unlikely stowaway's account of life on board Noah's Ark, A History of the World in 10 Chapters presents a surprising and subversive fictional-history of earth told from several kaleidoscopic perspectives. Noah disembarks from his ark but he and his Voyage are not forgotten- they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger; a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.… (altro)
This book was a dissapointment after reading "Flaubert's Parrot". The concept behind the structure of the book is very interesting and daring. Unfortunately, the result is in my opinion very uneven in quality. Quite often I had to force myself to read on.
The first story ("The Stowaway") was hilarious (if irreverent) and I enjoyed "Shipwreck","Project Arrarat" and, in particular, Barnes' meditation on love ("Parenthesis"). ( )
Writing a complete history of the world is a mere 10 and a half chapters would be a pretty difficult thing to do, and in essence, Barnes doesn't really even try to do this in this book. it really is nothing more than a catchy title. But the novel is an interesting examination of the role love and religion have played in shaping the world as we know it, using Noah's Ark as it's central theme. And I must say, I was thoroughly amused at how often, and how well Barnes repeatedly weaved the character of the wood worm into the narration. ( )
Ambitious novel without a typical novel structure, the longform essay as novel. Continued themes of truth, love and what history does to them. Ennui of Barnes’s previous books now actively shipwrecked. Barnes links historical oddities from Noah's Ark to the astronaut's Arafat Project identifying the oddities of human perception. Graham Greene better at 'the human factor' and there is a little too much author, not enough work, in places. Strong JB theme of the fabulist nature of historical accounts. ( )
A deep rumination on woodworms on the Arc and other related maritime excursions with love and a rather loveless afterlife for spice. Somewhere between nightmare and dream is the strange heart of this biblical group of salted fantasies. ( )
La historia del mundo que nos cuenta Julian Barnes comienza en el arca de Noé y termina en el Paraíso, y entretanto la cruzan navíos diversos: la balsa de la Medusa, que inspira la célebre pintura de Géricault; el Saint Louis, un barco de «condenados» que tras zarpar rumbo a La Habana con 937 judíos alemanes expulsados de cárceles y campos de concentración, recorrió medio mundo sin que ningún país aceptara su cargamento, por lo que tuvo que poner rumbo a Alemania; la frágil barca en la que se hace a la mar una australiana desesperada y quizá loca, convencida de que el mundo ha sido arrasado por la guerra atómica; y hasta la nave espacial de un astronauta que encuentra a Dios en los espacios, nunca mejor dicho que cada uno tiene el Dios que se merece y acaba «redescubriendo» el arca de Noé en el monte Ararat, en uno de los irónicos equívocos con que Barnes obsequia a sus lectores.
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to Pat Kavanagh
Incipit
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They put the behemoths in the hold along with the rhinos, the hippos and the elephants.
Citazioni
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These are grand words. We must make sure we deserve them. Listen to them again: 'I love you.' Subject, verb, object: the unadorned impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. 'I love you.' How serious, how weighted, how freighted it sounds.
Here the manuscript ... breaks off, without giving details of the annual penance ... It appears from the condition of the parchment that in the course of the last four and a half centuries it has been attacked, perhaps on more than one occasion, by some species of termite, which has devoured the closing words of the juge d'Eglise.
Ultime parole
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It's the oldest dream of all, and I've just had it.
Winner of the Man Booker Prize for Fiction 2011Beginning with an unlikely stowaway's account of life on board Noah's Ark, A History of the World in 10 Chapters presents a surprising and subversive fictional-history of earth told from several kaleidoscopic perspectives. Noah disembarks from his ark but he and his Voyage are not forgotten- they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger; a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.
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The concept behind the structure of the book is very interesting and daring. Unfortunately, the result is in my opinion very uneven in quality. Quite often I had to force myself to read on.
The first story ("The Stowaway") was hilarious (if irreverent) and I enjoyed "Shipwreck","Project Arrarat" and, in particular, Barnes' meditation on love ("Parenthesis"). (