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Leaving Swindon behind her to hide out in the Well of Lost Plots (the place where all fiction is created), Thursday Next, Literary Detective and soon-to-be one parent family, ponders her next move from within an unpublished book of dubious merit entitled 'Caversham Heights'. Landen, her husband, is still eradicated, Aornis Hades is meddling with Thursday's memory, and Miss Havisham - when not sewing up plot-holes in 'Mill on the Floss' - is trying to break the land-speed record on the A409. But something is rotten in the state of Jurisfiction. Perkins is 'accidentally' eaten by the minotaur, and Snell succumbs to the Mispeling Vyrus. As a shadow looms over popular fiction, Thursday must keep her wits about her and discover not only what is going on, but also who she can trust to tell about it ... With grammasites, holesmiths, trainee characters, pagerunners, baby dodos and an adopted home scheduled for demolition, 'The Well of Lost Plots' is at once an addictively exciting adventure and an insight into how books are made, who makes them - and why there is no singular for 'scampi'. In the words of one critic: 'Don't ask. Just read it.'… (altro)
Dr.Science: The English author Tom Holt is relatively unknown in America, but very popular in England. If you enjoy Jasper Fforde or Christopher Moore you will most certainly enjoy Tom Holt's wry sense of English humor and the absurd. He has written a number of excellent books including Expecting Someone Taller, and Flying Dutch, but they may be difficult to find at your library or bookstore.… (altro)
Fforde has settled comfortably into series mode, producing another fun romp in an alternate universe where books are more real than reality.
aggiunto da Katya0133 | modificaLibrary Journal, Devon Thomas(Jan 15, 2004)
Fforde's sidesplitting sendup of an increasingly antibookish society is a sheer joy.
aggiunto da Katya0133 | modificaPublishers Weekly, Jeff Zaleski(Dec 15, 2003)
Amid the humor, wordplay, and fun with fiction's conventions, there's both a decent mystery and a book lover's plea to save the world's messiness from corporate streamlining.
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A wise man wants for only nourishing cabbage soup; seek not other things. Except perhaps a toaster. -- from the teachings of St Zvlkx
. . . . . the wisdom of St Zvlks is wholly owned by the Toast Marketing Board . . . . .
Dedica
A Mari Che insegna alle fiaccole a brillare
Incipit
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Making one's home in an unpublished novel wasn't without its compensations.
Citazioni
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...First there was OralTrad, upgraded ten thousand years later by the rhyming (for easier recall) OralTradPlus. For thousands of years this was the only Story Operating System and it is still in use today. The system branched in two about twenty thousand years ago ; on one side with CaveDaubPro) forerunner of PaintplusV2.3, GrecianUrnV1.2 SculptMarble V1.4 and the latest all encompassing SuperArtisticExpression-5). The other strand, the Picto-Phonetic Storytelling Systems, started with ClayTablet V2.1 and went through several competing systems (WaxTablet, Papyrus, VelliumPlus before merging into the award winning SCROLL, which was upgraded eight times to V3.3 before being swept aside by the all-new and clearly superior BOOK V1. Stable, easy to store and transport, compact and with a workable index, BOOK led the way for nearly eighteen hundred years...
'Good. Item seven. The had had and that that problem. Lady Cavendish, weren't you working on this?' // Lady Cavendish stood up and gathered her thoughts. // 'Indeed. The use of had had and that that has to be strictly controlled; they can interrupt the ImaginoTransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.' // 'Go on.' // 'It's mostly an unlicensed usage problem. At the last count David Copperfield alone had had had had sixty-three times, all but then unapproved. Pilgrim's Progress may also be a problem owing to its had had / that that ratio.' // 'So what's the problem in Progress?' // 'That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked but not if the number exceeds that that that usage.' // 'Hmm,' said the Bellman. 'I thought had had had had TGC's approval for use in Dickens? What's the problem?' // 'Take the first had had and that that in the book by way of example,' explained Lady Cavendish. 'You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.' // 'So the problem with that other that that was that--?' // 'That that other-other that that had had approval.' // 'Okay,' said the Bellman, whose head was in danger of falling apart like a chocolate orange, 'let me get this straight: David Copperfield, unlike Pilgrim's Progress, which had had had, had had had had. Had had had had TGC's approval?' // There was a very long pause. // 'Right,' said the Bellman with a sigh. 'That's it for the moment...'
"Well, Mother was very upset about it and I think you should apologize." "Okay, next time -- wait a moment, I'm dead -- I can't apologize to anyone. You apologize for me."
"Accept with good grace that which is given with good grace."
Ultime parole
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Leaving Swindon behind her to hide out in the Well of Lost Plots (the place where all fiction is created), Thursday Next, Literary Detective and soon-to-be one parent family, ponders her next move from within an unpublished book of dubious merit entitled 'Caversham Heights'. Landen, her husband, is still eradicated, Aornis Hades is meddling with Thursday's memory, and Miss Havisham - when not sewing up plot-holes in 'Mill on the Floss' - is trying to break the land-speed record on the A409. But something is rotten in the state of Jurisfiction. Perkins is 'accidentally' eaten by the minotaur, and Snell succumbs to the Mispeling Vyrus. As a shadow looms over popular fiction, Thursday must keep her wits about her and discover not only what is going on, but also who she can trust to tell about it ... With grammasites, holesmiths, trainee characters, pagerunners, baby dodos and an adopted home scheduled for demolition, 'The Well of Lost Plots' is at once an addictively exciting adventure and an insight into how books are made, who makes them - and why there is no singular for 'scampi'. In the words of one critic: 'Don't ask. Just read it.'
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