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Lesbian Pulp Fiction: The Sexually Intrepid…
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Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965 (originale 2005; edizione 2005)

di Katheirne Forrest (A cura di)

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Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post - World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some - especially those written by lesbians - offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.… (altro)
Utente:FleetSparrow
Titolo:Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965
Autori:Katheirne Forrest (A cura di)
Info:Cleis Press (2005), 440 pages
Collezioni:Lista dei desideri
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Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965 di Katherine V. Forrest (Editor) (2005)

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This anthology (lesbian paperback fiction from 1950 – 1965) is worth reading both for its historical value and, often, for the writing itself. I came out in the 80s, so I missed all this, and it was quite fascinating to become acquainted with such famous characters as Beebo Brinker. I was mesmerized.

Prevailing social beliefs are revealed – and you can see how they change in the fifteen years that are represented – but the characters themselves are motivated by love and desire. Even when they are terribly wounded by the attitudes of the times, they break through the taboos and find each other. ( )
  astrologerjenny | Apr 25, 2013 |
This anthology (lesbian paperback fiction from 1950 – 1965) is worth reading both for its historical value and, often, for the writing itself. I came out in the 80s, so I missed all this, and it was quite fascinating to become acquainted with such famous characters as Beebo Brinker. I was mesmerized.

Prevailing social beliefs are revealed – and you can see how they change in the fifteen years that are represented – but the characters themselves are motivated by love and desire. Even when they are terribly wounded by the attitudes of the times, they break through the taboos and find each other. ( )
  astrologerjenny | Apr 24, 2013 |
Lesbian pulp fiction intrigues me. There's something...different...about these books from the fifties and sixties. Some of them are poorly written, and many of them have unrealistic parts to them, but still, the books are important to our queer history and culture. They're like mini-time capsules, and every time I finish reading one, I find myself thankful that I live in the present.

Katherine V. Forrest's introduction is worth the price of the book alone, in my opinion. I am queer in a rural area, but I have the internet, and online bookstores, and e-readers to find community and literature. Forrest didn't have any of that. I do know, however, what it feels like to discover that one isn't alone, that there are other women out there like us, and how nerve-wracking it is to march up to a counter and purchase a book like that (usually with somewhat suggestive covers - mine was Ann Bannon's "Odd Girl Out" with two women kissing in silhouette).

And the excerpts themselves are interesting, as well. There are some real pulp gems, and I added a few different pulps to my "to be read" pile because of this book.

Altogether, recommended - not necessarily for the literary value (although some of the excerpts, even today, are pretty good), but for historical/cultural value. ( )
  schatzi | Mar 28, 2013 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Forrest, Katherine V.A cura diautore primariotutte le edizioniconfermato
Adams, FayCollaboratoreautore secondariotutte le edizioniconfermato
Bannon, AnnCollaboratoreautore secondariotutte le edizioniconfermato
Britain, SloaneCollaboratoreautore secondariotutte le edizioniconfermato
Brophy, BrigidCollaboratoreautore secondariotutte le edizioniconfermato
Christian, PaulaCollaboratoreautore secondariotutte le edizioniconfermato
Ellis, JoanCollaboratoreautore secondariotutte le edizioniconfermato
Emerson, JillCollaboratoreautore secondariotutte le edizioniconfermato
Gardner, MiriamCollaboratoreautore secondariotutte le edizioniconfermato
Hastings, MarchCollaboratoreautore secondariotutte le edizioniconfermato
Herbert, AnneCollaboratoreautore secondariotutte le edizioniconfermato
Knight, DorcasCollaboratoreautore secondariotutte le edizioniconfermato
Martin, DellaCollaboratoreautore secondariotutte le edizioniconfermato
Martin, KayCollaboratoreautore secondariotutte le edizioniconfermato
Packer, VinCollaboratoreautore secondariotutte le edizioniconfermato
Salem, RandyCollaboratoreautore secondariotutte le edizioniconfermato
Smith, ArtemisCollaboratoreautore secondariotutte le edizioniconfermato
Taylor, ValerieCollaboratoreautore secondariotutte le edizioniconfermato
Torres, TereskaCollaboratoreautore secondariotutte le edizioniconfermato
Verel, ShirleyCollaboratoreautore secondariotutte le edizioniconfermato

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For Ann Bannon

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nor adequate words
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Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post - World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some - especially those written by lesbians - offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

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