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My Judy Garland Life: A Memoir di Susie Boyt
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My Judy Garland Life: A Memoir (originale 2008; edizione 2009)

di Susie Boyt (Autore)

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Fascinating and extraordinary, thrilling and poignant, My Judy Garland Life will speak to anyone who has ever nursed an obsession or held a candle to a star. Judy Garland has been an important figure in Susie Boyt's life since she was three years old, comforting, inspiring and at times disturbing her. In this unique book, Boyt travels deep into the underworld of hero worship, reviewing through the prism of Judy our understanding of rescue, consolation, love, grief and fame. What does it mean to adore someone you don't know? What is the proper husbandry of a twenty-first century obsession? Boyt's journey takes in a duetting breakfast with Mickey Rooney, a Munchkin luncheon, tea with the largest collector of Garlandia, an illicit late-night spree at the Minnesota Judy Garland Museum and a breathless, semi-sacred encounter with Miss Liza Minnelli . . .… (altro)
Utente:briteness
Titolo:My Judy Garland Life: A Memoir
Autori:Susie Boyt (Autore)
Info:Bloomsbury USA (2009), Edition: 1, 320 pages
Collezioni:La tua biblioteca
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Etichette:Judy Garland, memoir

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My Judy Garland life di Susie Boyt (2008)

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Mostra 3 di 3
I kept reading, but this woman struck me as more than a little insane. ( )
  Jean.Walker | Sep 1, 2019 |
When I first saw this memoir by Susie Boyt I could not stop staring at the ruby slippers: the cover is simple but somehow mesmerizing. I adored Judy Garland as a child and still do to some degree, so I grabbed the book off the shelf right away, wondering what new insights the author might have on one of the most talented and stormy singers of all time.

I soon discovered, though, that Boyt’s book isn’t really about the wonderful Garland, even if it appears so on the surface, full of lovely photos and interesting little tidbits about the singer’s life. It’s more about the author, society, and how some of us, especially those of us who get more lonely than others, can focus on one particular star and feel like we know them and somehow need them in our lives for comfort and joy…wacko as this may sound, it’s true.

My Judy Garland Life: A Memoir also examines just how powerful popular culture can be in our lives, and also how we can get so caught up in a stranger’s life (especially a celebrity’s) that we are capable of imagining their enemies are our enemies. When Boyt read that a man Judy Garland once loved ran off with Lana Turner, she found she could no longer watch Turner’s movies.

Critic Ali Smith wrote in The Times: A…truly altruistic piece of modern thought, this wonderfully clever books gives its whole self, flings its arms out in a rainy street like a wonderful diva. Brava. I wouldn’t call it "altruistic," but I definitely agree that it "flings its arms" wide open and is ready and waiting for you to read it! ( )
  booksandcats4ever | Jul 30, 2018 |
Susie Boyt has been a fan of the legendary Judy Garland – who died five months after Boyt was born – for as long as she can remember. In this book, she talks about her own life (although this is not an autobiography) and how her love of Garland has affected her.

WARNING: This review is probably going to become a rant!

I expected to like this book. I wanted to like it, I really did. But I couldn’t. Not only did I dislike the book, I actually got annoyed and irritated with it. I had expected an amusing memoir about fan-worship of a star, with a metaphorical rolling of the eyes by the author at the lengths she would go to in the name of that fan-worship. What I actually read was a lot of self-indulgent, over analytical withering. (Perhaps I should partly blame myself for not realising beforehand what type of book this was.)

Lets make no bones about this – the author is not just a fan of Judy Garland, she is obsessed (something which she herself acknowledges). Baking a pie? She instantly thinks of a speech from a Garland film where Garland likens herself to a pie, and recites the speech over and over in her head, desperately making sure she has the words right. Washing up? Remember that scene where Judy Garland washed up? And it’s not enough to just remember the scene – Boyt analyses the scene and breaks it down – what did it mean? What was Judy conveying? Boyt mentions kind words spoken by characters played by Judy Garland and attributes them to Garland herself, seemingly unable to distinguish between Garland and the character.

She also divides Garland’s fans into bad fans (apparently those who dare to make a point about Garland’s drug use or other personal problems), good fans (those who only focus on the positive aspects of Judy Garland’s life) and crazy-good fans. She mentions one ‘crazy-good fan’ who wrote to Grace Kelly’s family shortly after Grace died tragically young and unexpectedly, and demanded that Grace’s Oscar which she won for The Country Girl, be sent to the Garland family where it truly belonged (Kelly and Garland were both nominated for the Oscar and Kelly, controversially, won). Is that a good fan? Not to me – crazy maybe; rude, spiteful, downright insensitive, definitely.

The author acknowledges her own obsession with Garland, and also acknowledges that other people may have different obsessions. On which subject she says, “It is possible that the object of your obsession is unequal to your heroic feelings, as mine will never be and that you are a tiny bit (and I whisper this) misguided in your choice, but your feelings are good and true, I see that.” Blimey! Patronising much? I recognise that Boyt was perhaps saying that to the obsessive, nobody else’s obsession can ever match up, but all the same, this was the point where I almost abandoned this book. (Later on, she describes doing ‘Judy-work’ in a library and looking round at the other patrons, who are doing their own work. They are swiftly dismissed with “it’s clear they just don’t love their work as I do….”)

Boyt also met with Garland’s daughter, Liza Minelli, to whom she complained that people were only ever interested in her father (Boyt’s father is the late artist, Lucien Freud). Minelli said that she understood exactly how that felt, in an obvious reference to people only being interested in Judy Garland. “But, but, but….” I thought, “Isn’t that exactly what Susie Boyt is doing? She is only interested in Liza Minelli because of who her mother is, and yet she complains about that behaviour in other people.”

Everything was taken so personally in this book; after Garland’s death, her friend Mickey Rooney said that if people had taken her to their hearts a bit earlier, she might still be alive. Boyt says that she takes this as a personal reproach, although she acknowledges that she was just five months old when Judy Garland died.

Boyt hates it that people exploited Judy Garland, but yet this whole book felt slightly exploitative. Garland is used an excuse for Boyt to wax lyrical about her own thoughts. Garland’s addiction to drugs is the basis for Boyt writing about sympathy, the nature of sympathy, when sympathy should be given and who by, and what form it should take (what is bad sympathy and what is good sympathy). This confused me – doesn’t the giving of sympathy depend on a lot of things? What kind of person the sympathiser is; what kind of person they are sympathising with is, what has happened to elicit sympathy, the relationship between the two people, etc. etc.

This is not the book to read if you want to find out more about Judy Garland – I would recommend you find a good biography instead, if that is your aim. There are aspects of Garland’s life contained within, but it seems to be written for people who are already very familiar with her life.

Sorry for the rant. We all have books we like and don’t like, but it’s rare for a book to actually annoy me to this extent. I never give up on a book once I’ve started it, so I did see this one through to the bitter end, but unfortunately I don’t feel able to recommend it to anyone else. ( )
1 vota Ruth72 | Mar 12, 2013 |
Mostra 3 di 3
[A] wildly bizarre but wonderfully disarming hybrid of memoir, biography and mash note.
 
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I had, from my beginning, to adore heroes
& I elected that they witness to,
show forth, transfigure: life suffering & pure heart
& hardly definable but central weakness
for which they were enthroned & forgiven by me.
--John Berryman, "The Heroes"
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For my mother and father
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I've been half or more in love with Judy Garland all my life.
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Judy Garland seemed miraculously to transform the harsher truths of life into something wonderful, where all feelings, however dark, are good and true because they’re yours.
When Judy performs, every moment in life becomes a rite of passage, a disaster or epiphany so exhilarating that you need to raise the calibre of your personality in order to meet it. Matters of life and death hang in the balance when Judy Garland sings. Everything is celebration or mourning. There’s no prevarication. Her voice aims straight at our central nervous systems, to our red and white blood cells, inside our ventricles, auricles and valves. No other performer ever communicated so sincerely and with so much lustre that the truth actually dazzles.
David Letterman’s remark the night a pair of ruby slippers was stolen from the Judy Garland Museum. ‘Police are looking for someone armed and fabulous!’ was what he said.
John Berryman quoted his friend R. P. Blackmur’s assertion that poetry was to be distinguished from verse by language so twisted & posed in a form that it not only expresses the matter in hand but adds to the stock of available reality.
...you do not wish to pathologise your grief or have the dead person’s electric absence counselled right out of your life for good.
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Fascinating and extraordinary, thrilling and poignant, My Judy Garland Life will speak to anyone who has ever nursed an obsession or held a candle to a star. Judy Garland has been an important figure in Susie Boyt's life since she was three years old, comforting, inspiring and at times disturbing her. In this unique book, Boyt travels deep into the underworld of hero worship, reviewing through the prism of Judy our understanding of rescue, consolation, love, grief and fame. What does it mean to adore someone you don't know? What is the proper husbandry of a twenty-first century obsession? Boyt's journey takes in a duetting breakfast with Mickey Rooney, a Munchkin luncheon, tea with the largest collector of Garlandia, an illicit late-night spree at the Minnesota Judy Garland Museum and a breathless, semi-sacred encounter with Miss Liza Minnelli . . .

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