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The Man of Mode (1676)

di George Etherege

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
1972137,762 (3.38)7
Arguably the most perfectly poised of Restoration wit comedies, The Man of Mode is a finished exercise in dramatic sprezzatura, or nonchalance, matching the beguiling 'easiness' and 'complaisance' of its central character. The play's imaginative brilliance depends upon its author's ability to hint at the dark abyss of passion and emotional violence at whose edge the modish denizens of the town perform their graceful ballet. Its seemingly casual construction and wanton breaches of comic decorum mask a ferocious artistic control designed to upset the complacency of the audience's moral, social and aesthetic assumptions by luring them into sympathy for a character whose dangerous 'wildness' they ought to deplore. It is at once among the funniest and the most unsettling of comedies in English.The full, modernized play text is accompanied by incisive commentary notes, while its engaging introduction unpacks the complexity of the Restoration's political and theatrical context, analyses the play's performance history (including Nicholas Hytner's 2007 modern-dress version) and demonstrates Etherege's linguistic finesse. This edition is supplemented by a plot summary and an annotated bibliography.The New Mermaids plays offer: · Modernized versions of the play text edited to the highest textual standards · Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page · Full Introductions analyzing context, themes, author background and stage history… (altro)
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The main character, Dorimant, successfully juggles various lovers, while finding himself attracted to a female version of himself - one who can match wits with him. I didn't find Dorimant very likeable, so I didn't enjoy his intrigues and I felt genuine sorrow for Belinda. I actually enjoyed Sir Fopling Flutter - he was funny. ( )
  tjsjohanna | Nov 22, 2011 |
Wikipedia: Between 1668 and 1671 Etherege went to Constantinople as secretary of the English ambassador Sir Daniel Harvey. After a silence of eight years, he came forward with one more play, unfortunately his last. The Man of Mode or, Sir Fopling Flutter, indisputably the best comedy of manners written in England before the days of Congreve, was acted and printed in 1676, and enjoyed an unbounded success. Besides the merit of its plot and wit, it had the personal charm of being supposed to satirize, or at least to paint, persons well known in London. Sir Fopling Flutter was a portrait of Beau Hewit, the reigning exquisite of the hour; in Dorimant the poet drew the Earl of Rochester, and in Medley a portrait of himself (or, equally plausible, of his fellow playwright and wit Sir Charles Sedley); while even the drunken shoemaker was a real character, who made his fortune from being thus brought into public notice.
Etherege holds a distinguished place in English literature as one of the "big five" of Restoration comedy. He inaugurated a period of genuine wit and sprightliness. He invented the comedy of manners, and led the way for the masterpieces of Congreve and Sheridan.

Etherege's portraits of fops and beaux are considered the best of their kind. His wit is sparkling and frivolous, his style picturesque. Etherege is noted for his delicate touches of dress, furniture and scene; he vividly draws the fine airs of London gentlemen and ladies, perhaps better than Congreve; but he has less insight and less energy than Congreve. His biography was first written in detail by Edmund Gosse in Seventeenth Century Studies (1883).
Questa recensione è stata segnalata da più utenti per violazione dei termini di servizio e non viene più visualizzata (mostra).
  mmckay | Aug 25, 2007 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Etherege, GeorgeAutoreautore primariotutte le edizioniconfermato
Barnard, JohnA cura diautore secondarioalcune edizioniconfermato
Carnochan, W. B.A cura diautore secondarioalcune edizioniconfermato
Griffiths, Trevor R.A cura diautore secondarioalcune edizioniconfermato
Mcmillin, ScottA cura diautore secondarioalcune edizioniconfermato
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Arguably the most perfectly poised of Restoration wit comedies, The Man of Mode is a finished exercise in dramatic sprezzatura, or nonchalance, matching the beguiling 'easiness' and 'complaisance' of its central character. The play's imaginative brilliance depends upon its author's ability to hint at the dark abyss of passion and emotional violence at whose edge the modish denizens of the town perform their graceful ballet. Its seemingly casual construction and wanton breaches of comic decorum mask a ferocious artistic control designed to upset the complacency of the audience's moral, social and aesthetic assumptions by luring them into sympathy for a character whose dangerous 'wildness' they ought to deplore. It is at once among the funniest and the most unsettling of comedies in English.The full, modernized play text is accompanied by incisive commentary notes, while its engaging introduction unpacks the complexity of the Restoration's political and theatrical context, analyses the play's performance history (including Nicholas Hytner's 2007 modern-dress version) and demonstrates Etherege's linguistic finesse. This edition is supplemented by a plot summary and an annotated bibliography.The New Mermaids plays offer: · Modernized versions of the play text edited to the highest textual standards · Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page · Full Introductions analyzing context, themes, author background and stage history

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