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Harriette Wilson's Memoirs: The Greatest Courtesan of Her Age

di Harriette Wilson

Altri autori: Vedi la sezione altri autori.

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19th century London produced a fine flowering of eccentrics and individualists. Chief among them was Harriette Wilson, whose patrons included most of the distinguished men of the day, from the Duke of Wellington to Lord Byron. She held court in a box at the opera, attended by statesmen, poets, national heroes, aristocrats, members of the beau monde, and students who hoped to be immortalized by her glance. She wrote these memoirs in middle age, when she had fallen out of favor, and she advised her former lovers that 200 of them would be edited out. The result is an elegant, zestful, unrepentant memoir, which offers intimately detailed portraits of the Regency demimonde.… (altro)
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Ms. Wilson’s claim to fame/notoriety was not so much that she was the most renowned courtesan of the Regency period, but rather that in her later and presumably less attractive years she became strapped for cash and published her memoirs. Even this probably wouldn’t have been particularly noteworthy – other “impure fairs” wrote about their lives before and after Ms. Wilson - except that Harriette came up with a unique twist: she wrote to all the gentlemen she had entertained and offered to leave them out of her book if they sent her £200.


It is, of course, unknown how many men took advantage of Harriette’s offer, but judging from the number who didn’t and are thus mentioned in the Memoirs, she must have been really popular and really busy – the list of men she had encounters with reads like the Peerage. The Duke of Wellington wrote “Publish and Be Damned!” in red ink across Harriette’s blackmail letter and sent it back; thus he does not come off very well in the book – Harriette say he “looked very like a ratcatcher”.


Alas, the book is not all that interesting; Harriette is so busy dropping names that she doesn’t have much time for describing anything else about her times. Several of her clients (including, of course, Wellington) “go to Spain” as if they were taking a beach vacation, when in fact they’re fighting in the Peninsular Campaign. Others pop in and out of her opera box, but she never bothers to comment on the operas or life in London or much of anything.


There’s also little of prurient interest; if you’re looking for a Regency romance novel, you’ll be disappointed. Harriette had a surprisingly brazen business plan; she often wrote letters to noblemen she found interesting, inviting them to come up and see her some time. Subsequent details are suppressed; she gets a passionate kiss from Lord Ponsonby, and Lord Worcester helps her lace up her stays, and that’s about it. She was not supposed to be especially attractive (the elegant lady on the cover of paperback edition I read is apparently not Harriette) but was instead noted for flashing wit and clever conversation. Some of this does come out:


“’I was thinking of you last night, after I got into bed,’ resumed Wellington.
‘How very polite to the Duchess,’ I observed.”


However, you have to wade through pages of criticism of the manners of British nobility and records of boring conversations to come up with an occasional double-entendre like this. Perhaps worthwhile if you have a particular interest in the times; otherwise not.
( )
  setnahkt | Dec 11, 2017 |
Only made it halfway through.
  paperloverevolution | Mar 30, 2013 |
It should not have been so much fun to read this! Wilson is pithy, witty, and detailed in her recollection of life in elite society. ( )
  KLmesoftly | May 3, 2010 |
TBR
  herschelian | Dec 28, 2006 |
Mostra 4 di 4
Wilson’s memoirs were first published (by John Joseph Stockdale) in instalments in 1825 – the publication financed by the ingenious method of writing to ‘various people whose names figured in the book, telling them that they would find themselves unmercifully quizzed in a forthcoming work by Miss Wilson, and suggesting that a cash payment would prevent unpleasantness’. At the end of each published part appeared ‘an advertisement of the names of the people to be mentioned in the next number, thus giving them another chance of buying themselves off’.
 

» Aggiungi altri autori (2 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Wilson, Harrietteautore primariotutte le edizioniconfermato
Blanch, LesleyA cura diautore principalealcune edizioniconfermato
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19th century London produced a fine flowering of eccentrics and individualists. Chief among them was Harriette Wilson, whose patrons included most of the distinguished men of the day, from the Duke of Wellington to Lord Byron. She held court in a box at the opera, attended by statesmen, poets, national heroes, aristocrats, members of the beau monde, and students who hoped to be immortalized by her glance. She wrote these memoirs in middle age, when she had fallen out of favor, and she advised her former lovers that 200 of them would be edited out. The result is an elegant, zestful, unrepentant memoir, which offers intimately detailed portraits of the Regency demimonde.

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