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Sto caricando le informazioni... Memento [2000 film] (2000)di Christopher Nolan (Director), Christopher Nolan (Screenwriter)
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Memento is a labyrinth of memories and identity, masterfully crafted by Christopher Nolan. This film is a testament to the power of nonlinear storytelling, as it challenges traditional narrative structures, leaving our minds ablaze with introspection. With each scene meticulously pieced together, we question the very nature of truth, perception, and the fragility of our own recollections. A cinematic puzzle that demands our engagement and rewards us with a deeply layered exploration of existential themes ( ) Ayant perdu sa mémoire à court terme suite à un traumatisme crânien, le personnage principal du film ne se défait pas de son appareil-photo ; il prend tout en note. Il consigne les informations les plus importantes en se les tatouant sur le corps (corps vraiment magnifique de l'acteur Guy Pierce !). S'il est aussi déterminé, c'est parce qu'il est à la recherche de celui qui a violé et tué son épouse. En parallèle de l'histoire principale, il relate ce qu'il a vécu avant son accident, alors qu'il était inspecteur pour le compte d'un assureur. Le film n'est pas du tout chronologique et alterne images en couleurs et en noir et blanc. Complexe, haletant et paranoïaque, il demande donc toute l'attention du spectateur. Un film angoissant et extrêmement bien maîtrisé.
Memento is simultaneously the ultimate stoner film, a noirish thriller and a brilliantly enacted investigation of the philosophical questions of time and memory. Remembering, the film makes clear, is not simply the opposite of forgetting. Forgetting, as Pynchon observed of ignorance, is not just a blank on the map; it has its own contours and laws, its own hunger. It is forgetting, after all, that makes memory possible. Total recall is close to complete amnesia. In Borges‘ famous story “Funes, His Memory,” the character who remembers everything -- “not only every leaf or every tree in every path of forest, but every time he had perceived or imagined that leaf” -- ends up like Shelby, who remembers nothing: “His own face in the mirror, his own hands, surprised him every time he saw them.” Working from a short story by his brother, Jonathan Nolan, this newcomer has created a perfect movie: perfect in its form (witness the absolute "movieness" of its segmented takes, its backward logic, its pieced-together, visualized version of memory) and perfect in its measured effect on us. Memento gives us exactly as much as we are capable of absorbing and using-no more, no less. It cups us in its hands, plays with us for the duration, and then sets us free by allowing us to spring the catch. È contenuto inÈ un adattamento diHa come guida di riferimento/manuale
An intricate crime story about a man who has lost his short term memory due to a rare brain disorder. Now he is out to catch his wife's murderer, whose identity he cannot ever know for sure. The more he tries to figure out what is true and real, the more he sinks deeper into a multi-layered abyss of uncertainty and surprises. Non sono state trovate descrizioni di biblioteche |
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