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Gone: The Last Days of The New Yorker (1999)

di Renata Adler

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954285,116 (2.8)2
"Renata Adler went to work at The New Yorker in 1963 and immediately became part of the circle close to editor William Shawn, a man so mysterious that no two biographies of him seem to be about the same person. Now Adler offers her take on the man - and the myth that is The New Yorker - disputing recent memoirs by Lillian Ross and Ved Mehta along the way." "Adler re-creates thirty years in its history and depicts Shawn as a man of robust common sense, amazing industry, and editorial genius, who nurtured innumerable major talents (and egos) to produce a magazine that was - and remains - unique. Her ensemble cast - all involved in legendary friendships, feuds, and love affairs - includes Edmund Wilson, S. N. Behrman, Brendan Gill, Calvin Trillin, Dwight MacDonald, Donald Barthelme, Hannah Arendt, Pauline Kael, S. I. Newhouse, Robert Gottlieb, Tina Brown, and practically everyone of note in and around The New Yorker." "Above and beyond the fascinating literary anecdotes, however, Adler's is a striking narrative that follows the weakening of Shawn's hold over the magazine he loved, his reluctant attempts to find a successor, and the coup by which he was ultimately overthrown."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved… (altro)
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» Vedi le 2 citazioni

Mostra 4 di 4
What fun.Poking at people who need to be poked. But, What
about Renata Adler ? (see Pauline Kale?
  RODNEYP | Mar 6, 2024 |
Bookforum recently profiled Adler's fiction and I came across this book about her time at the New Yorker. The kindest way to describe this book is gossipy. I don't think I've ever read a more mean-spirited book. Adler's charmed life of extreme privilege combined with her talent and high intellect = scary self-certainty and a total lack of self-awareness. ( )
  monicaberger | Jan 22, 2024 |
Totally not what I was looking for. I do not know what possessed me to order this from the library. I am hurrying it back to them tomorrow. And none too soon. I suppose I will never know now what makes Renata Alder the type and quality of writer she has a reputation for being. She is certainly not my cup of tea. ( )
  MSarki | Mar 31, 2013 |
What could be a spoiler? This book isn't very good at all. It is totally self-focused. I, I, I, me, me, me.... Everybody else is bad, she is good. And it was boring. Who cares, at this level of detail? Who in the world cares? And mean, mean, mean.
The end.
  franoscar | Apr 17, 2010 |
Mostra 4 di 4
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"Renata Adler went to work at The New Yorker in 1963 and immediately became part of the circle close to editor William Shawn, a man so mysterious that no two biographies of him seem to be about the same person. Now Adler offers her take on the man - and the myth that is The New Yorker - disputing recent memoirs by Lillian Ross and Ved Mehta along the way." "Adler re-creates thirty years in its history and depicts Shawn as a man of robust common sense, amazing industry, and editorial genius, who nurtured innumerable major talents (and egos) to produce a magazine that was - and remains - unique. Her ensemble cast - all involved in legendary friendships, feuds, and love affairs - includes Edmund Wilson, S. N. Behrman, Brendan Gill, Calvin Trillin, Dwight MacDonald, Donald Barthelme, Hannah Arendt, Pauline Kael, S. I. Newhouse, Robert Gottlieb, Tina Brown, and practically everyone of note in and around The New Yorker." "Above and beyond the fascinating literary anecdotes, however, Adler's is a striking narrative that follows the weakening of Shawn's hold over the magazine he loved, his reluctant attempts to find a successor, and the coup by which he was ultimately overthrown."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

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