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Rose Dubois and Julie O'Brien find themselves on a burning roof together, on a summer's day, and from then on their fates intertwine, in a world where the natural force that is the changing climate foreshadows and encourages their predestined suffering. Rose and Julie's submissive love for the same man, Charles, creates in them an arms race of artificial beauty and debasement. The first in their common obsession for plastic surgery and their attempts to be the avatar for the perfect female, and possess the perfect female organ; the second in their acceptance of Charles' objectifying sexual fetishes, his love for women as pieces of meat, and controlling nature. However, both women, in this competition, realize that to accept being nothing more than an object, to kneel and grovel before you persecutor, you become his executioner. In the end, Charles will not survive his own obsessions and his desires, which he loathes, which will be his downfall and, ultimately, his death.… (altro)
Après les autobiographiques "Putain" et "Folle", Nelly Arcan a fait une incursion dans la fiction avec "À ciel ouvert".
Un livre où elle explore les corps et la beauté, la vénérée beauté, la froide et chirurgicale beauté. Cette burqua de chair dont on oblige les femmes à se vêtir et qui donnera le titre à son dernier ouvrage posthume.
Des femmes prisonnières de leur image et des hommes esclaves de leurs fantasmes ( )
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
After searching for months, I finally came upon the empty house. It could have been paradise. The charwoman said I could take possession immediately - clef en main - and then she smiled and pressed the key into my hand. - St. Peter of Damascus
Dedica
Incipit
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
We've all thought about committing suicide.
Citazioni
Ultime parole
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
Rose Dubois and Julie O'Brien find themselves on a burning roof together, on a summer's day, and from then on their fates intertwine, in a world where the natural force that is the changing climate foreshadows and encourages their predestined suffering. Rose and Julie's submissive love for the same man, Charles, creates in them an arms race of artificial beauty and debasement. The first in their common obsession for plastic surgery and their attempts to be the avatar for the perfect female, and possess the perfect female organ; the second in their acceptance of Charles' objectifying sexual fetishes, his love for women as pieces of meat, and controlling nature. However, both women, in this competition, realize that to accept being nothing more than an object, to kneel and grovel before you persecutor, you become his executioner. In the end, Charles will not survive his own obsessions and his desires, which he loathes, which will be his downfall and, ultimately, his death.
Un livre où elle explore les corps et la beauté, la vénérée beauté, la froide et chirurgicale beauté. Cette burqua de chair dont on oblige les femmes à se vêtir et qui donnera le titre à son dernier ouvrage posthume.
Des femmes prisonnières de leur image et des hommes esclaves de leurs fantasmes ( )