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Sto caricando le informazioni... Whole Wide World (2002)di Paul McAuley
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Menzioni
A chilling murder mystery and a gripping conspiracy thriller set in a world where information is the universal currency, and some people will do anything to be able to control it. London, the second decade of the twenty-first century, two years after the InfoWar. The cameras are everywhere: smart, tireless, and linked together by the Autonomous Distributed Expert Surveillance System, a vast, cold, unsympathetic system that's still testing its limits. There's no escape from its gaze; everyone's a suspect. But there's a flaw in the system, a way of outwitting its gaze, and someone has been murdered because of it. The InfoWar: high explosive and microwave bombs were set off by terrorists in the City; viruses shut down cooling fans inside computers and started thousands of fires; bank accounts ran back to zero; phone lines were randomly cross-connected; TV channels transmitted porn or insane rants by computer-generated talking heads; every traffic light in London jammed on red; the Internet went down. Our narrator has kept his rank but not his status since he was seconded to the Information Technology section of the Metropolitan Police. He was badly wounded in the InfoWar and his superiors would rather he took early retirement. But he is called to the scene when Sophie Booth is found dead on a chair in front of three webcams, blood pooling beneath her. And in the ruins of the smashed computers and disabled cameras he sees a way to redeem himself and get back to active duty. So begins a very dangerous game for Minimum (our narrator's nickname), especially since there's no hiding from the CCTVs that are everywhere and in the control of people who would rather he did not solve the crime. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)813Literature English (North America) American fictionClassificazione LCVotoMedia:
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But of course, it's fiction. At some point in the book's backstory, a conjunction of disaffected hackers and terrorists sparked a war where the targets were key parts of the data infrastructure. As a result, the UK has a repressive government and strict laws on licensing databases and websites. Into this steps an embittered policeman, side lined into forensic IT work following the death of four colleagues which saw him admonished.
He becomes embroiled in an unpleasant murder which seems to have pointers to the underworld of illegal porn sites in one direction and the world of tech entrepreneurs in the other. There's a McGuffin, connected to an innovative CCTV system that one character has sold to the UK Government. And there are unsettling things in the background, such as climate change and a Metropolitan Police that seems preoccupied with internal squabbling and status.
The shortcomings in our real-world experience of the tech are offset by the p.o.v. character, who is quite well-drawn; and the urban London setting. But this makes some of the oversights a little harder to suspend disbelief over. The protagonist has some mildly homophobic views which were probably current within the Met in 2001 when the book was written, but less so by 2010. Perhaps the thing that marks out the book's age the most is the way in which the protagonist sets up a DDOS (Distributed denial Of Service) attack on a villain's website and McAuley takes four pages to describe it. Today? I think most readers would have a fairly clear idea of what a DDOS attack is, at least in outline if not in detail.
There is a major jump cut away from London in the last eighty pages or so, and the novel switches from a police procedural to a typical turn-of-the-century cyberpunk thriller, with hip street hacker kids and an exotic location, And the denouement in an uncompleted office block is something that is almost a cliché, or at least would be if this were a film. But the plot turns and the central protagonist saves this book from complete obsolescence. ( )