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Everything Is Cinema: The Working Life of…
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Everything Is Cinema: The Working Life of Jean-Luc Godard (edizione 2009)

di Richard Brody

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1583171,636 (3.69)4
"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.… (altro)
Utente:languagehat
Titolo:Everything Is Cinema: The Working Life of Jean-Luc Godard
Autori:Richard Brody
Info:Picador (2009), e-book
Collezioni:La tua biblioteca
Voto:*****
Etichette:movies, criticism

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Everything Is Cinema: The Working Life of Jean-Luc Godard di Richard Brody

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One of the best movie books I've read. Yes, Brody is perhaps overly sensitive to, or at least loquacious about, Godard's antisemitism, but that's a minor irritant -- his discussions of the movies are invariably illuminating and well-informed, and even when you disagree with his judgments he gives you a lot to think about. Anybody interested in Godard should immerse themselves in this book. ( )
  languagehat | Sep 17, 2022 |
Godard still had sixteen rows of American films in his library; he had been deceived, but the illusions were beautiful ones, beautiful to believe in, even after their fraud was revealed.


This was a sublime albeit painful experience. Joel bought this for me upon its release nine years ago but I never pursued such as I didn't wish to encounter spoilers per the films depicted within. I'm rather sure Godard would find my explanation bullshit.

https://www.youtube.com/watch?v=Qz0ZdVZrw9Y


This is a biography of an ultimately nebulous presence, hidden behind those dark glasses and the swirl of cigar smoke. The whirr of the projector blends with his raspy voice. This is a warts and all endeavor: misogyny and anti-Semitism percolate. Both were difficult for me to absorb.

What wasn't a challenge was viewing a half dozen of his film per week recently and I'm sure Amazon approves of my obsession. Godard is quoted repeatedly, "At the cinema, we do not think, we are thought. I find the Slavic soul at the core of that. Maybe that is why Solzhenitsyn figures so prominently in Goodbye To Language - but then why all the scenes of people defecating? There is considerably gravity in making Godard an institution. Much like his counterpart Bob Dylan, he doesn't easily conform to such expectations. Whether it was his Maoist phase or when Jack Lang as Minister of Culture assured JLG of funding -- the results were astonishingly singular.

https://www.youtube.com/watch?v=Wx37fO25k-4 ( )
  jonfaith | Feb 22, 2019 |
This is a really well-done book, I quite enjoyed it. My only qualms are that the author continuously refers to Godard as having anti-Semitic tendencies and also that almost all of his films were made to solve some problem Godard was having with Anna Karina at the time (to save the marriage). This kind of repetitive reasoning points toward simplistic thinking, and causes me to doubt the validity of whatever the author is saying. Not saying he is wrong, of course...I obviously do not know as much as Brody does about Godard. ( )
  amschroe | Sep 7, 2011 |
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"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.

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