Maíra, primeiro romance do inesquecível Darcy Ribeiro, revela sua experiência como antropólogo e apaixonado defensor da causa indígena. Mesclando sua convivência ao lado dos índios e seu amplo conhecimento teórico, ele constrói uma narrativa admirável onde o mitológico, o social e o individual se cruzam para formar um espaço novo e raro.

This novel by a Brazilian anthropologist was a challenging read for me: at times fascinating and imaginative, at times frustrating and opaque. Ribeiro set himself the task of depicting fictionally the impact of western "civilization" on a remote tribe of Indians, the Mairun, deep in the forested regions of the Amazon. To do so, he mixes sections that tell of the Mairun origin myths and customs with stories told by people as varied as a Mairun who almost became a Roman Catholic priest, the Mairun guide of souls, other Mairuns, various missionaries, a half-Mairun river trader, an investigator, and others, and it was sometimes difficult to keep track of who was who.

The novel begins with the discovery of a dead white woman on the beach by the river, who has apparently died while giving birth to twins. Or was she murdered? By the end of the book, we have some idea of how she got there. She was a troubled young woman, Alma, who ended up on the same small plane as the Mairun man who had given up studying in Rome to be a priest and was returning home: Isías in his Western name, Avá in his Mairun name. As a Mairun, he is destined to become the next chieftain; the old one has just died (although apparently he didn't know this when he decided to leave Rome and return home). Alma ends up accompanying Isías/Avá by canoe down the river first to the monastery/convent where he originally studied as she had thought she would somehow help the nuns there, and then to his village. Needless to say, she is a curiosity there, but eventually she feels very at home; Isías/Avá has more difficulty fitting back in as he has become neither white nor Mairun.

This is the broadest outline of the plot, but the plot is just there to hang the ideas on. A lot of this book is about religion, both Mairun beliefs and Catholic and evangelical Protestant beliefs, and some of this, especially the Catholic material was hard for me to follow, especially since a lot of it was given in Latin and I didn't want to type it all in to Google Translate! The novel's sections are named largely with Christian concepts: Antiphony, Homily, Gospel, and Corpus. I feel I missed a lot of the Christian references and ideas.

On the other hand, the parts about the Mairun life and mythology were the richest and most compelling, and often beautifully written (and often quite earthy too), although occasionally I was very aware that an anthropologist was writing the book! (As far as I can tell, the Mairun are a made-up tribe, but I'm sure Ribeiro took ideas about customs, kinship, and origin myths from indigenous people he had studied.) I was quite taken with the guide of souls, the complex way the Mairun organize their intergroup relationships, and various individuals and their interactions.

Another aspect of the novel is how Isías/Avá attempts to reclaim his Mairun heritage but remains a prisoner in a way of all his years with the priests both in Brazil and in Rome. His struggle is a metaphor for one of the ways the indigenous cultures were destroyed; more overt methods make an appearance later on in the book.

This is a complex and complicated novel, and I don't feel it entirely works. But I am glad I read it, and I'm still thinking about it.

As a side note, I bought this book because I became interested in Aventura: The Vintage Library of Contemporary World literature, after reading Donoso's A House in the Country earlier this month (see this post for a list of titles); I had never heard of it before. These books are beautifully designed and printed on very nice paper, but this book at least was marred by careless proofreading (e.g., "wit" for "with").

Primeiro romance do antropólogo Darcy Ribeiro. O livro conta a história de um membro da nação indígena Mairum, criado em um seminário católico, que volta ao Xingu para assumir sua identidade. Muito bom. ( )