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Sto caricando le informazioni... On personality (edizione 2004)di Peter Goldie
Informazioni sull'operaOn Personality di Peter Goldie
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A thoughtful and stimulating look at this widely-used but little understood phenomenon, personality. Drawing on a great range of philosophers, novelists and films Peter Goldie looks at the concept of personality. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)126Philosophy and Psychology Philosophy Of Humanity Consciousness And SelfhoodClassificazione LCVotoMedia:
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The initial chapters lay the groundwork of distinctions needed to discuss personality and character (they are different) sensibly. In the middle chapter, Goldie addresses head-on the apparent evidence from psychological research casting doubt on the notion of dispositional characters. He handily fends off the sceptics, I think, but acknowledges in turn the fragile nature of character and the conditions under which we are prone to misascribe character traits. Having secured our talk of character, he moves on to its vital role in our moral lives. On Goldie’s view we are responsible for many of our character traits and this suggests a rethinking of the ordering of praise and blame in particular cases. A proper understanding of character is thus a clear first step for philosophers working through the connections between agency, responsibility, and character.
Goldie concludes the book with a chapter on the role of narrative in the sense of the self. Although he is often described as having a narrativist position, it is clear that he differs significantly from others in the field. Since he accepts a distinction between narrative and what narratives are about, he sees no difficulty in discounting the view that our lives have a narrative structure; rather, he would say, our “lives, and parts of lives, unfold in a characteristic way which can be related in the form of a narrative (but which aren’t themselves narratives).” Narrative (i.e. self-narrative) is crucial for what he calls the ‘Augustinian inside view’. But it is equally important as an expressive indicator for others.
Things move quickly, I think, in this final chapter. You may reach the end rather wishing that there had been time to learn a great deal more about the philosophical treatment of character, personality, and the role of narrative in the idea of the self. But perhaps that is the best indicator of an excellent introductory text. Recommended. ( )