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What's it all about?

di Michael Caine

UtentiRecensioniPopolaritàMedia votiCitazioni
280494,448 (3.93)14
"There are things that I have done in my life that I should regret. I don't." On these pages is the familiar, engaging voice one expects to encounter: the Cockney lad who realized the impossible dream - unchanged, unfazed, still so astonished at his good fortune that his natural comedic impulse must continually poke fun at himself and his surroundings. Perhaps it has to do with the fact that, as Alfie, Michael Caine forever epitomized a culture that was coming of age in the sixties - the quintessence of the average man transformed by the promise of changing times - or perhaps it's that few other actors have so magically forged a persona beyond the characters they've inhabited on screen. Whatever the reason, Michael Caine has remained one of the world's most versatile, enduring and beloved actors of our time. Born in 1933 in London's impoverished East End, Maurice Joseph Micklewhite had an eye disorder that made him appear sleepy, ears that stuck out at right angles and rickets that forced him to wear heavy boots ("I must have scared the hell out of all the other little kids"). With all the easy charm and humor of a natural raconteur, Caine enchants with tales of his hardworking mum and his hard-won journey to fame, his hilarious stint in the army ("they called it National Service; we called it hell") and terrifying time in the Korean jungles and his baptism into the Swinging London of Albert Finney, Vidal Sassoon, Terence Stamp, Julie Christie and Peter Sellers ("the only time in my life when nothing went wrong for anybody"). What's It All About? is also about the movies - from Alfie to Sleuth to The Man Who Would Be King to Hannah and Her Sisters - and about the craft. In the course of seventy-seven films, Caine has worked with such legends as Sir Laurence Olivier ("Call me Larry"), Elizabeth Taylor, Peter O'Toole, Sidney Poitier and Brigitte Bardot, and with such legendary directors as John Huston (who, at their first meeting, "looked like God on a bad day"), Woody Allen, Brian De Palma, Otto Preminger and Vittorio de Sica. But above all, What's It All About? is about the companions on his life journey, from his longterm friendships with Roger Moore ("He was famous, handsome, elegant and generous; I was obscure, ugly, scruffy and mean"), Sean Connery and Cary Grant, to name but a few; to his extraordinary love affair with his wife, Shakira. What's It All About? is a book of anecdotes and insights, full of stories of romance, humor, lust, bad behavior, good deeds, rough times and halcyon days. Candid, vibrant and warm, here is a captivating self-portrait of a man who is at once sublimely ordinary and simply extraordinary.… (altro)
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Given Michael Caine's status as a national treasure and his well-earned reputation as a raconteur, it is no surprise that his autobiography is so amiable and entertaining to read. There are no grotty, salacious revelations in the style of the modern celebrity 'tell-all' gossip biography; that would only cheapen Caine's remarkable story. What we get is something more wholesome (but yet willing to address alcoholism and perceptions of 'womanizing' from the Sixties, amongst other things); we're spending time in the company of a man who you become very interested in.

Much of the book, of course, covers his film career and it is therefore a great relief that this is actually interesting. Caine mingled with a lot of the stars of Hollywood in a time when that still meant something. It seems like every other day he was meeting new and interesting people, whether in Swinging London, New York or Los Angeles. As he notes on page 255, "I seemed to spend a lot of time in Hollywood standing open-mouthed as I was introduced to someone astonishing", and that is the tone and content of a large portion of this book. But it's not a blitz of name-dropping; Caine is great at telling anecdotes and framing them as only a natural storyteller can. It somewhat inevitably becomes less interesting towards the end of the 1970s as Caine's leading-man status in films waned, but there's still plenty to hold one's attention from then on. Mercifully for such a long book with so much content, Caine writes well and the pages breeze by.

In contrast to many autobiographies, in Caine's case it is the years before fame that are the most riveting. As much as I enjoyed the celebrity hobnobbing of the later chapters, the enjoyment of those chapters is heightened by sharing in Caine's experiences and trials before his fame. From evacuation to the countryside in World War Two and growing up in poverty in working-class London, to struggling in both Britain's rigid class structure and the unsympathetic world of show-business until his big break at the age of 30, Caine is for all 557 pages of this book funny, warm and modest, and it's heartening to know that despite some titanic struggles such a person can indeed 'make it'. And for a man who comes across as such a decent and likeable person, with just enough rascal about him to keep him interesting, you don't begrudge him a single minute of it. ( )
  MikeFutcher | Mar 11, 2017 |
What an enjoyable read. Yes, this is an autobiography of an actor and there are names named, but his outlook on life and the way he relates his experiences are very entertaining.

Starting life out as Maurice Micklewhite, with a father who worked as a fish-porter on the London docks, Maurice decided he did not want to follow in his father's footsteps, but rather become and actor. Starting on the stage in his late teens, it was an uphill run, but he persisted until he became a household word.

His style of writing and is perspective of his life make this a refreshing memoir. The amusing stories of what has happened to him on his way to the top and the people he has met and worked with are presented in a good pace and easy read style. It is easy to join in this stroll down Michael Caine's memory lane. ( )
  ChazziFrazz | Jun 23, 2016 |
Maurice Micklewhite is an engaging fellow. His film and stage career seems to be adequately portrayed in this autobiography. Not a laugh fest like David Niven's Memoirs, but still a good time was had by the reader. ( )
  DinadansFriend | Mar 9, 2014 |
This was an enjoyable read, the kind of book you pack in your beachbag for a summertime read. Caine writes almost the same way he speaks, so there is constant humor and a love of life. His start in life was tough and he doesn't hide his own failings regarding his first marriage and child, so the honesty is appreciated by the reader.

Sometimes he seems to aim for the heights conquered by David Niven in his enjoyable memoirs and doesn't quite get there. I'm not sure all of it is truly happening as he states or whether he's using hindsight to his advantage. But, not for me to decipher, just for me to read and enjoy.

Book Season = Summer ( )
  Gold_Gato | Sep 16, 2013 |
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I first started to act at the age of three.
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Anybody who has ever moaned about any telephone system should have tried phoning Mexico from Malta in 1972.
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"There are things that I have done in my life that I should regret. I don't." On these pages is the familiar, engaging voice one expects to encounter: the Cockney lad who realized the impossible dream - unchanged, unfazed, still so astonished at his good fortune that his natural comedic impulse must continually poke fun at himself and his surroundings. Perhaps it has to do with the fact that, as Alfie, Michael Caine forever epitomized a culture that was coming of age in the sixties - the quintessence of the average man transformed by the promise of changing times - or perhaps it's that few other actors have so magically forged a persona beyond the characters they've inhabited on screen. Whatever the reason, Michael Caine has remained one of the world's most versatile, enduring and beloved actors of our time. Born in 1933 in London's impoverished East End, Maurice Joseph Micklewhite had an eye disorder that made him appear sleepy, ears that stuck out at right angles and rickets that forced him to wear heavy boots ("I must have scared the hell out of all the other little kids"). With all the easy charm and humor of a natural raconteur, Caine enchants with tales of his hardworking mum and his hard-won journey to fame, his hilarious stint in the army ("they called it National Service; we called it hell") and terrifying time in the Korean jungles and his baptism into the Swinging London of Albert Finney, Vidal Sassoon, Terence Stamp, Julie Christie and Peter Sellers ("the only time in my life when nothing went wrong for anybody"). What's It All About? is also about the movies - from Alfie to Sleuth to The Man Who Would Be King to Hannah and Her Sisters - and about the craft. In the course of seventy-seven films, Caine has worked with such legends as Sir Laurence Olivier ("Call me Larry"), Elizabeth Taylor, Peter O'Toole, Sidney Poitier and Brigitte Bardot, and with such legendary directors as John Huston (who, at their first meeting, "looked like God on a bad day"), Woody Allen, Brian De Palma, Otto Preminger and Vittorio de Sica. But above all, What's It All About? is about the companions on his life journey, from his longterm friendships with Roger Moore ("He was famous, handsome, elegant and generous; I was obscure, ugly, scruffy and mean"), Sean Connery and Cary Grant, to name but a few; to his extraordinary love affair with his wife, Shakira. What's It All About? is a book of anecdotes and insights, full of stories of romance, humor, lust, bad behavior, good deeds, rough times and halcyon days. Candid, vibrant and warm, here is a captivating self-portrait of a man who is at once sublimely ordinary and simply extraordinary.

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