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I sette pilastri della saggezza

di T. E. Lawrence

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
4,199532,055 (4.04)1 / 183
T.E. Lawrence describes his rise to leadership position and famed title Lawrence of Arabia. In vivid and lyrical detail, Lawrence describes how he unified numerous Arab factions during World War I against the occupying and oppressive Ottoman Turks.
  1. 40
    Lawrence of Arabia: The Authorized Biography of T.E. Lawrence di Jeremy Wilson (KayCliff)
  2. 20
    Setting the Desert on Fire: T. E. Lawrence and Britain's Secret War in Arabia, 1916-1918 di James Barr (arethusarose)
    arethusarose: covers the politics and policies that led to Lawrence's activity, and work done by others in more detail than I have seen in other books. The author appears to have examined the territory covered in 1916-1918 as it is today
  3. 10
    T. E. Lawrence: The Selected Letters di T. E. Lawrence (BINDINGSTHATLAST)
    BINDINGSTHATLAST: Affordable and robust book of letters.
  4. 10
    Lawrence: The Uncrowned King of Arabia di Michael Asher (amerynth)
  5. 10
    I castelli dei crociati di T. E. Lawrence (BINDINGSTHATLAST)
    BINDINGSTHATLAST: includes a small selection of letters
  6. 00
    More Great Railway Journeys di Benedict Allen (John_Vaughan)
    John_Vaughan: Chapt 1 for more on Hejaz - Seven Pillars of Wisdom: A Triumph, T E Lawrence
  7. 00
    Eden to Armageddon: World War I in the Middle East di Roger Ford (Artymedon)
  8. 01
    1453: la caduta di Costantinopoli di Roger Crowley (John_Vaughan)
  9. 12
    T. E. Lawrence: An Arab View di Suleiman Mousa (Sylak)
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The title of Seven Pillars comes from the Bible, in the Book of Proverbs. This is Lawrence's personal narrative about the Arab revolt during World War I. A caveat: with all personal narratives come author perceptions that aren't necessarily aligned with reality. Lawrence's Seven Pillars is no different. He used unreliable sources in the form of diaries, journals, field notes, and most unreliable of all personal narratives, his memories. Yet, Lawrence goes to great pains to explain the process of his writing. In the spirit of artistic creation this is much appreciated.
I would be remiss if I didn't draw attention to the full page portraits and illustrations that are beyond fantastic executed in plaster, oils, charcoal, pencil, and photograph . Lawrence makes special mention of the artist, Kennington, who worked for five years on the majority of the illustrations.
As an aside, Revolt in the Desert is an abridgement of Seven Pillars. ( )
  SeriousGrace | Dec 9, 2020 |
I was aware before starting that this was a somewhat unreliable account of the exploits of Lawrence on the Eastern Front during WWI but the Introduction introduced such a level of scepticism that it tainted my reading; I was forever wondering what was true, what was exaggerated, what entirely fabricated. The veracity of the account was challenged in a publication of 1955 that I don't have. I'd have much prefered to read a critical edition that put the book in the context of the known history so that truth and fiction could be easily separated - I don't know if such a thing exists, though.

Lawrence is at his best when describing landscape and action, at his worst when being judgemental, whether it be about history, peoples or individuals. The first half fled fairly fast but the second was a struggle for most of its length. It turns out that camel rides and raids on railways and bridges can become repetative and dull. Interest was re-ignited when the Allies turn up in force and events become novel again.

I know very little about WWI; my main impressions of it come from two books; All Quiet on the Western Front and this. The contrast between the Western and Eastern conflicts could hardly be greater, on this basis. The mud, trenches, gas attacks, whole-sale slaughter and stalemate of France and Belgium feel like a different world from the rock, sand, guerilla warfare and endless gadding about by horse, camel, plane and (Rolls Royce) car that Lawrence describes in the Middle East. Lawrence's account is rarely in the slightest bit romanticised, though, and hunger, thirst, battle and death are treated in a most matter-of-fact manner that contrasts both with the myth of Lawrence of Arabia on the one hand and the deliberately political and horrifying verse of Sassoon and his fellow War Poets. ( )
1 vota Arbieroo | Jul 17, 2020 |
> Par Le Monde.fr : "Les Sept Piliers de la sagesse", de T. E. Lawrence : dans les pas de Lawrence d'Arabie
16 juil. 2009 ... L'auteur des "Sept Piliers de la sagesse" avait coupé et récrit son texte avant parution. C'est la version longue, plus facile à lire, qui nous est proposée aujourd'hui ...
  Joop-le-philosophe | Dec 8, 2018 |
Classic text on war with the Arabs, originally distributed privately, then publicly available in 1935 ( )
  nadineeg | Nov 30, 2018 |
I first struggled through this book with great determination at the age of 12, smitten with the legend after having seen the David Lean movie. As Lawrence said himself, "purple prose." Absolutely beautiful. The obsession continued through to adulthood, and I came to embrace and love the real person through The Mint, Oriental Assembly, and some of the many biographies written about him, and mostly by reading his letters. I learned more about the history of the Middle East, became interested in E.M. Forster's writing, Kennington's wonderful portraits, Ur, and explored many other subjects, connections and viewpoints thanks to Lawrence. I read and eventually acquired my copies of Seven Pillars, Oriental Assembly, and T.E. Lawrence by His Friends through a relative I remember only dimly and was not old enough to seriously converse with while she lived. ( )
3 vota laursand | Dec 10, 2017 |
That is what the book is about, and it could only be reviewed authoritatively by a staff officer who knows the East. That is what the book is about, and Moby Dick was about catching a whale. For round this tent-pole of a military chronicle T.E. has hung an unexampled fabric of portraits, descriptions, philosophies, emotions, adventures, dreams.... He has also contributed to sociology, in recording what is probably the last of the picturesque wars. Camels, pennants, the blowing up of little railway trains...
aggiunto da KayCliff | modificaAbinger Harvest, E Forster (Oct 18, 2014)
 
The author himself had described Seven Pillars in these terms, in a letter to Charlotte Shaw in 1923:
... it's more a storehouse than a book - has no unity, is too discursive, dispersed, heterogeneous. I've shot into it, as a builder into his yard, all the odds and ends of ideas which came to me during those years ... (Lawrence, 2000: 33)
And he proved himself no indexer's friend in the matter of consistency. He wrote:
Arabic names won't go into English, exactly ... There are some 'scientific systems' of transliteration... I spell my names anyhow, to show what rot the systems are. (Lawrence, 1935: 19)
aggiunto da KayCliff | modificaThe Indexer, Hazel K. Bell (Aug 3, 2009)
 

» Aggiungi altri autori (150 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Lawrence, T. E.Autoreautore primariotutte le edizioniconfermato
Asher, MichaelIntroduzioneautore secondarioalcune edizioniconfermato
Berner, BradA cura diautore secondarioalcune edizioniconfermato
Brown, MalcolmA cura diautore secondarioalcune edizioniconfermato
Gatrell, AnthonyMapsautore secondarioalcune edizioniconfermato
Kennington, EricIllustratoreautore secondarioalcune edizioniconfermato
Lawrence, A. W.Prefazioneautore secondarioalcune edizioniconfermato
Thesiger, WilfredPrefazioneautore secondarioalcune edizioniconfermato
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Titolo canonico
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Data della prima edizione
Personaggi
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Premi e riconoscimenti
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Epigrafe
Dedica
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To S.A.

I loved you, so I drew these tides of men into my hands and wrote my will across the sky in stars
To earn you Freedom, the seven pillared worthy house, that your eyes might be shining for me
        When we came.
Death seemed my servant on the road, till we were near and saw you waiting:
When you smiled, and in sorrowful envy he outran me and took you apart:
        Into his quietness.
Love, the way-weary, groped to your body, our brief wage ours for the moment
Before earth's soft hand explored your shape, and the blind worms grew fat upon
        Your substance.
Man prayed me that I set our work, the inviolate house, as a memory of you.
But for fit monument I shattered it, unfinished: and now
The little things creep out to patch themselves hovels in the marred shadow
        Of your gift.
Incipit
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Mr Geoffrey Dawson persuaded All Souls College to give me leisure, in 1919-20, to write about the Arab Revolt.

Author's note, Cranwell, 15 August 1926.
The seven pillars of wisdom are first mentioned in the Bible, in the Book of Proverbs (ix. I)

Preface by A. W. Lawrence.
The story which follows was first written out in Paris during the Peace Conference, from notes jotted daily on the march, strengthened by some reports sent to my chiefs in Cairo. Afterwards, in the autumn of 1919, this first draft and some of the notes were lost. It seemed to me historically needful to reproduce the tale, as perhaps no one but myself in Feisal’s army had thought of writing down at the time what we felt, what we hoped, what we tried. So it was built again with heavy repugnance in London in the winter of 1919–20 from memory and my surviving notes. The record of events was not dulled in me and perhaps few actual mistakes crept in—except in details of dates or numbers—but the outlines and significance of things had lost edge in the haze of new interests.

Introductory Chapter.
Some Englishmen, of whom Kitchener was chief, believed that a rebellion of Arabs against Turks would enable England, while fighting Germany, simultaneously to defeat her ally Turkey.

Introduction : Foundations of revolt.
Some of the evil of my tale may have been inherent in our circumstances

Chapter I.
Citazioni
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Tallal had seen what we had seen. He gave one moan like a hurt animal; then rode to the upper ground and sat there a while on his mare, shivering and looking fixedly after the Turks. I moved near to speak to him, but Auda caught my rein and stayed me. Very slowly Tallal drew his head-cloth about his face; and then he seemed suddenly to take hold of himself, for he dashed his stirrups into the mare's flanks and galloped headlong, bending low and swaying in the saddle, right at the main body of the enemy.
Later I was sitting alone in my room, working and thinking out as firm a way as the turbulent memories of the day allowed, when the Muedhdhins began to send their call of last prayer through the moist night over the illuminations of the feasting city. One, with a ringing voice of special sweetness, cried into my window from a near mosque. I found myself involuntarily distinguishing his words: 'God alone is great: I testify there are no gods, but God: and Mohammed his Prophet. Come to prayer: come to security. God alone is great: there is no god--but God.'

At the close he dropped his voice two tones, almost to speaking level, and softly added: 'And He is very good to us this day, O people of Damascus.' The clamour hushed, as everyone seemed to obey the call to prayer on this their first night of perfect freedom. While my fancy, in the overwhelming pause, showed me my loneliness and lack of reason in their movement: since only for me, of all the hearers, was the event sorrowful and the phrase meaningless.

Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
(Click per vedere. Attenzione: può contenere anticipazioni.)
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T.E. Lawrence describes his rise to leadership position and famed title Lawrence of Arabia. In vivid and lyrical detail, Lawrence describes how he unified numerous Arab factions during World War I against the occupying and oppressive Ottoman Turks.

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