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The Rejection Collection Vol. 2: The Cream of the Crap

di Matthew Diffee

Serie: The Rejection Collection (Volume 2)

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Each week The New Yorker receives more than five hundred submissions from its regular cartoonists, who are all vying for one of the twenty coveted spots in the magazine. So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. The Rejection Collection Vol. 2: The Cream of the Crap is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to The Rejection Collection offers even deeper insight into the exercise in frustration, patience, and amusement that is being a New Yorker cartoonist. Warped, wicked, and wildly funny, The Rejection Collection Vol. 2 will appeal to every New Yorker fan -- and everyone with a taste for the absurd.… (altro)
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A weak follow-up to the first collection. Only one or two of the cartoons included made me laugh. Scatology seemed over-represented (the subtitle "Cream of the Crap" might have been a clue). The cartoonists' self-completed bios were far more entertaining than their rejected cartoons in most cases. Diffee's explanation of the submission-to-rejection process is interesting and his appendix on reasons for rejection is more entertaining than some of the cartoons.

I may have been biased by an interview with Matthew Diffee that I heard on on National Public Radio before reading the book. Diffee explains a cartoon of his, beginning "It's [b:Che Guevara|172732|The Motorcycle Diaries Notes on a Latin American Journey|Ernesto Guevara|http://photo.goodreads.com/books/1172407292s/172732.jpg|818488]--or however you say his name, I don't even know." "Sigmoidoscope," he says in relation to another cartoon, "I didn't know that was a real thing." In my head, I hear Hermione Granger: "What an idiot." I think less of Diffee after hearing him attempt to explain the cartoons, though his point that it's odd to narrate cartoons on the radio is well-taken. For his part, the interviewer also mangles the word "tyrannosaurus" ("tyrannus rex") and says it has "forepaws," which is rather shocking for Fresh Air. Since none of this reflects on the book per se, I have tried to put it aside.

In summary, the book was mildly entertaining, but for my money, the first collection is better. ( )
  OshoOsho | Mar 30, 2013 |
My God, this is funny. New Yorker cartoons -- on crack. ( )
  koeeoaddi | Mar 30, 2013 |
Same problem as Volume 1: just not that many funny cartoons. Again, the questionnaires by the cartoonists are the best part. ( )
  piemouth | Mar 26, 2013 |
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Each week The New Yorker receives more than five hundred submissions from its regular cartoonists, who are all vying for one of the twenty coveted spots in the magazine. So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. The Rejection Collection Vol. 2: The Cream of the Crap is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to The Rejection Collection offers even deeper insight into the exercise in frustration, patience, and amusement that is being a New Yorker cartoonist. Warped, wicked, and wildly funny, The Rejection Collection Vol. 2 will appeal to every New Yorker fan -- and everyone with a taste for the absurd.

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