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Sto caricando le informazioni... Timepiecesdi Drusilla Modjeska
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. I really struggled with this book - I absolutely love 'The Orchard', 'Stravinsky's Lunch' and 'Poppy', none of them easy reads, but very rewarding. 'Timepieces' was an incredibly academic review of the state of affairs of (predominantly) Australian woman artist, Australian publishing and the rise of non-fiction over fiction - but I found it so weighty, I just really found it a tough read. Perhaps better suited to winter reading than pre-Christmas (post exams). nessuna recensione | aggiungi una recensione
'There used to be a tradition that when a cabinet-maker finished his apprenticeship, he'd make a miniature chest, or cabinet, as a gift for his master... Unlike cabinet-makers, writers rarely have a single teacher, and when they bow to those they've learned from, it'd be no tribute to make a perfect example of their work, even if it were possible.'The desire to write. The art of memoir. Finding a place to write. First love. The Englishness problem. A love of art. Fiction today...With her customary elegance and deftness, Drusilla Modjeska explores these issues and more in a liberating new collection of essays. Some have been previously published, most are new; but all offer a fresh and personal perspective on writing and life by one of Australia's most popular authors. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)808.02Literature By Topic Rhetoric and anthologies Rhetoric and anthologies Authorship techniques, plagiarism, editorial techniquesClassificazione LCVotoMedia:
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As with all timepieces, Modjeska's essays measure the passing of time: a life spent reading and writing, of trying to map the endless relations of family or of "literature". Activities like embroidery, writing and reading are ways of passing time as much as measuring it.
What Modjeska does here (if sometimes laboriously) is show how the passing of time, the telling of stories, is a way of coping with the sadness of the present. ( )