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Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts - carefully worked and honed into art over the years - being presented to a public audience of dubious strangers, that strays perilously close to tragedy. fellow readers, the organiser, the venue, the hospitality, or the often-interminable journey there and back. Then there are the experiences of teaching and being taught, reviewing and being reviewed, of festivals and writers' retreats, symposia, signing sessions, literary parties and prizes, the trips abroad, with all the attendant joys of translation and, finally, the bright worlds of television and radio that can bring so many more people to share in your shame. reader, apart from the sheer schadenfreude of it all, there is admiration too: for that acknowledgement of human frailty, of punctured pride, and also of the seeming absurdity of trying to bring private art into public space. There are contributions from, amongst others, Margaret Atwood, Julian Barnes, Louis de Bernieres, Rick Moody, Irvine Welsh, Margaret Drabble and Norman Mailer.… (altro)
This is an extremely humerous look at how authors feel about their book signing events. It's fascinating to hear their side of things and to see things from their point of view. There are some very funny accounts of places that they have to stay in overnight, and amusing anecdotes of remarks made by the general public. I particularly loved the tale of Glyn Maxwell,a poet, who had to do a reading for some school children - on being asked what his poem was about he went on to explain in some detail what he had tried to get across in his poem, when he'd finished explaining the child that had asked merely looked at him and said 'why didn't you just say that in the first place then?' Terrific stuff, a must read for any wannabe authors. ( )
My boss gave me this book just before I left on my first book tour. It's great comfort to any author, for sure (I take it with me whenever I travel to remind me that no matter how poorly a signing goes, it could have been worse), but also valuable to anyone who likes to see the inner lives (and rabid insecurities) of authors. -John Green ( )
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts - carefully worked and honed into art over the years - being presented to a public audience of dubious strangers, that strays perilously close to tragedy. fellow readers, the organiser, the venue, the hospitality, or the often-interminable journey there and back. Then there are the experiences of teaching and being taught, reviewing and being reviewed, of festivals and writers' retreats, symposia, signing sessions, literary parties and prizes, the trips abroad, with all the attendant joys of translation and, finally, the bright worlds of television and radio that can bring so many more people to share in your shame. reader, apart from the sheer schadenfreude of it all, there is admiration too: for that acknowledgement of human frailty, of punctured pride, and also of the seeming absurdity of trying to bring private art into public space. There are contributions from, amongst others, Margaret Atwood, Julian Barnes, Louis de Bernieres, Rick Moody, Irvine Welsh, Margaret Drabble and Norman Mailer.
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